VALUTAZIONE IMDb
6,0/10
615
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAfter meeting her in Paris, a penniless marquis relentlessly pursues a famous actress.After meeting her in Paris, a penniless marquis relentlessly pursues a famous actress.After meeting her in Paris, a penniless marquis relentlessly pursues a famous actress.
- Regia
- Sceneggiatura
- Star
Fernand Gravey
- Rene Vilardell
- (as Fernand Gravet)
Ottola Nesmith
- Agnes
- (as Tola Nesmith)
Tempe Pigott
- Bessie
- (as Tempe Piggott)
Jeni Le Gon
- Singer at Le Petit Harlem
- (as Jeni LeGon)
Jean Benedict
- Evelyn
- (non citato nei titoli originali)
Jack Deery
- Party Guest
- (non citato nei titoli originali)
Elspeth Dudgeon
- Cynthia
- (non citato nei titoli originali)
Elizabeth Dunne
- Tourist Buying Rug
- (non citato nei titoli originali)
Recensioni in evidenza
American actress (Carole Lombard) visiting Paris meets a penniless Frenchman (Fernand Gravet). He becomes smitten with her and pursues her for the rest of the movie. This doesn't sit well with her dull American beau (Ralph Bellamy).
Carole Lombard tries too hard in this to overcompensate for the weak script by acting like she's in one of her other (better) screwball comedies. She shouts a lot, for some reason, and it's annoying. She is beautiful, though. French actor Fernand Gravet has no chemistry with Lombard and seems ill-suited to being a leading man. It doesn't help matters that he's French yet has a nasally English accent. Presumably this is because Gravet was raised in England. Ralph Bellamy is fine in a role he was very used to by this time. Poor Ralph Bellamy. His career was built on playing the boring nice guy who gets thrown over for the more exciting, flirtatious guy. Nice support from Allen Jenkins, Marie Wilson, and Isabel Jeans. A huge box office flop when released, it's considered by many Lombard fans today to be her worst movie. It's not very funny, that's for sure.
Carole Lombard tries too hard in this to overcompensate for the weak script by acting like she's in one of her other (better) screwball comedies. She shouts a lot, for some reason, and it's annoying. She is beautiful, though. French actor Fernand Gravet has no chemistry with Lombard and seems ill-suited to being a leading man. It doesn't help matters that he's French yet has a nasally English accent. Presumably this is because Gravet was raised in England. Ralph Bellamy is fine in a role he was very used to by this time. Poor Ralph Bellamy. His career was built on playing the boring nice guy who gets thrown over for the more exciting, flirtatious guy. Nice support from Allen Jenkins, Marie Wilson, and Isabel Jeans. A huge box office flop when released, it's considered by many Lombard fans today to be her worst movie. It's not very funny, that's for sure.
An enjoyable character-driven romantic comedy, and a delight it was. Don't expect the best thing since sliced bread, but for a genre which I don't particularly find to be my cup of tea, this made me smile a bit.
Most of the smiling due to Fernand Gravet's performance, slick, charming, funny and clever, as well as the chemistry between he and Lombarde. The supporting roles filled by Bellamy and Jeans were also spot on, creating a great comedic environment.
I don't put much stock into plot when it comes to romantic comedies, regardless of whether it was made yesterday or 60 years ago, so if you can get past that, then you'll truly enjoy yourself.
7/10
Most of the smiling due to Fernand Gravet's performance, slick, charming, funny and clever, as well as the chemistry between he and Lombarde. The supporting roles filled by Bellamy and Jeans were also spot on, creating a great comedic environment.
I don't put much stock into plot when it comes to romantic comedies, regardless of whether it was made yesterday or 60 years ago, so if you can get past that, then you'll truly enjoy yourself.
7/10
and it was largely because of the Lombard/Gable ''scandal''. Their affair had become very public by 1938 and was probably not greeted with open arms by the American filmgoing audience at the time, considering that Gable was already ''respectably'' married. Lombard did not then endear herself to her public and why should she have? Gable was the idol of millions of women and Lombard was an unwelcome bubble burster. Look at the box office performance of this and her subsequent films, they were virtually all flops until her fortunes began to revive, slightly, with Mr and Mrs Smith. By this time the burning jealousy of those millions of women had softened somewhat. It's kind of fascinating. Fools For Scandal was an expensive and derisive echo of My Man Godfrey, and nowhere near as good. But it was by no means the worst film of the year. A misfire, no doubt. But one with a certain amount of cache. One thing's for sure, it did not result in any kind of a contract for Lombard at Warner Brothers, under the helm of the miserly Jack Warner.
