Three Loves Has Nancy

Janet Gaynor is a country bumpkin who finds herself in New York with Robert Montgomery and Franchot Tone while her fiancée is missing in "Three Loves Has Nancy," a wonderfully funny comedy. Montgomery, Gaynor, and Tone are all hilarious as parts of this strange menage. Gaynor, as Nancy, stood up on her wedding day by "George," is sent by her family to New York to find him. After a series of events, she winds up being used by writer Montgomery to get a rapacious female and her mother off his case. When Franchot Tone, his publisher, friend, and neighbor, gets a sniff of Gaynor's southern cooking, the two men battle it out for her attention. Montgomery considers her a jinx and wants to be rid of Nancy - or so he thinks - until Tone decides he's in love with her.

There are quite a few laugh out loud scenes in this film. It's highly recommended. The "goof" described by IMDb indicates that perhaps two men were cast on different days as Tone's father, an uncredited role, but only one actor is listed. Anyway, it's great fun.

Delightful comedy. I found myself laughing out loud. Robert Montgomery, as usual, has comic timing down to a fine art. Franchont Tone plays his usually sophisticated drunk to near perfection. Funny characters and a funny plot with just enough sexual tension to hold your interest.

Janet Gaynor plays a Thirties version of Tammy in Three Loves Has Nancy and her three guys are Robert Montgomery, Franchot Tone, and Grady Sutton. Want to take odds on who she winds up with?

Montgomery plays a popular author who Gaynor meets at a book signing and later on a train to New York. She's going because her fiancé Grady Sutton left her at the church and she's off to New York to find him. With a country innocence that belies a certain amount of country common sense she involves herself in the lives of Montgomery and his next door neighbor and publisher Franchot Tone in her search for the jilting Sutton.

Somebody had to have seen this film before creating the Tammy character that Debbie Reynolds made popular in the Fifties. Gaynor has the whole thing, accent and all, uncannily down. Montgomery and Tone play the same roles that they both did in so many films for MGM, the debonair man about town. I leave it to you as to who looks better in a tuxedo.

I wish there had been more of Gaynor's family, especially Guy Kibbee as her father and Charley Grapewin as her grandfather. The film would have been better for it.

Three Loves Has Nancy is all right entertainment, but nothing new here. Nothing that hadn't been done before or definitely would be done again later.

Three Loves Has Nancy is a wonderful comedy from 1938 about a woman from a small town who goes to New York to find her missing fiancée. In the process, she meets a city author and his drunken friend who proceed to fall in love with her as well. What ensues is a madcap dash to win her affections in the process of her scatterbrained antics.

Janet Gaynor plays Nancy, the simple and "neighborly" star. Gaynor is wonderful in the role with a consistent accent and constant seriousness that brings plenty of laughs.

Robert Montgomery plays Mal Niles, the writer and perhaps the most grounded and standard of the lead characters.

Franchot Tone is absolutely hysterical as Bob Hanson, a drunk turned sober lovestruck fool. Although he is quite lovable in this film, he varies from his traditional portrayal, bringing lots of attention to his character.

This film, broadcast by Turner Classic Movies, is highly watchable and enjoyable both due to the content and the beautiful picture quality.

Three Loves Has Nancy with Janet Gaynor may not be on the same level as Lady Eve with Barbara Stanwyck but it comes close. I was laughing so hard that my son in the next room yelled out to me, "What's going on in there?" Franchot Tone simply stole the picture and Bob Montgomery was a close second. I couldn't believe the scene in which they were in bed together, stealing the one cover back and forth from each other. It had me in stitches. How could the Hollywood production code state that a married couple on screen couldn't sleep in the same bed yet these two men were allowed to do so? Did the censors simply miss out on the innuendo in 1938? Just too funny for words, perhaps even funnier than a similar scene made today, because this film was made in the age of innocence in Hollywood.

Janet delivers her lines flawlessly, and she is very sweet, but Tone and Montgomery made more with their material here. I rate this delightful film 9 out of 10. Don't miss it when next it airs on TCM.