Aggiungi una trama nella tua linguaA wealthy business man, out of touch with real folks, decides to mingle and see what it is really all about.A wealthy business man, out of touch with real folks, decides to mingle and see what it is really all about.A wealthy business man, out of touch with real folks, decides to mingle and see what it is really all about.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
- Beauty Operator
- (non citato nei titoli originali)
- Soap Song Quartet Member
- (non citato nei titoli originali)
- Tobler's Waiter
- (non citato nei titoli originali)
- Toblers Secretary
- (non citato nei titoli originali)
- Telephone Operator at Schultz Disturbance
- (non citato nei titoli originali)
- Soap Song Quartet Member
- (non citato nei titoli originali)
- Lawyer
- (non citato nei titoli originali)
- Second Plaza Hotel Clerk
- (non citato nei titoli originali)
Recensioni in evidenza
The story of hidden identities and crossed signals played for laughs certainly wasn't new even in 1938 but director Buzzell moves things along at breakneck speed and is fortunate to have the cast filled out with some of the best character actors working at that time.
The nominal leads are Robert Young and Florence Rice and while Young is his usual polished, amusing self and Rice is pretty and game they aren't really the engine that makes the movie run. That falls to the main trio of supporting players, Mary Astor, Edna May Oliver and especially the delightfully wacky Frank Morgan.
Astor is all sly cunning as a gold digger with an amazing wardrobe and Edna May grumbles and fusses as only she can enduring hilarious indignities along the way. But it is Morgan and his dithery befuddlement and kindly manner who steals the picture. The blending together of all their terrific work manages to take the ordinary material and add an extra punch to it that makes it laugh out loud funny in several spots and an undiscovered gem.
The movie doesn't have any politics, so I am surprised why some of the reviewers have to bring that in here. We may discuss those aspects when the movie itself is political. The background - Austrian - had been kept since the original story was that way, and it tried to remain faithful to it. The story was of 1924 - much before the Nazis had really assumed the power. The writer of the story, by the way, was pacifist - which neither of the warring sides were, and to the credit of Nazis, he had been interrogated, kept under observation, but neither put behind bar, not stopped from moving out of the country - and he always came back to it. Anyway I too shouldn't go into politics, there are movies where that could be taken up during review - both of UFA as well as Hollywood - since both were equally biased and wrong.
I doubt if today's youth would appreciate such a movie, but those of us who like the old ones definitely would. What a shame to realize that the setting was Vienna in 1938, a city destined to be overrun by Hitler's hordes and its society shattered within 2 years.
This movie is so adorable and hilarious, thanks to an all-star cast and fast-paced dialogue. Frank is very cute as the millionaire-turned-everyman, and he's forced to make do in the drafty attic room while washing dishes to pay his bill. He falls in love with Mary Astor, but she's a gold digger only interested in Robert Young. Robert Young is a gold digger himself, only pretending to be rich so he can land a good job. With Florence Rice, Reginald Owen, Sig Ruman, and Edna May Oliver as Frank's very faithful secretary, this comic romp will have you smiling from start to finish. And as a bonus, Frank has a penchant for Siamese kittens, so you'll get to see a few accompany him on his vacation.
Due to a mix-up, the staff thinks Mr. Young is the soap tycoon. Both men attract attention from fortune-hunting divorcée Mary Astor (as Irene Mallebre). Long-time MGM editor-turned-producer Sam Zimbalist scores a real winner with this comedy. It started with the common "rich/poor" switcheroo, given a good treatment by successful story-teller Erich Kastner. Hollywood writers added some fine lines for the marvelous cast. The skiing segments reveal a less than spectacular budget, but these type of silly skiing scenes were common, at the time. Under the circumstances, not having Edna May Oliver mug and take a tumble on the Alps would have been filmmaking blasphemy. Everything is skillfully managed by director Edward Buzzell.
******** Paradise for Three (2/15/38) Edward Buzzell ~ Frank Morgan, Robert Young, Mary Astor, Edna May Oliver
Lo sapevi?
- QuizMary Astor's first film under contract with MGM.
- BlooperAs with many of his films from the mid-to late 1930s, Robert Young's wedding ring is visible on his hand in several scenes.
- Citazioni
Johann Kesselhut: [Waiting for Rudolph Tobler to show up outside the Paradise Hotel, under the name Eduard Schultz] Tell me, my good man, how long does it take to walk to the station?
Mr. Polter: I will get you a car, Mr. Kesselhut.
Johann Kesselhut: I don't want a car.
Mr. Polter: Well, you want to walk?
Johann Kesselhut: I don't wanna walk. I want to know how long it takes.
Mr. Polter: Well, if you don't wanna walk, what do you care how long it takes?
Johann Kesselhut: If I wanted to walk, how long would it take?
Mr. Polter: Well, uh, would you rather walk fast, slow, or medium?
- ConnessioniVersion of Anna al collo (1955)
- Colonne sonoreOn the Beautiful Blue Danube, Op.314
(1866) (uncredited)
Written by Johann Strauss
Played for a radio soap ad and sung with special lyrics by Clarence Badger Jr., John Westerfelt, Joseph Bjorndahl and Abe Dinovitch
Played in the hotel dining room
Variations played as backgound music often
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Paradise for Three
- Luoghi delle riprese
- Austria(background exteriors)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 359.000 USD (previsto)
- Tempo di esecuzione1 ora 18 minuti
- Colore
- Proporzioni
- 1.37 : 1