VALUTAZIONE IMDb
6,5/10
1939
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA lonely socialite masquerades as a maid and meets an unpretentious, plain-spoken cowboy who is unaware of her true identity.A lonely socialite masquerades as a maid and meets an unpretentious, plain-spoken cowboy who is unaware of her true identity.A lonely socialite masquerades as a maid and meets an unpretentious, plain-spoken cowboy who is unaware of her true identity.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 5 vittorie e 2 candidature totali
Frederik Vogeding
- Boat Captain
- (as Frederick Vogeding)
Eddie Acuff
- Bus Driver
- (non citato nei titoli originali)
Murray Alper
- Cowboy at Ranch
- (non citato nei titoli originali)
Irving Bacon
- Chester - Smith's Secretary
- (non citato nei titoli originali)
Silver Tip Baker
- Rodeo Cowboy
- (non citato nei titoli originali)
Jack Baxley
- Rodeo Rider
- (non citato nei titoli originali)
Recensioni in evidenza
Transparently masked as a "Western", this fairly standard & predictable Screwball Comedy from 1938 relied too greatly on the "Aw-Shucks!" appeal of actor Gary Cooper.
Not only that, but it also banked too heavily on the on-screen chemistry that was supposed to transpire between Cooper's character and that of actress Merle Oberon, as well.
For the most part this Chick Flick (which was typical of its era) was fairly good-natured and quite uncomplicated about the motives of its storyline - But the truth was that Gary Cooper (pushing 40 at the time) was clearly too old for his part and his character was just a little too "Golly-Gee!" wholesome and naive to be at all believable.
It really killed me how much rich girl Mary Smith loved the be roughly man-handled and repeatedly knocked off her high-horse by the likes of "Stretch" Hawkins (Cooper).
All-in-all - The Cowboy And The Lady was OK, as far as a stock, 1930's Romantic/Comedy goes. But, the truth is, there was nothing remarkable about this picture in any way, whatsoever.
Not only that, but it also banked too heavily on the on-screen chemistry that was supposed to transpire between Cooper's character and that of actress Merle Oberon, as well.
For the most part this Chick Flick (which was typical of its era) was fairly good-natured and quite uncomplicated about the motives of its storyline - But the truth was that Gary Cooper (pushing 40 at the time) was clearly too old for his part and his character was just a little too "Golly-Gee!" wholesome and naive to be at all believable.
It really killed me how much rich girl Mary Smith loved the be roughly man-handled and repeatedly knocked off her high-horse by the likes of "Stretch" Hawkins (Cooper).
All-in-all - The Cowboy And The Lady was OK, as far as a stock, 1930's Romantic/Comedy goes. But, the truth is, there was nothing remarkable about this picture in any way, whatsoever.
I saw this movie recently on TCM and for the most part, loved it!
I liked the shy, bumbling character of "Stretch" and the sheltered, Mary who fell hard for him.
Of course, being sheltered, she was limited in her experience with men.
But fortunately, she fell hard for a man with character and who loved her truly.
I knew that when she lied and misrepresented herself that she would be caught.
I especially loved the night when they married. It was a sweet throwback to an earlier time when single ladies weren't in single men's rooms at night or any time for that matter! It wasn't proper in 1938. It was very sweet and romantic for Stretch to propose marriage. His search for a wife was over!
Here are my slight criticisms:
Also, unsure if I can believe that his REAL name was "Stretch".
Then, there are the scenes where Mary was at the rodeo cleaning up. She became filthy and her dress was torn as a result.
I would think that she could have had her maids send her some clothes or wire her some money so she could purchase some clothes and toiletries. Or even ask her new husband to purchase her some clothes. There was a scene where she attempted to purchase some pants but was interrupted by the phone call. Why didn't she or Stretch purchase clothing and toiletries for her she before she boarded the bus?
Even rich ladies have to bathe and look presentable. A rich lady with her background wouldn't travel on the train for 3 days in a filthy, torn dress and unwashed. Suppose her dad and his friends had ALREADY arrived when she got there? How would she explain her appearance?
Also, the scene in the framework of the house lasted a little too long, in my opinion.
But other than that: I enjoyed this movie! Gary and Merle were great in the leads!
I liked the shy, bumbling character of "Stretch" and the sheltered, Mary who fell hard for him.
Of course, being sheltered, she was limited in her experience with men.
But fortunately, she fell hard for a man with character and who loved her truly.
I knew that when she lied and misrepresented herself that she would be caught.
I especially loved the night when they married. It was a sweet throwback to an earlier time when single ladies weren't in single men's rooms at night or any time for that matter! It wasn't proper in 1938. It was very sweet and romantic for Stretch to propose marriage. His search for a wife was over!
Here are my slight criticisms:
Also, unsure if I can believe that his REAL name was "Stretch".
