Servizio di lusso

"The Madison" agency is nimbly administered by "Helen" (Constance Bennett) delivering an all-inclusive service to the well-heeled gentleman. She and her formidable all-female team could sort out everything from dinner reservations and theatre tickets to weddings and ensuring that unwanted family members never get off the boat! It's that last task that introduces her to "Wade" (Vincent Price) but she has every expectation that he's just another one of those hapless men she keeps encountering. This fellow is a bit different. Though he comes from wealthy stock, he is determined to set up on his own and has even designed an unique form of tractor (looks more like a pint-sized Great War tank) which he needs seed money to develop. He likes her, she likes him - but just as she doesn't want a wimp, he doesn't want to be hen-pecked. Sure, the writing for the couple is on the wall from the start, but there are still some daftly amiable scenarios delivered as their anti-courtship plays out for an over-long ninety minutes. Price is a bit wooden, but he's also got just enough comedy timing to offer an half-decent foil for a Bennett who isn't really on great form here, but who still manages to own the screen. Halliwell Hobbes is once again the butler, but otherwise the supporting characters who so often provide the meat for the sandwich haven't enough to do here, and so it's really left to the two at the top of the bill to eek what they can from the meagre pickings the script provides. It's watchable enough, but aside from it being Price's first leading role, it is nothing especially memorable.

Most romantic movies have a very basic formula...boy meets girl...couple start to fall in love...there is a misunderstanding that threatens to break them up...this is resolved and they live happily ever after. In essence, this is what you get in "Service de Luxe"...a typical formula though HOW you do through each of these steps is what makes this film a bit unique.

Helen Murphy (Constance Bennett) and her friend, Pearl (Helen Broderick) own a business called 'Dorothy Madison Service'. It's a company that solves problems and hires folks, as needed, for helpless rich folks who can't seem to do these things for themselves. The clients love her. However, when Robert (Vincent Price) is contracted with Dorothy Madison, he HATES this. He's a very self-reliant guy and wants to take care of details himself! What he doesn't realize is that his new girlfriend is Helen...of Dorothy Madison fame! She doesn't tell him, either, as she likes him...perhaps loves him and his independent ways. After all, she spends her life taking care of people and the idea of a man she does NOT need to take care of is very exciting.

In the meantime, Audrey Robinson, the daughter of a rich man who uses Dorothy Madison Service, has fallen for Robert...though he has no interest in her at all. One day, he's working and is completely distracted with his project...as Audrey blathers and essentially proposes to him. Without his realizing it, suddenly he's engaged to Audrey even though he loves Helen.

So, how will Robert get rid of Audrey? And, how will Helen get him to marry her even after he finds out who she is?

Overall, this is a very nice romance...enjoyable, clever and with likable character. The only thing working against it is that over time Vincent Price became typecast and seeing him in his first Hollywood film playing an inventor that has made an improved tractor seems odd given Price's screen persona. He just doesn't seem like the farm and tractor sort!

From 1938, "Service de Luxe" gave Vincent Price his first leading role. He was young and quite handsome. The film also stars Constance Bennett, Helen Broderick, Mischa Auer, Charlie Ruggles, and Joy Hodges.

Bennett is Helen Murphy who runs the Dorothy Madison service, which does everything for its clients: plan their weddings, get emergency passports, find them apartments, you name it. Helen is tired of the whole thing.

She then meets Robert Wade (Price). Wade has been henpecked all his life by his aunts. If there's one thing he doesn't like, it's a meddling woman. He is in New York to sell plans for a new tractor. He and Helen fall in love, but because of his feelings about take-charge women, she can't tell him what she does for a living.

In her capacity as the head of her company, she calls a client, Mr. Robinson (Ruggles) and asks him to meet with Robert about his tractor. He hasn't had any success in selling it. Robinson loves the invention and gives Robert a place to work and has the Madison service find him an apartment nearby.

Robinson's difficult daughter Joy falls for Robert. Meanwhile, Helen is stuck - she hasn't told Robert her profession, and he really resents the Madison agency doing things for him.

This is a cute movie and a great chance to see Price as a young romantic lead. He's delightful as a hard-working, serious man seeking success. Bennett is her usual gorgeous self, tired of the rat race and believing she's found true love.

All the performances are good, particuarly from Mischa Auer and Helen Broderick. Auer is hilarious as a Russian chef who is teaching Robinson to cook, and Broderick provides the sarcastic comments.

The only one I wasn't crazy about is Joy Hodges. Part of it is because the character she plays is so annoying. She wasn't a particularly subtle actress. She was, however, a fascinating woman, who helped Ronald Reagan get his start in show business. She was an accomplished singer and Broadway stage actress.

Enjoyable film. Price had an amazing career. It's great to see him at its start.

This very silly attempt at a screwball comedy from Universal Pictures has a first-rate cast of actors doing their best with a second-rate script directed with a heavy hand by Roland Lee. Worth watching if only to see the very lovely Constance Bennett, one the best comediennes of the 30s, who is suitably frantic, often charming as the career girl in the Roz Russell mode, too busy for love until Mr. Right comes along. Vincent Price is hardly believable as the country hick Gary Cooper did to perfection. The plot gets sillier and sillier, but there are moments of mild entertainment for those not too demanding. Watching it, you are reminded of better films made about the same time, but even second-rate screwball is better than no screwball at all.

Since Thriller seems to be played every five minutes on the radio following the death of Michael Jackson, I've found myself lecturing the kids about the wonderful, 55-year career of the legendary Vincent Price.

Well here's where that wonderful career began - the male lead in his debut feature! His role here couldn't be any further removed from the genre he's famous for. This romantic screwball comedy sees Price play the heart-throb hero(?!) opposite comedy actress Constance Bennett (who, incidentally, my mother was named after).

Helen Murphy (Bennett) runs the titular service which caters for the every need of its customers, from meals to shopping, finances to social arrangements. Constance is sick of running around after men (her main customers) and seeks an independent, self-sufficient partner.

She meets one in the form of Robert Wade (Price) who, after a case of mistaken identity (have you ever seen a 30s comedy in which this didn't happen?), treats her like a real woman. Unfortunately, Murphy's business-like lifestyle clashes with Wade's vision of the ideal woman - a homely child-bearer who lets the man pay for everything.

So Murphy lies and hides the truth of her real occupation - with hilarious consequences. Naturally Wade hates Murphy's service (remember, he doesn't know she's behind it!) which he finds unnecessary intrusive. This of course causes Murphy to perpetuate the deceit.

There's plenty of madcap behaviour as Wade's now antiquated views of women force Murphy to use underhanded tactics to win his heart. Bennett is great as always and Price is also very good, although no Cary Grant. There's also a supporting cast of zany characters including Mischa Auer (mad Russian chef who constantly consults his spirit guide), Charles Ruggles (eccentric old businessman) and Helen Broderick (dumb romantic dreamer).

The comedy is often predictable as Wade sets about selling his new innovative tractor idea and gets himself accidentally engaged to the wrong person. However, it's all very likable and sweet and makes for a perfect afternoon matinée.

Considering Price makes his feature film debut here, it is amazing to see how comfortable he is and how consistent his look and persona are with later roles. The ever-present 'tache is obviously on show, as is that slight southern twang and dignified manner. To be fair, the 27-year old Price looks exactly here as he does in 'The House on Haunted Hill' – 20 years later! And there's an interesting scene in which Price jokingly talks about madness in his family, as he slowly and menacingly advances towards his finance – an eerie forecast of things to come