VALUTAZIONE IMDb
6,7/10
3046
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAfter the murdered body discovered by beautiful, vivacious socialite Melsa Manton disappears, police and press label her a prankster until she proves them wrong.After the murdered body discovered by beautiful, vivacious socialite Melsa Manton disappears, police and press label her a prankster until she proves them wrong.After the murdered body discovered by beautiful, vivacious socialite Melsa Manton disappears, police and press label her a prankster until she proves them wrong.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Vickie Lester
- Kit Beverly
- (as Vicki Lester)
Linda Perry
- Myra Frost
- (as Linda Terry)
Hattie McDaniel
- Hilda
- (as Hattie McDaniels)
Recensioni in evidenza
Several factors need to be in place for you to enjoy The Mad Miss Manton. First, it helps to like Barbara Stanwyck. I love her! Second, it helps to like Henry Fonda. He's great! Third, it helps to like Hattie Mc Daniel. Not only do I, but she's quite hilarious! Next, Miss Manton (Stanwyck) is constantly surrounded by her group of elitist girlfriends. If it had just been Miss Manton, then it would have been mighty scary vs. mysterious. Miss Manton's flighty friends in their 40's gowns with their big 40's furs and their typical 40's hairstyles keep this film light and fluffy. Fluffy due to their big fluffy furs:) Also, it helps to enjoy screwball comedies. This one is screwball to the max. It's not a perfect screwball. It's not award worthy. It is a fun film with a great cast. It's also fun to mix some mystery into the mix. Finally, it's just pure entertainment. It may be a bit dated now, and many great films have come after it. However, if you put yourself back in time, you might imagine the abundance of entertainment you'd get from a dime or a quarter at the movies. Sometimes perspective helps make a movie better. I doubt anyone making it at the time thought people would still be watching it in the next century. With those factors in mind, I appreciate the entertainment value from this obscure comedy with a delightful cast.
Barbara Stanwyck was 31 years old playing opposite stone-faced 33 year old Henry Fonda in this comedy love story/murder mystery, and if you want to see how Barbara steals every scene, this is a good one to watch. This movie was selected by TCM as one of the films to highlight for their series "Black Images in Hollywood" due to the presence of Hattie McDaniel just prior to her Oscar-winning performance the next year in "Gone With the Wind." Hattie plays a sassy-talking maid for delicious comic relief. But it's a small role for Hattie and the main focus is on the delightful Barbara. There is an interesting scene at the end of the movie which foretells the use of S.W.A.T. teams today in both the cinema and on the streets. All in all, this is a pleasant movie to while away an afternoon with a friend, and who knows, you may even want to re-visit it again in a few years.
My favorite aspect of this movie is the manner in which this gaggle of giggly débutantes present themselves. They wear sparkling, full-length evening gowns and fabulous furs, and sport impeccable manicures, while sleuthing about in the dark. You go girls! It was also interesting to observe Penny Singleton, aka the infamous Blondie, with extremely dark hair, reciting a couple of lines. Barbara Stanwyck is, as always, seamlessly gorgeous, and she takes on a tireless leadership role while constantly flirting with a young and handsome Henry Fonda. Everything from the beautiful, sleek and shiny cars to the stunningly brilliant fashion displays make this a great choice for old movie fanatics.
Barbara Stanwyck in another "I saw the body until it disappeared" kind of farce, giving the audience a good time as she tangles with unbelieving police inspector (Sam Levene) and a newspaper reporter looking for a good story (Henry Fonda).
The supporting cast includes Hattie McDaniel and Penny Singleton but it's Stanwyck's performance that makes this one shine. Henry Fonda plays another variation on his mild-mannered dunce but it's Stanwyck who keeps the dialogue snappy and the events somewhat believable.
It's a wacky blend of comedy and mystery with a denouement that is less than satisfying as none of the supporting characters are more than cardboard stereotypes. Passes the time pleasantly enough, but don't expect anything great.
Stanwyck gets the glamour treatment and looks her best in the madcap title role.
The supporting cast includes Hattie McDaniel and Penny Singleton but it's Stanwyck's performance that makes this one shine. Henry Fonda plays another variation on his mild-mannered dunce but it's Stanwyck who keeps the dialogue snappy and the events somewhat believable.
It's a wacky blend of comedy and mystery with a denouement that is less than satisfying as none of the supporting characters are more than cardboard stereotypes. Passes the time pleasantly enough, but don't expect anything great.
Stanwyck gets the glamour treatment and looks her best in the madcap title role.
Barbara Stanwyck seemed incapable of giving a bad performance, even when the film was not good (and some of her films are not that) and regardless of the quality of what she was given. Am not as in love with Henry Fonda, but he did give fine performances and that is including his performance in another collaboration with him and Stanwyck 'The Lady Eve' (a classic and a much better film). Hattie McDaniel was always a scene stealer.
