Recensioni di Metacritic

This is an intoxicatingly amusing blend of cynical urbane comedy, slick detection and breezy romance. [24 Jun 2005, p.C6]

A slight step down from the first two, but still very good. [02 Aug 2005, p.E1]

For the first time, the formula feels strained, due to excessive baby/dog humor and not enough Powell/Loy interaction.

This 1939 release is still watchable, though the spirit is now sitcom.

This third of the trademarked Thin Men takes its murders as jauntily as ever, confirms our impression that matrimony need not be too serious a business and provides as light an entertainment as any holiday-amusement seeker is likely to find.

More mystery than comedy dominates this sometimes draggy production, whose script is less inspired than in previous THIN MAN efforts. The atmosphere and sets, along with stellar performances by the principals, can't offset a weak story.

Third in the series, the effortlessly effervescent Powell and Loy and a sharp supporting cast are all but overwhelmed by a tedious, impenetrably complicated plot, involving the murder of Nora's late father's business partner (C. Aubrey Smith). [14 Jul 1996, p.4]

The third in the series, and without any new ideas except a bad one: still airily casual, Nick and Nora Charles (William Powell and Myrna Loy) are now the parents of a baby boy.