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7,6/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaPorky Pig goes on a hunt to catch the surreally elusive last Do-Do bird.Porky Pig goes on a hunt to catch the surreally elusive last Do-Do bird.Porky Pig goes on a hunt to catch the surreally elusive last Do-Do bird.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Billy Bletcher
- Roaring Goon
- (voce)
- (non citato nei titoli originali)
Robert Clampett
- Vocal Effects
- (non citato nei titoli originali)
Bernice Hansen
- Squeaky Creature
- (non citato nei titoli originali)
Tedd Pierce
- Mysterious Citizens
- (non citato nei titoli originali)
Shirley Reed
- Squeaky Creature
- (non citato nei titoli originali)
Danny Webb
- Prisoner
- (non citato nei titoli originali)
Recensioni in evidenza
10Rikichi
Wow! Over sixty years later, this cartoon short stands out as one of the greatest achievements in this medium. Bob Clampett, given the complete freedom that producer Leon Schlesinger let him have, spun out some of the weirdest and wackiest ever made.
We start out with a typical beginning for that era, Porky Pig is flying to Darkest Africa to find the last Do-Do, worth billions. But what follows is a mind bending journey, where no one evidently studied the laws of physics. Some of the humor are stock Bob Clampett jokes that are repeated in others of his cartoons, but he was always best with visual humor, when he let the animation be the star of the show.
We start out with a typical beginning for that era, Porky Pig is flying to Darkest Africa to find the last Do-Do, worth billions. But what follows is a mind bending journey, where no one evidently studied the laws of physics. Some of the humor are stock Bob Clampett jokes that are repeated in others of his cartoons, but he was always best with visual humor, when he let the animation be the star of the show.
This cartoon is an early pinnacle of animation insanity, the prototypical Warner Brothers short. A blitzkrieg of jokes, puns, and free-wheeling mayhem, WB-style cartoons sometimes equaled, but never surpassed, "Porky in Wackyland". Every square inch of every frame is packed with information that flows in several directions at once. Carl Stalling's score is as integral to this cartoon as any of the visual elements (and more so than the "script"). For these, and many other, reasons, "Porky in Wackyland" is the blueprint for the best of WB cartoons, as well as a signpost to various late-20th Century highbrow/lowbrow aesthetics.
Porky in Wackyland is a surreal if silly cartoon short that has been described as Daliesque but I guess the animators were surely on the funny baccy to come up with such a far out cartoon.
In darkest Africa Porky Pig sets out to catch the the mythical Do-Do bird a plot point not lost on the makers of Pixar's Up!
When he arrives he encounters all sorts of tomfoolery such as the sun coming up in the form of a human pyramid, a two headed dog fighting for itself and a three headed figure beast in the form of The Three Stooges before he starts the search for the Do-Do bird.
When we do finally see the bird we can only presume he got a script and mannerisms normally preserved for Bugs Bunny. Undoubtedly this is an unusual, avantgarde and also thought provoking cartoon.
In darkest Africa Porky Pig sets out to catch the the mythical Do-Do bird a plot point not lost on the makers of Pixar's Up!
When he arrives he encounters all sorts of tomfoolery such as the sun coming up in the form of a human pyramid, a two headed dog fighting for itself and a three headed figure beast in the form of The Three Stooges before he starts the search for the Do-Do bird.
When we do finally see the bird we can only presume he got a script and mannerisms normally preserved for Bugs Bunny. Undoubtedly this is an unusual, avantgarde and also thought provoking cartoon.
This short has Porky hunting for the last of the Do-Do Birds. He ventures into the strange and hilarious Wackyland to find him. It's a classic Warner Bros. short with wild and random things happening every second. One of Porky's best.
10Markc65
In 1937 Robert Clampett was promoted to director and one year later he created his first, true classic cartoon of the many that he would direct for Warner Bros. studio: Porky in Wackyland. Along with Tex Avery and Frank Tashlin, Clampett was instrumental in creating the Warner style. He was an innovator who liked to push the boundaries of the medium, and Wackyland is a perfect example of this. It was also the first of Clampett's many cartoons to use hallucinatory, surrealistic images; others would include The Great Piggy Bank Robbery, The Big Snooze and Tin Pan Alley Cats (which re-used animation from Porky in Wackyland.) Wackyland was later remade in color as Dough for the Do-Do by Friz Freleng.
Lo sapevi?
- QuizAt one point in the pan of the various denizens of Wackyland, a character with large glasses comes out of a pot and says, "Hello, Bobo." This refers to animator Robert Cannon, whose nickname was Bobo and who did wear big glasses. On the pot are the words "Treg's a Foo", refering to sound effects man Treg Brown. (Foo, incidentally, is a nonsense word from the Smokey Stover comic strip, a big influence on this cartoon in terms of humor and visual style.)
- BlooperIn the Wackyland sign, the words "It Can Happen Here!!" are underlined (with "Can" being double underlined) on close-up, but are not underlined in long shots.
- Citazioni
[last lines]
Porky Pig: Oh b-b-boy! I caught the l-last of the D-D-Do-Dos!
The Do-Do: Yes, I'm really the last of the Do-Dos. Ain't I, fellas?
[hundreds of Do-Dos surround Porky]
Other Do-Dos: Yeah, man! Woooooooooo!
- Curiosità sui creditiA paper boy walks onto the title card and thrusts the newspaper with Porky in the front page into the camera, covering the entire screen. After enough time for the audience to read the headline, the camera dissolves to Porky in his plane.
- Versioni alternativeThe colorized version is actually censored. The scene where the prisoner behind bars he holds up ends with his complaining. In the original, he's beaten by a jailer. Many characters are cut out, and the ending is completely different.
- ConnessioniEdited into Tin Pan Alley Cats (1943)
- Colonne sonoreFeelin' High and Happy
(uncredited)
Music by Rube Bloom
Played during the opening credits and at the beginning
Also played when the Do-Do is walking along
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Dettagli
- Tempo di esecuzione
- 7min
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
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