Angeli senza cielo

A club of boys gets a mayor elected during boys week in order to free their new member, who has been framed for arson by corrupt men.

At the state reformatory Gabe Ryan (Frankie Thomas) is paroled to his sister Joy Ryan (Ann Sheridan). In their new neighborhood Gabe fights Leo Finnegan (Leo Gorcey), wins, and is initiated with tests into the Termite club. They put out a fire in a basement. Owner Kroner (Bernard Nedell) lets them go, but his boss Martino (Eduardo Ciannelli) tells him to cast suspicion on Gabe. Deputy D. A. Pat Remson (Ronald Reagan) questions Gabe and gets coffee from Joy. Kroner tells kids to leave his lot, and Sleepy Arkelian (Bernard Punsly) is hurt in the street. Joy knows it is corrupt politics and appeals to Martino and his civic league. Martino tells Haines (Cy Kendall) and Kroner to burn a building and blame Gabe by getting him to hate Kroner. Peggy Finnegan (Bonita Granville) urges Gabe to run for boys mayor. Pat kisses Joy. Sleepy is trapped in a burning building and is killed. Pat blames fire commissioner Haines. Sleepy's mother (Marjorie Main) is devastated, and Pat has Gabe arrested.

Witnesses including Miss Hannaberry (Margaret Hamilton) and Haines testify against Gabe, who says they are lying. District Attorney Remson (Henry O'Neill) persuades the jury, and Gabe is sentenced to ten years. Termite leader Billy Shafter (Billy Halop) runs for mayor. Termites discourage other candidates with rough tactics as Billy studies. Mayor Dooley (Berton Churchill) announces that Billy won the contest to be mayor for one week. Billy appoints as officers Termites Leo, Huntz, Luigi (Gabriel Dell), and Bernie Smith (Bobby Jordan) along with Peggy for street cleaning. Pat proposes to Joy that they marry, but she declines. Mayor Dooley leaves Gildersleeve (Grady Sutton) to watch Billy, who has his cabinet lock up Gildersleeve. They go to get Gabe from jail but have to go to a judge, who has them thrown out. They attack Gildersleeve, and the police chief calls Pat, who says they must find those who framed Gabe. Termites go after the records of Haines. Bernie's father hints of an impending fire for insurance. Pat takes Haines' account book to his father, the D. A. Then Pat, an attorney (Minor Watson), and the Termites find evidence along with Kroner and Shuffle (Dick Rich), who are arrested; but their lawyer gets them released.

Peggy says that Shuffle can be arrested for spitting on the sidewalk. The attorney and Leo have Kroner and Shuffle arrested and put in stocks. Billy accuses them of killing Sleepy. News reports Boys Week terror, and Mayor Dooley heads back. The lawyer can't free them and goes to Martino, who flees. Pat gets Kroner to talk. When Dooley arrives, Termites grab Haines. Pat shows Dooley Kroner's confession and congratulates him. In the final scene the city is cleaned up and has playgrounds as Pat invites kids to his wedding.

The young spirit of this drama has juveniles reforming corruption by democratic and legal methods with occasional strong-arm tactics.

This 1939 film tried to capitalize on the much better Michael Curtiz's film "Angels with Dirty Faces". As directed by Ray Enright, the only interesting thing is how tamed these kids were in comparison with what's going on with the youth in America's inner cities today.

The film is only worth seeing because of the presence of Ann Sheridan and Ronald Reagan, who showed they were well paired together. The Dead End kids have larger parts as the plot concentrates on them rather than in the older folks.

In a way it's curious how arson was used in the same way some scrupulous landlords did in later years right here in New York. It was the quickest way to turn a property around never considering the social problems it created. In today's climate with so many guns around there is a new reality. The young kids of the story seemed mere pranksters rather than criminals. How times change!

The film begins with a bunch of kids in reform school and focuses on a kid named 'Gabe', who has apparently worked hard to earn his parole. Gabe and his sister move to a new neighborhood to make a fresh start and soon Gabe meets up with the Dead End Kids. The Kids in this film are little punks, but they are much less antisocial than they'd been in other previous films and down deep, they are well-meaning punks. However, in this neighborhood there are also some criminals who are perpetrating insurance fraud through arson and see Gabe as a convenient scapegoat--after all, he'd been to reform school and no one would believe he was innocent once he was framed. So, when Gabe is about ready to be sent back to "The Big House", it's up to the rest of the gang to save him and expose the real crooks.

The "Dead End Kids" appeared in several Warner Brothers films in the late 1930s and the films were generally very good (particularly ANGELS WITH DIRTY FACES). However, after the boys' contracts expired, they went on to Monogram Studios and the films, to put it charitably, were very weak and formulaic--with Huntz Hall and Leo Gorcey being pretty much the whole show and the group being renamed "The Bowery Boys". Because ANGELS WASH THEIR FACES had the excellent writing and production values AND Hall and Gorcey were not constantly mugging for the camera, it's a pretty good film--and almost earns a score of 7 (it's REAL close). In fact, while this isn't a great film aesthetically, it's sure a lot of fun to watch, so I will give it a 7! Sure, it was a tad hokey-particularly towards the end when the kids take the law into their own hands and Reagan ignores the Bill of Rights--but it was also quite entertaining. The Dead End Kids are doing their best performances and Ronald Reagan and Ann Sheridan provided excellent support. Sure, this part of the film was illogical and impossible but somehow it was still funny and rather charming--so if you can suspend disbelief, it works well.

Although Ronald Reagan and Ann Sheridan are the romantic leads here, the film really belongs to the Dead End Kids. Angels Wash Their Faces is NOT a sequel to Angels With Dirty Faces, it doesn't come close to that classic. Still it's an enjoyable film.

The Dead End Kids are joined by Frankie Thomas and Bonita Granville who Warner Brothers had been using in their Nancy Drew series. In those films Granville was the lead and poor Thomas was her earnest boyfriend who she got involved in all of her cases. Here Thomas is the lead and Granville his romantic interest and would you believe, Leo Gorcey's sister. That's nothing, in one of the Bowery Boy features Gorcey got a young Ava Gardner as his sister.

There's been a rash of fires in the neighborhood, somebody's got a nice little arson racket going. The crooks try to pin this on Frankie Thomas who's a new kid moved into the neighborhood with his sister Ann Sheridan. Ronald Reagan as the Assistant District Attorney reluctantly prosecutes.

What happens then is Dead End Kid leader Billy Halop gets himself elected boy mayor of the city and uses the power of office quite creatively to help Thomas and find the arsonists. Some arcane laws which are still on the books turn out to be of real value.

Best in the cast is Frankie Thomas who's quite appealing as the kid in trouble and Bernard Nedell as the slick crook who gets quite a comeuppance from the Dead End Kids.

Fans of the Kids will like this one.

ANGELS WASH THEIR FACES is an obvious attempt to capitalize on the popularity of the previous ANGELS WITH DIRTY FACES, but emerges as a vehicle for the Dead End Kids rather than giving ANN SHERIDAN or RONALD REAGAN a chance to demonstrate their chemistry.

If you happen to be a fan of The Kids, this film is up your alley. They seem more like delinquents than real gangsters (by today's standards), while Sheridan and Reagan try to resolve the problems they create involving a wrongly accused case of arson.

Ray Enright keeps it all moving rather briskly, but the script--with its focus on the kids rather than the stars--is a disappointment for fans of Sheridan and Reagan.

The cast includes the usual Warner stock company of contract players, including Bonita Granville, Henry O'Neill, Eduardo Ciannelli, Frankie Thomas and Margaret Hamilton.

Summing up: Routine crime drama interesting only for a glimpse of Ann Sheridan and Ronald Reagan at an early stage of their careers.