The Shopworn Angel

When the United States enters World War I, patriotic Texan Jimmy Stewart (as William "Bill" Pettigrew) is among those to sign up for service. In New York for basic training, Mr. Stewart is bowled over by showgirl Margaret Sullavan (as Daisy Heath), but she is promised to distinguished Walter Pidgeon (as Sam Bailey). With Mr. Pidgeon's okay, Ms. Sullavan shows young Stewart around the city, including the roller-coaster at Coney Island. They're supposed to be "just friends" but Stewart is falling in love…

This was a direct re-make of the 1928 silent/sound success starring Nancy Carroll and Gary Cooper, and there were dozens of films with this romantic wartime love triangle. Most of the time, the male characters had different outcomes. The story is strained in places and diluted from the original, but the picture is nicely produced and performed well. The Stewart/Sullavan chemistry is easy to appreciate. A new Broadway musical sensation known as Mary Martin provides Sullavan with a beautiful singing voice.

****** The Shopworn Angel (7/15/38) H.C. Potter ~ Margaret Sullavan, James Stewart, Walter Pidgeon, Hattie McDaniel

I know I am going to sound really picky here, but the hairstyles and clothes are 1938--not WWI like the movie is supposed to be (other than uniforms). You'd think that MGM would pay attention to this detail, as it was THE top studio at the time. Yet, oddly, nearly everyone (especially the women) wear clothes that just would never have been worn in 1917--and hair to boot. And, when the folks were riding the roller coaster, they almost all had hats on--and none of them flew off! As a retired history teacher, I notice these things and felt the movie didn't try very hard to get these simple details right. So is the rest of the film worth seeing? Well, considering that it's got Jimmy Stewart and Margaret Sullavan, what do you think?!

The film is a sweet romance. Stewart is a backward country boy who, unlike all his other friends in the army, does not have a girlfriend and is very awkward around women. So, to stop them from making fun of him, on an impulse, he pretends that an actress (Sullavan) is his girlfriend. Oddly, she feels sorry for him and agrees to the ruse. However, over time, this jaded lady comes to life when she's with Stewart and eventually they fall in love for real. Where it goes next, I won't say--but I was very surprised where the film went. Some may hate the surprise but I appreciated how the writer avoided the clichéd or simple ending.

Well worth seeing despite some poor attention to details. Exceptionally acted (it doesn't get much better) and a dynamite script. See this one.

This is a surprisingly touching movie. It presents the "marry the soldier who is shipping out to near certain death" story, which would play out in real life when the US entered WWII, but in this case, prior to that entry, with a soldier shipping out to France in 1917.

Stewart plays it simple, which works here. He is a sympathetic catalyst who somehow brings the true lovers together in a roundabout manner. Walter Pidgeon is really good here - maybe the best I've seen him - in that he avoids his more typical coolness for genuine vulnerability. The ending in telegraphed, but still sad in that way you love movies to be sad.

This one aired on TCM the other day and was well worth seeing. Had heard about it but had never seen it. I thought it was a good example of Jimmy Stewart's work in earlier films before he became a big star.

But as much as I enjoy and admire Jimmy Stewart, I thought Margaret Sullavan took acting honors in this one. Showing depth and range, she went from cold and cynical to sensitive and caring - from a turn-off to someone to root for. I also thought the chemistry between the two was a plus.

Stories like this one have been done many times in the past - country bumpkin meets jaded big-city veteran - but this picture had a unique charm about it that makes movie-going so enjoyable and rewarding. I rated it a well-deserved seven.

There's no doubt that THE SHOPWORN ANGEL uses a plot that has been used countless times in movies and books over the years. It's the story of a selfish actress (MARGARET SULLAVAN) suddenly succumbing to the country boy charm of a soldier (JAMES STEWART) who is about to be sent overseas in WWII. Meanwhile, she has her agent WALTER PIDGEON, whom she depends upon for emotional support and love. Surely, there is nothing new about the bare outline of the plot.

But what works in the story's favor is the simplicity and charm of the three leads. Sullavan is more radiant than usual as a glamorous actress rather than the drab little wren she usually played and she plays her part in a refreshing manner that is almost able to overcome the idea that she should suddenly turn so noble. Despite this flaw in the characterization, it's a very winning performance that she gives.

Likewise, JAMES STEWART does wonders with a thinly devised role of the country bumpkin who falls impetuously in love with an actress, even to the point of asking her to marry him before he goes overseas. At this point, the plot's outcome becomes telegraphed because we know this is a Margaret Sullavan film and tearful romantic dramas have been her specialty. Thus, the ending becomes a forgone conclusion.

WALTER PIDGEON is her kindly suitor who has the wisdom to make the best of a situation he's not exactly comfortable with. He anchors the story with his sensitive performance as the man who can always be depended on to give the heroine the emotional support she needs. He's also got an abundant sense of humor that the story needs.

It's a trifle of a film, but beautifully acted and given a lift by the winsome performances of its three leads, moving at a brisk pace to the Hollywood ending. HATTIE McDANIEL is her usual delightful self as Miss Sullvan's down-to-earth maid.