Give Me a Sailor

This screwball musical doesn't have many songs, and the comedy isn't very good, despite the talented cast. I was psyched to see Raye top-billed, but she plays a sad-sack Cinderella here, the sweet if homely and put-upon sister to manipulative, shallow and vain Grable-so the former is less funny and the latter less appealing than usual. Bob Hope is in his snarky comfort zone, but with so many other characters (including his brother/rival Jack Whiting) also being disagreeable and self-absorbed, he comes off as just another jerk rather than a likable wiseguy.

Raye gets a couple chances to show off her surprisingly pretty voice on non-comedic numbers, but her usual brass is an awkward fit for a role that needed a more winsome ingenue-slash-comedienne. The best thing in the movie is arguably the beginning when a quartet of never-seen-again sea dogs sing below deck. But otherwise it's a film without real production numbers, no romantic dynamics worth rooting for, a lack of good comic lines or situations, and a general "B" feel. A disappointment.

GIVE ME A SAILOR (Paramount, 1938), directed by Elliott Nugent, is a minor comedy with notable casting leads of Martha Raye, Bob Hope and Betty Grable. Based on an play by Anne Nichols, the plot sounds very much like a Cinderella story with Raye playing an ugly ducking competing with her attractive sister (Grable).

The slight plot finds sailor brothers, Jim (Bob Hope) and Walter Brewster (Jack Whiting) going on shore leave in San Francisco where Walter intends on proposing marriage to Nancy Larkin (Betty Grable), his childhood sweetheart, who's quite popular with the other fellas. It so happens that Jim wants to marry Nancy as well. For ten years Jim has plotted schemes with Nancy's unattractive sister, Letty (Martha Raye), by arranging her to marry Walter, whom she has loved since childhood. During the course of the story, Letty sneaks away to be alone with Walter in Paradise Valley by hiding in the trunk of his car, only to have her scheme backfire when Jim becomes the driver instead and ends up alone with him. Due to unexpected circumstances, Letty's accidental photographed legs were submitted by her cousin, Meryl (Emerson Treacy) to a contest that wins, turning Letty from homely household cook to a popular celebrity, much to the chagrin of Nancy, who finds Walter has changed his affections from her to Letty. As Jim's schemes to get Walter married to Letty, Letty begins to have second thoughts. Other members of the cast include: J.C. Nugent (Mr. Larkin); Clarence Kolb (Captain Tallant); Irving Bacon (The Film Processor); Eddie Kane, among others.

On the musical soundtrack by Leo Robin and Ralph Rainger, songs include: "The U.S.A. and You" (sung by sailors); "What Goes On Here in My Heart?" (sung by Betty Grable and Jack Whiting, followed by a slight dance); "A Little Kiss" (sung by Martha Raye); "A Little Kiss" (reprise by Raye); and "The U.S.A. and You" (instrumentally played by parade band). Though the songs are okay, they are mostly unmemorable and forgotten.

At first, GIVE ME A SAILOR starts off like a nautical musical in the tradition of BORN TO DANCE (MGM, 1936) with singing sailors on board ship. Once the sailor brothers (Hope and Whiting) go on shore leave to be with their gals, they spend much of the story in civilian clothes with little references about their ranks. With both Hope and Grable not major star attractions as of yet, it's most interesting seeing these two together in the same movie. Their previous film, COLLEGE SWING (1938), also with Raye, had the more apart than together. Yet, GIVE ME A SAILOR belongs very much to Martha Raye. Aside from her antics answering telephone calls for her sister, chasing Ethel May Brewster (Bonnie Jean Churchill), a bratty child, around the kitchen, getting her face trapped in a clay pack that hardens, and hiding under the bed to avoid scandal of being found inside the Inn bedroom alone with Jim (Hope), she also gets her very rare moments of sympathy when finding herself rejected, along with later becoming glamorous in fur coats, expensive clothes, jewelry and beauty parlor hairstyle. While Raye's character got much publicity about her legs here, it would be Betty Grable a few years later who would be known for having her "million dollar legs." As much as Raye would have more screen time with Hope than with other members in the cast, they have little opportunity together showing how funny they can be as a team. However, they did have better luck getting some belly laughs in their final film together of NEVER SAY DIE (1939).

