Un procuratore speciale recluta un camionista per infiltrarsi nel giro di una gang nel settore dei trasporti su camion.Un procuratore speciale recluta un camionista per infiltrarsi nel giro di una gang nel settore dei trasporti su camion.Un procuratore speciale recluta un camionista per infiltrarsi nel giro di una gang nel settore dei trasporti su camion.
- Regia
- Sceneggiatura
- Star
Irving Bacon
- Counter Man
- (non citato nei titoli originali)
Al Bain
- Truck Driver
- (non citato nei titoli originali)
Phil Bloom
- Trucker
- (non citato nei titoli originali)
Egon Brecher
- Peters
- (non citato nei titoli originali)
Recensioni in evidenza
This was the first Humphrey Bogart movie I ever saw when I was a young kid growing up in the 60's & 70's. I first discovered Bogie on "Humphrey Bogart Theatre" on TV. I was very impressed with his portrayal of a mafia style crime boss. Gangsters were once Bogarts specialty, he was good at it, this movie pre-dates "On The Waterfront" & is almost as good. The film opens with Bogart bent on wanting to take over the entire town & muscle in on the trucking business. "I got plans & I got organization", "nothings going to stop me", "I'll make this whole town pay off from blue-backs to bankers".
This is Bogart playing the lead role as John "Czar" Martin, Manhattens most powerful gang chief, Bogie is very cold & ruthless in this one & it's clear he is the main character even though he's not in every scene, most of the film focuses more on the George Brent character as one of the truckers who complies with Martins underworld organization after Bogie's henchmen sets Brents truck on fire. Eventually he & Allen Jenkins rally all the truckers against Bogart in a free for all. It's a propaganda movie showing why unions were needed & organized in the 1930's but it also shows how corrupt unions can get by bribery & intimidation by the syndicate.
The absence of Bogarts character doesn't really weaken the film but creates an interesting mystique for his character is much talked about but hardly ever seen which heightens & magnifies Bogarts exciting screen presence. Like in "The Petrified Forest" Bogie played a famous celebrated John Dillinger style outlaw. He doesn't enter the film until the 2nd half of the movie but his character is mentioned consistently from the very beginning of the film creating this mystique. Kind of a sense of mystery so you just sit & watch the movie just waiting in suspense to see when "Duke Mantee" first enters & dominates the movie from that point on.
"Racket Busters" does a similar thing with Bogart's character as "Czar" Martin & the gimmick works & for once Bogart doesn't get killed in the end unlike his other gangsters where he gets bumped off. Sometimes less is more, a character that lays low or not seen much makes the character that much more interesting & desirable. In "The Maltese Falcon" Floyd Thursby was a character much talked about all through the entire movie..... but never seen. I have a bootleg copy of "Racket Busters" & I don't think it's out on DVD yet, it should be because it's not too bad, it's a standard programmer & it's worth watching if you're a fan of Bogart & gangster films like I am. Racket Busters is the precursor to On The Waterfront. What more can be said ?
This is Bogart playing the lead role as John "Czar" Martin, Manhattens most powerful gang chief, Bogie is very cold & ruthless in this one & it's clear he is the main character even though he's not in every scene, most of the film focuses more on the George Brent character as one of the truckers who complies with Martins underworld organization after Bogie's henchmen sets Brents truck on fire. Eventually he & Allen Jenkins rally all the truckers against Bogart in a free for all. It's a propaganda movie showing why unions were needed & organized in the 1930's but it also shows how corrupt unions can get by bribery & intimidation by the syndicate.
The absence of Bogarts character doesn't really weaken the film but creates an interesting mystique for his character is much talked about but hardly ever seen which heightens & magnifies Bogarts exciting screen presence. Like in "The Petrified Forest" Bogie played a famous celebrated John Dillinger style outlaw. He doesn't enter the film until the 2nd half of the movie but his character is mentioned consistently from the very beginning of the film creating this mystique. Kind of a sense of mystery so you just sit & watch the movie just waiting in suspense to see when "Duke Mantee" first enters & dominates the movie from that point on.
"Racket Busters" does a similar thing with Bogart's character as "Czar" Martin & the gimmick works & for once Bogart doesn't get killed in the end unlike his other gangsters where he gets bumped off. Sometimes less is more, a character that lays low or not seen much makes the character that much more interesting & desirable. In "The Maltese Falcon" Floyd Thursby was a character much talked about all through the entire movie..... but never seen. I have a bootleg copy of "Racket Busters" & I don't think it's out on DVD yet, it should be because it's not too bad, it's a standard programmer & it's worth watching if you're a fan of Bogart & gangster films like I am. Racket Busters is the precursor to On The Waterfront. What more can be said ?
