Il terzo delitto

Barbara Stanwyck was 31 years old playing opposite stone-faced 33 year old Henry Fonda in this comedy love story/murder mystery, and if you want to see how Barbara steals every scene, this is a good one to watch. This movie was selected by TCM as one of the films to highlight for their series "Black Images in Hollywood" due to the presence of Hattie McDaniel just prior to her Oscar-winning performance the next year in "Gone With the Wind." Hattie plays a sassy-talking maid for delicious comic relief. But it's a small role for Hattie and the main focus is on the delightful Barbara. There is an interesting scene at the end of the movie which foretells the use of S.W.A.T. teams today in both the cinema and on the streets. All in all, this is a pleasant movie to while away an afternoon with a friend, and who knows, you may even want to re-visit it again in a few years.

Barbara Stanwyck seemed incapable of giving a bad performance, even when the film was not good (and some of her films are not that) and regardless of the quality of what she was given. Am not as in love with Henry Fonda, but he did give fine performances and that is including his performance in another collaboration with him and Stanwyck 'The Lady Eve' (a classic and a much better film). Hattie McDaniel was always a scene stealer.

'The Mad Miss Manton' to me was very entertaining, has a lot more good with it than bad and does nothing to waste its fine cast or the talent involved. It is not great, would put it more in the pretty good category myself and there are a few quite big flaws all story-related, so it is not hard to see why as to why some may not be totally enamoured by it. Those that love Stanwyck, Fonda or both will be glad to see that they are well served and that in the right mind-set there should be a lot to enjoy.

In terms of the story, 'The Mad Miss Manton' is pretty slight and formulaic. A lot more could have done with the mystery aspect of the plot, it tended to lack suspense and surprises and it gets convoluted towards the end.

Also felt that the romance was introduced too out of the blue and didn't have enough time to develop, so it feels too hasty. Not through any fault of Stanwyck and Fonda, but more the writing.

However, Stanwyck is in more light-hearted form, compared to her more dramatic roles that she did at this point of her career, and she is a delight wih the right lightness of touch while giving steel at the same time. Fonda is more subdued but does mild mannered amiably and he has good timing. He and Stanwyck sparkled more in 'The Lady Eve', but they do work together very well here. Sam Levane is amusing, even if he is playing an incompetent character, but the best supporting performance belongs to McDaniel, bringing plenty of sparkling sass to hilarious effect.

Even if 'The Mad Miss Manton' may not be a lavish looking film as such, it is well photographed and Stanwyck looks great. The film is efficiently directed and the music fits nicely mood-wise. The pace is crisp throughout and the script is deliciously witty. The story is far from perfect, but is still lots of fun and charming. If the mystery aspect was more up to scratch it would have made even more impact.

Overall, pretty good if not great. 7/10

I sI saw this on TV when I was young and, though it was trumpeted as hilarious, I didn't like it. Now, I have seen 30 or more movies of around the same period that combine romance, comedy, and mystery. And I have grown to appreciate Barbara Stanwyck as one of the great stars in Hollywood's history. So: I really enjoyed it a lot.

Stanwyck, as the title character, is mad only in the sense of madcap. Probably it is a matter of alliteration more than anything else. Henry Fonda is fun as the newspaper man who hates and then falls for her.

A few years later, they were to be teamed again in Preston Sturges's great "The Lady Eve."

The subway is a good gimmick, and all the minor players are fun. Miss Manton, or as we'd say today Ms. Manton, has a whole crew of gal-pals, who scream and giggle and make the whole affair very lively indeed.

This movie, a warmup for Stanwyck and Fonda for the later The Lady Eve, is entirely enjoyable. A lighthearted piece of fluff, true, but everybody is having such a good time that it becomes totally infectious. Stanwyck, a rich deb, while walking her dogs in the middle of night, stumbles over a murdered man who disappears when she summons the police, of course. Fonda, a news editor/reporter, castigates her in print, and she threatens to sue. They, in the time-honored tradition of Hollywood comedy/mysteries, jointly, and sometimes separately and at loggers head, try to solve the mystery and find the murderer. Stanwyck is aided by a cohort of fellow debutantes, who do things helter-skelter en masse. The scene when Stanwyck sics 'em on Fonda ("Get him, girls"), with Fonda crawfishing as they advance, alone is worth the price of admission, as is the final avowal of love and proposal of marriage.

My favorite aspect of this movie is the manner in which this gaggle of giggly débutantes present themselves. They wear sparkling, full-length evening gowns and fabulous furs, and sport impeccable manicures, while sleuthing about in the dark. You go girls! It was also interesting to observe Penny Singleton, aka the infamous Blondie, with extremely dark hair, reciting a couple of lines. Barbara Stanwyck is, as always, seamlessly gorgeous, and she takes on a tireless leadership role while constantly flirting with a young and handsome Henry Fonda. Everything from the beautiful, sleek and shiny cars to the stunningly brilliant fashion displays make this a great choice for old movie fanatics.