Rich Man, Poor Girl

Mild social commentary comedy drama is of more interest for its cast than the rather facile situations it presents. A bread and butter feature of the kind that all the studios churned out to fill a double bill and feature their stable of promising newcomers and reliable character actors this one is packed full of actors and actresses that went on to better things.

Without a doubt the person who made the biggest splash following this is Lana Turner in her nascent phase here. She's sweet, still a brunette and full of the dewy youth and kittenish sexuality she exuded in the early phase of her career before changing into a harder article after The Postman Always Rings Twice, not fully in the spotlight but definitely holding the screen. The other person who would emerge with a major career is Robert Young but he'd have to wade through years as a second string leading man before hitting the top in TV. He's competent and charming as ever but his character isn't too clearly defined. Another fine performer-Ruth Hussey, still a few years away from The Philadelphia Story, isn't really given a very strong character either for someone who is supposed to be the lead but she is an appealing presence as always.

For the supporting cast the always reliable Guy Kibbee is on hand as Ruth's kind father and the ill-fated Rita Johnson is saucy as Young's sister. The standout in support however and not in a good way is Lew Ayers jackass cousin Henry. Through no fault of the actor the character grates every second he's on the screen and it's only because of Ayer's natural charm that he is even mildly bearable.

The picture is in no way special but still worth catching once for seeing the type of quality cast Metro was able to assemble for even the most ordinary script.

Ruth Hussey works for Robert Young and is preparing to go on vacation, so she instructs Virginia Grey what to do and how and when to do it in her absence. But then Bob enters the office and we see that Bob and Ruth are more than boss and secretary. Long story short, she doesn't go on her vacation after all, when Bob on the spot proposes to her. But, after missing her train, instead of jumping in with both feet, her pride gets in the way and she tells him they need to wait, because essentially they come from different backgrounds. So he decides, in order to understand her point of view, he must live with her family for a spell. Enter Ruth's zany family, especially Lew Ayres, who plays a cousin and who is constantly spouting off about "the great working class." Picture this. A rich man needs his appendix out. No problem. He can pay it. A poor man needs his appendix out. No problem. He's poor and not expected to pay. But the working class, woe is him. He's always behind the eight ball with bills and an operation he's expected to pay and go in debt because of it. This film is never dull and is very stimulating with constant bickering between him and sister Lana Turner, who dreams of a plush life, with nice things and keeps calling their place "a dump." Lana makes the most of her supporting role and gives a great performance, especially in her big crying scene. It could be said that she stands out as the highlight of the film, aside from Lew's tirades. (Lana had already been in the Andy Hardy series at this point and would make two more pictures with costar Lew Ayres. Lana's stardom was definitely on the ascendant. And, by the way, this is the first time she and costar Virginia Grey would be in the same picture together. Ms. Grey would be Lana's most frequent costar in her career.) Guy Kibbee is the father, who works in a hardware school and the mother loves the sea, as her ancestors were whalers. From stimulating conversation about "the great working class" and health reform (ideas still relevant today) and the chaotic life it appears the Thayers live, this short film delivers a punch and will leave you pleasantly fulfilled. "Rich Man, Poor Girl" is a stepping stone in the career of Lana Turner that has gotten lost in the shuffle, but its ideas are timeless and its characters are too vivid to forget.

Usually, these types of movies are made to glamorize life in the lower class while condemning the ignorant rich, but in Rich Man, Poor Girl, the effect is just the opposite. Robert Young stars as a millionaire businessman who falls in love with his poor secretary, Ruth Hussey. He wants to get married right away, but she has the good sense to wait, insisting that when she marries, she wants to be sure she knows her spouse well enough to know they'll stay married. When he meets her low-class family, including parents Guy Kibbee and Sara Padden, silly sister Lana Turner, and outspoken radical brother Lew Ayres, he realizes there's quite a culture shock between their two lifestyles.

Bob is prepared to make their relationship work, so he moves into their very tiny, thin-walled, overheated apartment and tries to win every family member over one by one. The amount of effort he puts into Ruth's family is incredible, especially as he continually turns the other cheek when they insult him. In particular, Lew is very rude and not made out to have an admirable character, which serves as a great foil for Bob's character: a millionaire with a heart of gold.

This movie is very cute, funny, and will make anyone wish Robert Young would join their family. He's an ideal son- and brother-in-law, not to mention fiancé! Hopeless romantics will love this forgotten classic.

DLM Warning: If you suffer from vertigo or dizzy spells, like my mom does, this movie might not be your friend. There's a scene where Robert Young takes everyone sailing, and the camera movements will make you sick. In other words, "Don't Look, Mom!"

I guess "Rich Man, Poor Girl" is supposed to be akin to "You Can't Take it With You" in that the Thayers are kind of whacko.

This is a pleasant film about a wealthy man, Bill Harrison (Robert Young), who falls in love with his secretary, Joan Thayer (Ruth Hussey). She is a member of the Great Working Class.

When she brings him home to meet the family, Joan realizes how far apart they are in terms of class and upbringing. She thinks they should wait to marry. To move the date sooner, Harrison moves in with the family. But when he tries to help them, his generosity isn't always well received.

Lana Turner plays Helen, Joan's sister. Here she's probably 17 or 18 and adorable. Helen is thrilled that there's going to be a rich man in the family and can't wait. Her cousin Henry (Lew Ayres) is constantly giving bombastic lectures about the curse of "the great working class" and boy, does he sound timely. His speeches could be written today. For instance, he complains that a poor man can walk into a hospital and be treated, a wealthy man can afford to be treated, but what about the middle class? He has to pay and it could easily wipe him out.

This is certainly a lively film, with Turner a standout. It's light but fun.

The wealthy entrepreneur wants to marry his secretary, but must first get along with her middle-class family.

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