Kay Winters (Carole Lombard) is vacationing in Europe under the name Kay Summers; she is a famous movie star from Hollywood but wants to avoid crowds. She runs into an attractive young man named Rene (Fernand Gravet) who is on route to a party of a mutual friend, but neither know of this connection. They decide to skip the party altogether and spend the evening dining out. After a delightful night, the two decide to see each other again, but Kay is all set to return to the states. Her love keeps her, though, and she and Rene meet. Soon, love turns sour for the couple and Rene does all he can to create a scandal for Kay. He takes a job as the cook in her home and before long the whole town is swarming with rumors about Kay's new beau.
This film starts out strong, wanes a bit in the middle, and then ends in a fit of laughter. Of course Lombard is best known for her ability with a comedic story, and this film is no exception. Gravet is quite impressive too. He is hysterical in the dinner scene where he does all he can to break up Kay and her fiancée (Ralph Bellamy).
This film starts out strong, wanes a bit in the middle, and then ends in a fit of laughter. Of course Lombard is best known for her ability with a comedic story, and this film is no exception. Gravet is quite impressive too. He is hysterical in the dinner scene where he does all he can to break up Kay and her fiancée (Ralph Bellamy).
Only because CAROLE LOMBARD and FERNAND GRAVET (he played Johann Strauss in "The Great Waltz") are shown enjoying themselves during a blooper moment on the dinner set of FOOLS FOR SCANDAL (in The Big Breakdowns of '38), did I want to see this romantic comedy. Turns out not to be quite the lark I expected, even though it has the usual Warner contract players in the supporting cast, including RALPH BELLAMY, ALLEN JENKINS, ISABEL JEANS and MARIE Wilson.
In the blooper, Carole had trouble digging into her steak which triggered an outburst from her and giggles from the other players. It was so amusing that I wanted to see the actual scene in the movie.
Unfortunately, FOOLS FOR SCANDAL is the screwiest kind of screwball comedy. None of the characters are the least bit grounded in any kind of reality, strictly cut-outs with dull one-liners as they confront one silly situation after another. The plot is something about a screen actress (Lombard) being stalked by a charming Frenchman whom she eventually hires as a cook. All of her female friends are crazy about him--and she's just, well--crazy. CAROLE LOMBARD plays her role at a fever pitch of fast talking nonsense and FERNAND GRAVET joins the mad pace with good humored sportsmanship. RALPH BELLAMY has his usual third wheel role of a man earnestly in love with Carole but obviously not headed for the altar at the final reel. He plays his role like an eager puppy wanting to please, but the results are still rather meager.
Summing up: Contrived screwball comedy is enjoyable only for the performances of the three leads, but the situations are unbelievable and overacted in the sledgehammer style of acting prevalent in Warner comedies of the '30s.
In the blooper, Carole had trouble digging into her steak which triggered an outburst from her and giggles from the other players. It was so amusing that I wanted to see the actual scene in the movie.
Unfortunately, FOOLS FOR SCANDAL is the screwiest kind of screwball comedy. None of the characters are the least bit grounded in any kind of reality, strictly cut-outs with dull one-liners as they confront one silly situation after another. The plot is something about a screen actress (Lombard) being stalked by a charming Frenchman whom she eventually hires as a cook. All of her female friends are crazy about him--and she's just, well--crazy. CAROLE LOMBARD plays her role at a fever pitch of fast talking nonsense and FERNAND GRAVET joins the mad pace with good humored sportsmanship. RALPH BELLAMY has his usual third wheel role of a man earnestly in love with Carole but obviously not headed for the altar at the final reel. He plays his role like an eager puppy wanting to please, but the results are still rather meager.
Summing up: Contrived screwball comedy is enjoyable only for the performances of the three leads, but the situations are unbelievable and overacted in the sledgehammer style of acting prevalent in Warner comedies of the '30s.
Lo sapevi?
- QuizFools for Scandal was an enormous box-office failure. Although Carole Lombard considered The Gay Bride her worst film, many contemporary fans give Fools for Scandal that distinction. Lombard lacked chemistry with Gravet, and audiences, who had already begun tiring of screwball comedies, noted a similarity between the plots of Fools for Scandal and Lombard's previous screwball film My Man Godfrey. The film was such a box office failure it prompted Carole Lombard to pursue dramatic parts for the next few years until she did Il signore e la signora Smith (1941).
- Citazioni
Kay Winters: You know, today, I saw Paris for the first time. Isn't France wonderful! Everybody speaks French, even the children.
- ConnessioniReferences Bring 'Em Back Alive (1932)
- Colonne sonoreFools for Scandal
(1938) (uncredited)
Music by Richard Rodgers
Lyrics by Lorenz Hart
Played during the opening credits
Whistled by Fernand Gravey
Rhymed dialogue between Fernand Gravey and Carole Lombard
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Fools for Scandal?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Fools for Scandal
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.300.000 USD (previsto)
- Tempo di esecuzione
- 1h 20min(80 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti