L'alfabeto dell'amore

Powell is a sporting goods salesman who goes out to the track using a well known jockey's name trying to drum up business for their sporting goods by using and wearing those goods. But the imitation is too good. Anita Louise is the niece of a rich uncle who owns a stable of racehorses, and at first wants Powell to ride the wild horse, "Jeepers Creepers" in the Steeple chase, but then changes her mind and wants him to ride her own fast but tame horse, Lady Ellen. Powell's problem is that he takes a shine to the girl and just can't say no, but he is NOT a jockey! For the girl's sake he doesn't want to lose the race nor does he want to make a fool of himself and get trampled in the process. Louis Armstrong is the groom who can only calm the wild horse by playing "Jeepers Creepers" on his trumpet. Allan Jenkins is a gangster-type who has this inside information on the horse and is leaning on Powell to throw the race AND ride the wild horse, NOT the tamer fast horse Anita Louise wants Powell to ride. How will this turn out? Watch and find out, but first make a pot of coffee. It's a snoozer folks.

On the positive side, there are some great tunes and Powell's charm and voice are usually enough to carry almost any film through. Plus there is the great Satchmo singing "Jeepers Creepers". However, the plot, point by point, is just so inane yet boring. Ray Enright directed this film, and I've noticed that he directed more than his share of dogs over at WB. I'm not sure if Warner Brothers gave Ray the dogs to direct because he was Ray Enright, or if the films were dogs because of the way he directed them. Let's just say that Ray Enright as director in the credit is usually not the mark of quality.

My recommendation - if you are a Dick Powell completist and can keep your attention focused on Powell, his antics, and his singing, this is probably going to at least keep you awake. Otherwise, have it on hand if you ever have a severe case of insomnia, because "Going Places" is a film that goes nowhere.

It's easy to forgive the inane plot when the music and comedy are so much fun. First, there's the great Louis Armstrong singing and playing his trumpet in two songs, including the Oscar-nominated "Jeepers Creepers." He plays a horse groom, so what is he doing leading an all-black orchestra and a dozen or so black singers and dancers at a party? Never mind the incongruencies - just enjoy the big production number of "Mutiny in the Nursery." Louis is in good form in this early role. The comedy is mostly supplied by two masters of comedy, Allan Jenkins and Harold Huber, as likeable but inept crooks trying to eke out a living betting on horses. I was in stitches when they try to get Dick Powell to be a jockey in a race, and in desperation, Powell says he know nothing about horses (which is true) and writes songs (which is not). They insist he write a song then and there to convince them. While Powell and his boss, Walter Catlett, grope for words, they are the ones who supply most of the lyrics to "Oh, What a Horse Was Charlie." It's one of the funniest scenes you will see in a 1930's movie, all done verbally without slapstick. Then, of course, there is Powell, impersonating a famous jockey as an advertising ploy, falling in love with Anita Louise, and winding up riding a dangerous horse in the Maryland Steeplechase even though his riding experience is practically nil. The horse is called "Jeepers Creepers" and runs well only when he hears the song of the same name. Powell can't possibly win the race after running outside the course for a while and taking a spill on one of the hurdles. Or can he?

Well, since it's Black History Month and I usually review films in chronological order concerning African-Americans in them during this time, this movie was next on my list. First, Louis Armstrong plays a horse trainer who's in charge of a horse named Jeepers Creepers and the only way he can tame that horse is by playing the song of that name on his trumpet. And he not only sings that song but another one called "Mutiny in the Nursery" along with Maxine Sullivan, the Dandridge Sisters consisting of Dorothy, Vivian, and Etta Jones, as well as white leads Dick Powell and Anita Louise. Eddie Anderson appears as a trainer of another horse named Lady Ellen. And someone named George Reed appears as a butler named Sam. Other fine supporting turns came from Walter Catlett and Thurston Hall. And since I always like to cite when players from my favorite movie-It's a Wonderful Life-appear in something else, here Ward Bond plays a cop who confronts Allen Jenkins when he has a horse walking with him at night on the road. Oh, and this was one of future president Ronald Reagan's early film appearances introing himself with an announcer-like speech not unlike when he was on radio previously. In summary, Going Places was a very funny movie with many entertaining musical numbers.

Going Places was one of those films that made Dick Powell more determined than ever to get better parts or leave Warner Brothers. After one more film there, he did just that.

Powell plays a sporting goods salesman in a department store and gets persuaded to impersonate a noted horseman and polo player who happens to be in Australia at the moment. Department store executive Walter Catlett is looking to market his wares among Maryland's horsey set and gets the bizarre notion to have Powell masquerade there. Catch is that just like in Cowboy from Brooklyn, Powell is deathly afraid of horses.

I think you can see where the rest of this is going. It's in the tradition of race track comedies like A Day At the Races or It Ain't Hay. Of course those films were in the hands of comedians like the Marx Brothers and Abbott and Costello. Now Powell does look uncomfortable throughout and maybe his desperate wish not to be doing these kind of films translates into awkwardness.

Powell was one of the most realistic at self assessment of his talents. He said himself he was not a national icon like Bing Crosby or creative like Fred Astaire. His days in musical films were numbered any way it was sliced. He had to break out or see his career go up the spout.

But here in Going Places he wasn't even given anything good to sing. A few songs in the comic vein. The big hit number is Jeepers Creepers which sure was a big hit in 1938 and sung by the inimitable Louis Armstrong. Satchmo plays the groom of a horse named Jeepers Creepers who's one wild nag. Satch soothes the savage beast with his rendition of the song.

Of course he endures some of the racial stereotyping of the day as well in the role. That could never have been to his liking, even to get a big song hit.

Such Warner Brother veterans as Anita Louise, Allen Jenkins, Harold Huber and Ronald Reagan fill out the cast. Of his fellow contractees at Warner Brothers, Reagan for the rest of his life always singled out Pat O'Brien and Dick Powell as the most encouraging to a young player looking to rise.

Only fans of the players named above should bother with this one.

Forget the silly plot - watch this for the wonderful music, including Jeepers Creepers, and the incredible Mutiny in the Nursery featuring Louis Armstrong (who has a major acting role), Maxine Sullivan, and the Dandridge Sisters (including a teenaged Dorothy).

One wonders if the thugs, Allen Jenkins and Harold Huber, singing Oh What a Horse was Charley Til He Got a Charley Horse, was any kind of inspiration for the singing thugs in Kiss Me, Kate.

The plot - well, as an advertising stunt, Dick Powell impersonates a famous horseman, Peter Randall, falls in love with Anita Louise, and ends up jockeying Jeepers Creepers who only responds to the song. The race has to be seen to be believed. And even then, you won't believe it.

See it for the musical numbers.