Then, there are the scenes where Mary was at the rodeo cleaning up. She became filthy and her dress was torn as a result.
I would think that she could have had her maids send her some clothes or wire her some money so she could purchase some clothes and toiletries. Or even ask her new husband to purchase her some clothes. There was a scene where she attempted to purchase some pants but was interrupted by the phone call. Why didn't she or Stretch purchase clothing and toiletries for her she before she boarded the bus?
Even rich ladies have to bathe and look presentable. A rich lady with her background wouldn't travel on the train for 3 days in a filthy, torn dress and unwashed. Suppose her dad and his friends had ALREADY arrived when she got there? How would she explain her appearance?
Also, the scene in the framework of the house lasted a little too long, in my opinion.
But other than that: I enjoyed this movie! Gary and Merle were great in the leads!
A modern fairy-tale in the tradition of Cinderella and Snow White. This movie has aged well and should be easily absorbed by today's audience. When you think of it, that is a hallmark of Gary Cooper films. He is the everyman, the themes are simple and timeless.
Cooper is in typically good form in this movie, and so is his beautiful and delightful co-star Oberon. The film is loaded with humor, romance and a touch of social commentary. A must see for fans of Cooper, Oberon, Jimmy Stewart or Frank Capra. A perfect "date" movie. One of my most favorite films. Hidden gem.
Cooper is in typically good form in this movie, and so is his beautiful and delightful co-star Oberon. The film is loaded with humor, romance and a touch of social commentary. A must see for fans of Cooper, Oberon, Jimmy Stewart or Frank Capra. A perfect "date" movie. One of my most favorite films. Hidden gem.
This film has about as far-fetched of a plot as you can find: a Presidential candidate's wily daughter goes on holiday, takes company with a brooding young cowboy and eventually marries him. Without a doubt, this film is a curio, but is still watchable for the performances of two of my favorite actors, Oscar-winner Gary Cooper and Oscar-nominee Merle Oberon. Won the Academy Award for Best Sound.
Considering the film has Merle Oberon and Gary Cooper, it couldn't help but be watchable...and it certainly was. The problem for me, though, is that with these actors and a concept that was decent enough, the film's script sure didn't do much with this. Instead, it has some nice moments as well as some lulls.
Perhaps it was just too much pawning off the idea of Merle Oberon with her exotic ways and accent as a rich lady in love with Cooper. While the idea of a society lady falling for a cowboy, Oberon just seems too distant and cold to make it all seem possible. I really think someone a little more "human" could have made this odd pairing work well. Oberon was a fine actress but I just don't think she was right for this film.
Perhaps it was that once the two fell in love, the film just stagnated until near the end. They married and yet the film still had a long way to go and the middle just seemed like filler at times--particularly Cooper's pantomime sequence inside their new house.
Whatever the reason, the film just seemed like an agreeable time-passer and nothing more. Inoffensive and just a tad bland. For a SLIGHTLY better variation of this same plot, try seeing the John Wayne and Jean Arthur film LADY TAKES A CHANCE--it has better chemistry and is just a better film in most respects.
Perhaps it was just too much pawning off the idea of Merle Oberon with her exotic ways and accent as a rich lady in love with Cooper. While the idea of a society lady falling for a cowboy, Oberon just seems too distant and cold to make it all seem possible. I really think someone a little more "human" could have made this odd pairing work well. Oberon was a fine actress but I just don't think she was right for this film.
Perhaps it was that once the two fell in love, the film just stagnated until near the end. They married and yet the film still had a long way to go and the middle just seemed like filler at times--particularly Cooper's pantomime sequence inside their new house.
Whatever the reason, the film just seemed like an agreeable time-passer and nothing more. Inoffensive and just a tad bland. For a SLIGHTLY better variation of this same plot, try seeing the John Wayne and Jean Arthur film LADY TAKES A CHANCE--it has better chemistry and is just a better film in most respects.
Lo sapevi?
- QuizSeveral trade papers and national magazines noted that the film, at that time, set a record for the number of screenwriters who worked on the script. Besides the four credited onscreen, at least 13 others were involved.
- BlooperDuring the initial blind date between the girls and the rodeo cowboys, they take a walk along the beach. Upon entering the gate to the house, the sound of a ukulele being played is heard, but Buzz (the ukulele player) is holding the ukulele in one hand, not playing it.
- ConnessioniFeatured in The Silver Screen: Color Me Lavender (1997)
- Colonne sonoreA-Tisket A-Tasket
(1938) (uncredited)
Music and Lyrics by Ella Fitzgerald and Van Alexander
Sung a cappella and danced by Harry Davenport
Variations also in the score
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Dettagli
Botteghino
- Budget
- 1.500.000 USD (previsto)
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was La dama e il cowboy (1938) officially released in India in English?
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