'The Mad Miss Manton' to me was very entertaining, has a lot more good with it than bad and does nothing to waste its fine cast or the talent involved. It is not great, would put it more in the pretty good category myself and there are a few quite big flaws all story-related, so it is not hard to see why as to why some may not be totally enamoured by it. Those that love Stanwyck, Fonda or both will be glad to see that they are well served and that in the right mind-set there should be a lot to enjoy.
In terms of the story, 'The Mad Miss Manton' is pretty slight and formulaic. A lot more could have done with the mystery aspect of the plot, it tended to lack suspense and surprises and it gets convoluted towards the end.
Also felt that the romance was introduced too out of the blue and didn't have enough time to develop, so it feels too hasty. Not through any fault of Stanwyck and Fonda, but more the writing.
However, Stanwyck is in more light-hearted form, compared to her more dramatic roles that she did at this point of her career, and she is a delight wih the right lightness of touch while giving steel at the same time. Fonda is more subdued but does mild mannered amiably and he has good timing. He and Stanwyck sparkled more in 'The Lady Eve', but they do work together very well here. Sam Levane is amusing, even if he is playing an incompetent character, but the best supporting performance belongs to McDaniel, bringing plenty of sparkling sass to hilarious effect.
Even if 'The Mad Miss Manton' may not be a lavish looking film as such, it is well photographed and Stanwyck looks great. The film is efficiently directed and the music fits nicely mood-wise. The pace is crisp throughout and the script is deliciously witty. The story is far from perfect, but is still lots of fun and charming. If the mystery aspect was more up to scratch it would have made even more impact.
Overall, pretty good if not great. 7/10
'The Mad Miss Manton' to me was very entertaining, has a lot more good with it than bad and does nothing to waste its fine cast or the talent involved. It is not great, would put it more in the pretty good category myself and there are a few quite big flaws all story-related, so it is not hard to see why as to why some may not be totally enamoured by it. Those that love Stanwyck, Fonda or both will be glad to see that they are well served and that in the right mind-set there should be a lot to enjoy.
In terms of the story, 'The Mad Miss Manton' is pretty slight and formulaic. A lot more could have done with the mystery aspect of the plot, it tended to lack suspense and surprises and it gets convoluted towards the end.
Also felt that the romance was introduced too out of the blue and didn't have enough time to develop, so it feels too hasty. Not through any fault of Stanwyck and Fonda, but more the writing.
However, Stanwyck is in more light-hearted form, compared to her more dramatic roles that she did at this point of her career, and she is a delight wih the right lightness of touch while giving steel at the same time. Fonda is more subdued but does mild mannered amiably and he has good timing. He and Stanwyck sparkled more in 'The Lady Eve', but they do work together very well here. Sam Levane is amusing, even if he is playing an incompetent character, but the best supporting performance belongs to McDaniel, bringing plenty of sparkling sass to hilarious effect.
Even if 'The Mad Miss Manton' may not be a lavish looking film as such, it is well photographed and Stanwyck looks great. The film is efficiently directed and the music fits nicely mood-wise. The pace is crisp throughout and the script is deliciously witty. The story is far from perfect, but is still lots of fun and charming. If the mystery aspect was more up to scratch it would have made even more impact.
Overall, pretty good if not great. 7/10
Lo sapevi?
- QuizSupporting player Vickie Lester took her name from Janet Gaynor's character in È nata una stella (1937). Unfortunately, she never achieved stardom and, after only a handful of films, she retired from the silver screen and opened a dress shop selling original gowns of her own design.
- BlooperWhen Melsa first calls the police at the beginning, the police cars are rushing to the Lane mansion. As they pass "Jones Drug Co" and "Barber Shop", the signs are backwards indicating the film has been flipped over.
- Citazioni
Melsa Manton: [storms into the room and slaps the first man she sees] Are you Peter Ames?
Peter's Secretary: No...
Peter Ames: But I am...
Melsa Manton: [Slaps Peter]
Peter Ames: [Slaps Melsa] To complete the circle.
- Curiosità sui creditiDuring the opening credits, a flashlight lights up each page of credits.
- ConnessioniFeatured in AFI Life Achievement Award: A Tribute to Henry Fonda (1978)
- Colonne sonoreHome on the Range
Music by Daniel E. Kelley (1904)
Lyrics by Brewster M. Higley (as Brewster 'Bruce' Higley) (1873)
Sung a cappella by James Burke
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Botteghino
- Budget
- 383.000 USD (previsto)
- Tempo di esecuzione1 ora 20 minuti
- Colore
- Proporzioni
- 1.37 : 1
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