Racket Busters (1938)
** (out of 4)
Tired crime flick from Warner has Humphrey Bogart playing a racketeer who decides to form a truckers union so that he can take over all the store, drivers and the produce. If people don't go along with this they end up beaten but one man (George Brent) decides to stand up to them. I've always been a fan of Warner's various "B" pictures but this one here left me disappointed for many reasons. For starters, the screenplay really doesn't offer up anything that original as we've seen this story countless times before. Some might say that all of these pictures had the same story and that's true to an extent but I think most took that basic structure and tried to do things their own way. That really doesn't happen here because there isn't a single second in the film where you feel anything for the stuff that's going on. Some of this problem should fall on the shoulders of Bacon who seems to be sleep walking in his director's chair. He usually manages this type of material quite well but perhaps he too found the story boring. Another problem is the D.A. who is extremely boring and his character just doesn't have enough fire behind him to make anyone interested in anything he has to say. Even the performances are rather disappointing as Bogart doesn't do too much and doesn't have half the energy he usually delivers in this type of role. It was somewhat fun seeing Brent in this type of picture but the screenplay doesn't do him any justice either. The normally reliable Allen Jenkins is here playing the comic sidekick but even he can't deliver any laughs. The movie is mildly entertaining if you're a fan of this genre but I think most people are going to sit here and just know that there are much better movies out there and this here is strictly by the numbers.
** (out of 4)
Tired crime flick from Warner has Humphrey Bogart playing a racketeer who decides to form a truckers union so that he can take over all the store, drivers and the produce. If people don't go along with this they end up beaten but one man (George Brent) decides to stand up to them. I've always been a fan of Warner's various "B" pictures but this one here left me disappointed for many reasons. For starters, the screenplay really doesn't offer up anything that original as we've seen this story countless times before. Some might say that all of these pictures had the same story and that's true to an extent but I think most took that basic structure and tried to do things their own way. That really doesn't happen here because there isn't a single second in the film where you feel anything for the stuff that's going on. Some of this problem should fall on the shoulders of Bacon who seems to be sleep walking in his director's chair. He usually manages this type of material quite well but perhaps he too found the story boring. Another problem is the D.A. who is extremely boring and his character just doesn't have enough fire behind him to make anyone interested in anything he has to say. Even the performances are rather disappointing as Bogart doesn't do too much and doesn't have half the energy he usually delivers in this type of role. It was somewhat fun seeing Brent in this type of picture but the screenplay doesn't do him any justice either. The normally reliable Allen Jenkins is here playing the comic sidekick but even he can't deliver any laughs. The movie is mildly entertaining if you're a fan of this genre but I think most people are going to sit here and just know that there are much better movies out there and this here is strictly by the numbers.
If you want to see this movie because Humphrey Bogart is the star, save your time. He gets top billing because of what he became after this movie. In this movie he is in it enough to barely be called a supporting actor. George Brent is the real star, so all Brent fans should watch this (if there are any). Here we have an oddity - our hero prevents the mob from taking over the trucking industry! Of course we know what really happened. Atypical gangster ending for this movie; the length of the jail sentence is also stated! The ending came so quickly that one thinks that is was hastily cobbled together. One positive note is that Allen Jenkins actually plays a good guy for a change.
Most gangster movies I've seen focus on the bad guy (Cagney/Robinson) or perhaps on the cop or D.A. trying to bust the gangs.
This movie, however, focuses on the people who are affected by the racketeers: the truckers who were forced into a crooked association run by Bogart. We see how the truckers, their families and businesses, are hurt by the protection rackets and bullying gangsters (who always wear nice hats and suits).
The producers are careful not to make this an anti-union movie, even though the plot is about gang incursions into unions. It's really a propaganda film, trying to convince union members and other working men to stand up and testify against gang pressures. The acting is OK, and there's plenty of action (explosions, car wrecks, fist fights) to keep you interested.
My favorite scenes involve gangsters using axes and creosote to destroy big crates of vegetables. Not quite your standard gangster fare!
This movie, however, focuses on the people who are affected by the racketeers: the truckers who were forced into a crooked association run by Bogart. We see how the truckers, their families and businesses, are hurt by the protection rackets and bullying gangsters (who always wear nice hats and suits).
The producers are careful not to make this an anti-union movie, even though the plot is about gang incursions into unions. It's really a propaganda film, trying to convince union members and other working men to stand up and testify against gang pressures. The acting is OK, and there's plenty of action (explosions, car wrecks, fist fights) to keep you interested.
My favorite scenes involve gangsters using axes and creosote to destroy big crates of vegetables. Not quite your standard gangster fare!
A Manhattan racketeer moves in on the trucking business but one trucker stands up against the mob until he is forced into cooperating. A crusading District Attorney is determined to stop the racket but he needs the help of the trucker.
Lesser known gangster film which is watchable but not one of the decade's best. George Brent is the trucker and Walter Abel the District Attorney. Although Humphrey Bogart is top of the bill, his appearances are sporadic and his talent is wasted.
Lesser known gangster film which is watchable but not one of the decade's best. George Brent is the trucker and Walter Abel the District Attorney. Although Humphrey Bogart is top of the bill, his appearances are sporadic and his talent is wasted.
Lo sapevi?
- QuizWalter Abel had a resemblance to the real-life New York City District Attorney Thomas E. Dewey. So when his character Hugh Allison references his successful prosecution of "Lucky Lugano" (referring to Lucky Luciano), audiences of the time would not have missed the connection with Dewey.
- BlooperThe white thing in Brent's right rear pocket vanishes when he opens the door to the Manhattan Trucking Association.
- Citazioni
John 'Czar' Martin: Holler, suckers. When I get through with you, you'll holler even louder.
- Curiosità sui creditiOpening credits: Based upon official court records of the special rackets prosecution of the trucking racket in New York City.
- ConnessioniFeatured in Hollywood and the Stars: How to Succeed as a Gangster (1963)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
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- Poslednji reketaši
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- Tempo di esecuzione
- 1h 11min(71 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
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