Crociera d'amore

It was not really funny. It was not really a mystery because we saw the shooting and heard the cop's description of the murder and that was not what we had witnessed and so we knew what would eventually happen somewhere down the pike.

When the "mystery" was cleared up we had never met the perpetrator before OR that person had been too insignificant to notice. And the finale seemed rushed and pointless.

As for the talent being wasted ... Ann Sothern TRIED but her dialogue was forced. Ralph Bellamy is too smart to play stupid convincingly, Joan Bennett and Frederic March seemed unconvincing as a romancing pair.

The rear projection was pitiful ...even for being the first feature to use it extensively. Lame and distracting.

Skip this one !

I first saw this movie as a teen eons ago while my parents were busy playing cards at the home of friends, and have loved it ever since. Since my last viewing was over 20 years ago, I would love to have this on DVD to enjoy it again! I love all the characters, and lovely Joan Bennett indeed looked SMASHING as a brunette, which she kept for the rest of her long career. Very appealing was the insouciance of Fredric March's character, the smart humor of bubbly Ann Sothern's part, and the determined dorkiness of Ralph Bellamy's eager beaver character plus an interesting and engaging story.

Let's get this released, people that have the say-so!

"Trade Winds" has some enjoyable moments. This Tay Garnett-directed independent feature has the beautiful and talented Joan Bennett as a murderess on the run in the Orient pursued by a skirt-chasing former policeman played by a very miscast Fredric March. The film veers from whodunit, to travelogue, to screwball comedy, to romance, to courtroom drama without much consistency. Because the major emphasis is on comedy and romance, the film needs the versatility of a Fred MacMurray in the lead. Although a fine actor, March is out of his element in a role that requires a lighter touch.

The usually reliable Ralph Bellamy, who excelled as the proverbial light comic "other man" in classics like "His Girl Friday," "The Awful Truth," and "Brother Orchid," ends up as an oafish buffoon of a policeman of the type often played by Edgar or Tom Kennedy. His performance clashes with March's and at times he seems out of an alternative universe. Although Ann Sothern has a very enjoyable drunk scene, she's underutilized, and the usually reliable Thomas Mitchell is given little to do but growl as a police commissioner... wasted in a role than would have usually gone to a William Frawley.

The film's inconsistencies are likely the fault of writer/director Tay Garnett, who had a lengthy but inconsistent career resume' with at least one masterpiece ("The Postman Always Rings Twice") to his credit. He did helm some films with similar elements to "Trade Winds": "One Way Passage" with Powell and Francis, "Seven Sinners" with Dietrich and Wayne, and "China Seas" with Gable and Harlow, but unfortunately Garnett never developed a consistent style, and by the 1950s he was directing TV Western series episodes like "Death Valley Days" and "Bonanza". With a steadier hand like a Howard Hawks at the helm, and more appropriate cast choices "Trade Winds" may have been a minor classic, but now it's just a curiosity. By the way, two interesting sidebars: Dorothy Parker (of Algonquin Round Table fame) was a collaborator on the script and the enigmatic Dorothy Comingore appears briefly here (under the name Linda Winters) several years before her triumph in "Citizen Kane."

"Trade Winds" is a comedy-drama starring Joan Bennett, Frederic March, Ralph Bellamy, and Ann Sothern, directed by Tay Garnett.

Bennett plays Kay Kerrigan, a young woman who is out to avenge her sister's death and goes after her sister's ex-boyfriend (Sidney Blackmer). When Kay says she wishes she could shoot him, he hands her a gun and she shoots. Then she starts running for her life. To change her appearance, she dyes her hair dark. This turned out to be a boon for Bennett, who took on an exciting new look with the dark hair.

The police send one of their own after her, Ben Blodgett (Ralph Bellamy) and one of their ex-own, the womanizing, slippery Sam Wye (March), now a detective who spends a lot of time coming on to women. He's also romancing his secretary Jean (Ann Sothern). He agrees to search for Kay and manages to get away from from Jean and hop a boat. He gets a line on Kay, and when Jean next appears, she's an assistant to Kay. Then Sam finds out there's a $100,000 award on Kay's head. Small problem - he falls madly in love with Kay.

Fun comedy that slows up in the middle, with good performances by a relaxed March, a very funny Sothern, a lovely Bennett, and Bellamy as an overblown police detective. Not the best, but not bad - except for some of the process shots.

This isn't a serious movie, like the genres assigned by IMDb would suggest. It's first and foremost comedy and romance. Crime is only the background. In fact, the crime aspect is a bit rushed in the beginning so they can move on to the comedy and romance. So if you're expecting a serious film, this isn't it. Ralph Bellamy is total comedy through the whole thing, as well as Ann Sothern.

I did submit comedy as an additional genre to IMDb and explained why, but they declined for no reason, so I'm letting you know here, in this review.

If you watch it knowing it's a comedy (I had no idea, so I was pretty annoyed), it's not bad, but the pacing is off. The actors are very good in their roles though. Overall it's a bit of a strange movie with lots of silliness and traveling and some things that don't quite add up. But if you're looking for a laugh with a sort of held together story and good acting, this will suit.