Once broadcast regularly on the late show in the seventies before shifting to public television in the 1980s. GIVE ME A SAILOR has become available on both video and DVD formats in later years. One of its known cable television showings to GIVE ME A SAILOR has turned up on Turner Classic Movies (TCM premiere: August 30, 2014). (*** Bells)

This is one of Bob Hope's weaker efforts. Martha Raye saves what is left of the film after the script writers tried to ruin it with their infantile plot. Betty Grable is not one of the better actresses as well; especially in this film. The rest of the cast is OK, but there is no chemistry between Hope and his brother? Fortunately for Hope, Bing Crosby will come along soon to rescue him and provide the perfect foil for his talents. Until then, watch this one only if nothing of any value is available at the same time.

Martha Raye and Betty Grable are sisters. Martha can cook like nobody's business; Betty mainly just wants to go dancing, and is not above stealing Martha's new dress if she thinks she will look better in it.

Meanwhile, out at sea, Bob Hope and Jack Whiting are brother sailors on their way into port to visit the sisters. It's a bit tangled but soon becomes clear that while both of the sisters have a crush on Whiting, both of the brothers think they're in love with Grable. The plot of the picture involves what happens when the boys get to town.

Martha Raye is essentially the lead here, or at least has the strongest role; she and Hope are fun as the couple who don't know they are a couple. Grable is good as the spoiled sister: the scene where she serves broiled (and I mean broiled!) fish is hilarious. Jack Whiting does a nice dance with Grable, and is adequate if not spectacular otherwise. Clarence Kolb is quite charming as the superior officer, a confirmed old bachelor who appreciates a well-cooked egg.

Favorite scene: when Martha comes into the house wearing a fur coat and pretending to be upper crust: "Have you finished dinnah?" she begins.

Moderately amusing, overall….a scattered handful of excellent scenes make this picture worthwhile if never brilliant.

A fine example of screwball farce, SAILOR showcases the unique and variegated talents of irrepressible Martha Raye as one of a pair of Larkin sisters, each of whom is after one of a pair of U. S. Navy Brewster brothers, and the question soon arises as to which of the possible pairings will ensue. Paramount, developing a Bob Hope/Raye team, casts Hope in his third feature for the studio as Jim Brewster, with Jack Whiting as brother Walter, each angling for the glamourous one of the Larkins, Nancy (Betty Grable), a competition which began when all four were youngsters. Raye portrays Nancy's sister Letty, who has agreed to assist Jim in garnering her sister's affection in return for his aid in winning the heart of Walter who is ignorant of the machinations about him, none of which is terribly complex for what is, after all, a musical comedy. Raye performs one of the five Ralph Rainger/Leo Robin songs, as does Grable (with Whiting), but it is Letty's gorgeous legs that win for her first prize in a national photo contest, ironic in light of Grable's pinup popularity, due to her own shapely stems, with American fighting men during World War II. Walter eventually notices Letty because of her new celebrity status, and the usually rather rambunctious singing comedienne has an opportunity to show him why he is mistaken in preferring her sister. Of the three films which Raye and Grable made together, this is perhaps the most blithe, and a scene wherein Letty uses overmuch facial masking which hardens to her deliciously acted consternation, draws gales of laughter wherever the picture is shown. Although we find Hope playing second lead to Raye, he plays his part with his normal aplomb and his comedic timing is impeccable as always, although his ad libbing is minimal. Leroy Prinz is responsible for the interesting choreography, and a splendid novelty scene has Grable singing "What Goes On Here In My Heart" while dancing with a collection of eager-to-please partners. Clarence Kolb, as the commanding officer of the Brewsters, is impressive as ever, and Director Elliott Nugent is able to call upon his father J.C. to perform as the Larkins' sire. Consistent with the director's customary panache and rapid pacing, SAILOR offers many treats, musical and otherwise, with the important editing function neatly handled by the generally overlooked William Shea.