The Duke Is Tops

The Duke Is Tops is a black version of the white show business and Broadway movies popular in the 1930's. It has the struggling broke producer, the young performer who becomes a star overnight, and the medicine show to Broadway (or in this case fashionable Harlem nightclub) plot. It is best known as the debut movie of a beautiful, 21-year-old Lena Horne, but its real star is Ralph Cooper, who gets a brief opportunity to show his singing and bandleading abilities, as well as to dance a few steps. Much of the acting is stiff and the film's editing is crude, but it has all the pleasures of an early black musical -- specialty singers, eccentric dancers, and pretty chorus girls in skimpy bikinis -- as well as a more substantial script than many other black movies of its day (or of today, for that matter).

Duke Davis (Ralph Cooper) is the promoter for performer Ethel Andrews (Lena Horne). A big time producer wants to take her all the way to Broadway but not him. She refuses to do it without him. They are in love. Duke tricks her by pretending to have sold her contract. Believing the lie, she is angry with him. She moves onto Broadway stardom while he struggles on.

This is Lena Horne's first acting role in a theatrical film. It's a lower budget affair for the black audience. The music reflects the black music of the day. The production is competent. The acting is a bit stiff including Lena Horne. This is her acting debut. She gets better. This is her rookie card and there is extra value in that.

An unusual film for an audience outside the USA. Lena Horne looks fabulous and so does Ralph Cooper. There is not added background of tap steps as in other musicals so you do not hear the beat of the taps which is great realism. Music is muted to hear what dancing steps there are. Acting is a little stilted and the casts speak slowly so that you think the movie is older than it is. Costumes are daring for the time in the dance routines at the end. Often feels like you are part of an audience at a stage show. What furniture you see is very modern which adds to the movies feeling of other worldliness. A must for all film buffs.

This all black film was Lena Horne's screen debut. Made for black audiences, it was re-released after the cross-over success of her two great 1943 films, Cabin in the Sky and Stormy Weather. The Duke Is Tops is a typical film about stage performers, and it is certainly a B movie. Duke Davis (Ralph Cooper) and Ethel Andrews (Horne) are a songwriter/singer team. When Ethel gets bigger offers, Duke can't come with, so he breaks it off hard with her so she'll have no regrets. He travels to the South with an old friend who is selling cure-all elixirs from his wagon; meanwhile, without Duke's behind-the-scenes work, Ethel is a flop in New York. It's all fairly mediocre. Horne would become a much better actress in her later films. Fans of the singer will probably be disappointed anyways, as she is only in the film for about 15 minutes. Cooper is the star. But there are several wonderful musical performances that make the film much more worth watching than it otherwise would have been. For a much better film of the same time, definitely check out Stormy Weather, which is probably the pinnacle of the all-black films of this era. 6/10.

Black cinema has done far better than this. Even allowing for the constraints imposed by a low budget, there is very little here of entertainment value. The story lacks originality, the acting is stiff and self-conscious, the direction devoid of imagination. A half-dozen "specialty" acts are no better than passable; a very young Lena Horne had yet to develop her star qualities. The chorus girls' costumes looked suspiciously familiar (Warner Brothers?), and the two or three steps they learned for their routines have likewise been seen elsewhere. I hope the price of admission was cut-rate, too. Otherwise, the audience was short-changed.