Torchy Blane in Chinatown

The seventh in the Torchy Blane series and the penultimate one for Glenda Farrell and Barton MacLane. This time our heroes try to foil an extortion plot. As with the last film, this one has a different vibe to it than the first four Farrell movies. The focus isn't mostly on Torchy, but rather the cops and the criminal plot. Great supporting cast that includes Henry O'Neill, Patric Knowles, Frank Shannon, James Stephenson, and Janet Shaw. The regulars - Farrell, MacLane, and Tom Kennedy - are all good.

This one has a more of a Charlie Chan feel to it, and not because of the Chinese elements. The villains' plot isn't obvious and keeps the viewers (and the dimwitted coppers) guessing. The climax is hilariously offensive, so a point for that, but also has annoying music that doesn't quite fit the on screen action and goes on too long, so deduct a point for that. Worth a look for fans of the series or just B movies in general. But this isn't Torchy Blane at her best.

Glenda Farrell really shows up the police department in Torchy Blane In Chinatown. She's got the whole thing figured out long before the cops get wise. Of course interestingly enough the apprehension of the villains themselves is a really good idea cooked up by Barton MacLane.

Henry O'Neill plays a US Senator who is a collector of Chinese jade and when he purchases some jade death masks he gets threats, the unsigned note threats and in Chinese. Fortunately Patric Knowles is around to translate the threats.

Their ancestors graves have been defamed, but a little American hard cash will sooth the ancestor's feelings and be good for their descendants as well. It all smells pretty bad, but it's Torchy Blane who catches the right whiff.

Tom Kennedy as Geohagen once again steals the show. Seeing Kennedy in New York harbor rowing that boat to the final rendezvous was quite a sight.

If Torchy could figure it out you can too. Even with that the film is still kind of fun. And MacLane comes in handy in the apprehension. You have to see what he uses.

This entry in the series has a pretty good supporting cast and an interesting script although, as is par for the course for Warner Brothers in the 30s and 40s, it is actually a remake of an earlier 1930s film. Three men who were involved in extracting a rare jade artifact from a Chinese tomb are threatened with death by the descendants of the person whose tomb was robbed via anonymous notes written in Mandarin. The three men come to the police for protection, but Lt. McBride (Barton McLane) seems to be running in circles when it comes to the vengeful descendants. McBride consults a Chinese American friend who tells him there are approximately four thousand Chinese Americans who are descended from the man whose grave was robbed, including himself!

Meanwhile, McBride is trying to keep Torchy away from what is going on, because he thinks any publicity in the newspapers will keep him from catching the criminals. She uses her usual wily ways to get around any impediments. I think I like this series better when Torchy and McBride are at least somewhat allied. Here they are both on their own trying to solve the mystery as almost adversaries.

I'd give this a 7 if it were not for some obvious things that the criminals are doing that would be picked up immediately by the investigating police and thwart their plan. But it is still good fast moving B fun from Warner Brothers.

Poor Torchy! Her boyfriend, Lieutenant Steve McBride, breaks their date to go protect an art smuggler from a sinister gang. Steve sure doesn't seem too sorry—he hardly even apologizes to Torchy. Of course, she sneaks after him that night, hoping to catch a scoop for her newspaper….

Barton McLane gets a big role this time around—his Lieutenant McBride is right at the center of the action. Unfortunately, the lieutenant has never been dumber. He tells the smuggler not to worry, that the police will protect him—and the smuggler is promptly murdered. He tells the next threatened victim the same thing—and that guy is murdered just as quickly. He's not protecting anybody!

Glenda Farrell is fine as always in her sixth appearance as adventurous reporter Torchy Blane. The cops do their best to keep her in the dark, but Torchy gets her leads and reports them without resisting a dig or two: the first murder, she writes, has left "investigating officers, headed by Detective Lt. Steve McBride, running around in circles so fast they're apt to meet themselves coming back."

The plot concerns some stolen jade "burial tablets" and a supposed Chinese gang out to retrieve them. Unfortunately, there's not enough humor or snappy by-play between characters—the really appealing elements of the series' better entries—to keep this one moving. Tom Kennedy, back again as faithful but dim police chauffeur Gahagan, isn't given nearly enough to do, either.

It's a cast of pros and the production is competent, so the picture is certainly watchable. Farrell, especially, is never boring. However, the rather dreadful plot and an overall lack of zip place this one at the bottom of the list of Torchy Blane mysteries.

Fifth in the series of reporter-criminologist Torchy Blane who assists Detective Lieutenant Steve McBride in solving crimes. In this entry, Torchy figures out the solution to the deaths of three prominent men but allows Steve to get the credit at the end and make the collar. If this subservience is not enough, we are subjected to rampant racial stereotyping of Chinese and blacks. Detective Sergeant Gahagan provides comic relief that includes in this film his breaking into poetry from time to time. The film does involve Chinese burial tablets and has a few superficial shots that might have been take on the street of a major city "Chinatown" but the plot does not have anyone going there and doing anything. This version mostly takes place in police stations, at The Adventurers Club, homes, and at sea where a contribution is made by the US Navy. The plot is a remake of the 1920 "The Purple Cipher" and the1930 "Murder Will Out." It involves a combination of revenge murder and blackmail. There are notes to victims passed on Chinese laundry tickets and via additional means. Death comes via a multitude of means and bodies have a habit of disappearing. Fair.