Aggiungi una trama nella tua linguaA bored automobile industry tycoon assumes a false identity, buys a half interest in a gas station, and plays matchmaker for his daughter.A bored automobile industry tycoon assumes a false identity, buys a half interest in a gas station, and plays matchmaker for his daughter.A bored automobile industry tycoon assumes a false identity, buys a half interest in a gas station, and plays matchmaker for his daughter.
- Regia
- Sceneggiatura
- Star
Richard Erdman
- Eddie
- (as Dick Erdman)
Recensioni in evidenza
This light-hearted, lightweight comedy is also a romance, since the story revolves around the (far-fetched) falling in love of two main characters.
But the film's significance orbits Sydney Greenstreet's portrayal of J.P. Alden, an automobile magnate who has moved to sunny Pasadena and now follows the orders of his doctor, his wife and his daughter--who are concerned for his health. He is cantankerous and bored. He longs for the old days, when he could eat whatever he preferred and he could work on cars.
After a series of coincidences and Alden's assumption of a false identity, he finds a way to assuage his cravings. Soon he is smiling again and ditching the pharmaceuticals. There's a solid message here for those who lose sight of their heart's desires.
It's nice to see Greenstreet in a comedy. And there are some notable appearances by recognizable character actors, notably Ian Wolfe as L. B. Crandall, Alden's personal attorney.
The mating dance between boy and girl is fairly routine (no surprises), but the real joy of this film is watching Sydney's character blossom and learn to self-actualize again.
But the film's significance orbits Sydney Greenstreet's portrayal of J.P. Alden, an automobile magnate who has moved to sunny Pasadena and now follows the orders of his doctor, his wife and his daughter--who are concerned for his health. He is cantankerous and bored. He longs for the old days, when he could eat whatever he preferred and he could work on cars.
After a series of coincidences and Alden's assumption of a false identity, he finds a way to assuage his cravings. Soon he is smiling again and ditching the pharmaceuticals. There's a solid message here for those who lose sight of their heart's desires.
It's nice to see Greenstreet in a comedy. And there are some notable appearances by recognizable character actors, notably Ian Wolfe as L. B. Crandall, Alden's personal attorney.
The mating dance between boy and girl is fairly routine (no surprises), but the real joy of this film is watching Sydney's character blossom and learn to self-actualize again.
Dane Clark's hair remains a distraction; that any leading man should look like a cheap $5.00 party wig was provided as part of costuming/makeup shall forever remain a mystery. Whenever Dane appeared on screen it would appear a pompadour was glued about his head. Of the many romance comedies on TCM from the 1930s and 40s, this singular distraction of a leading man is comical in its own right.
James P. Alden (Sydney Greenstreet) is a frustrated auto tycoon. He has been forced to retire by his family and his doctor. They moved to an estate in California from his Detroit factory. His daughter Marcia (Martha Vickers) is throwing a society party. Greg Wilson (Dane Clark) is a working man attending the party and won't stop complaining about the social ills of the rich which annoys Marcia to no end. She is pursued by the dashing Carter Andrews (Craig Stevens). Mr. Alden decides to buy a gas station in secret just to get back to work. It turns out to be only half of a gas station as he becomes a partner with Greg Wilson. Greg reveals his hatred of the Aldens and Mr. Alden quickly lies about his identity.
It's a fun comedy which surprised me a little. I like the sitcom misunderstandings and I love Greenstreet in the role. The two younger leads could be better but they are functional enough. They could improve if they have more time together. Even the short manufactured time at the ball game is enough for them to build chemistry. It's a fun comedy and I actual laughed during the fight. I love the bit where she calls out the guys' names. This seems to be another version based on the same Saturday Evening Post story. I wouldn't mind another one for the modern times.
It's a fun comedy which surprised me a little. I like the sitcom misunderstandings and I love Greenstreet in the role. The two younger leads could be better but they are functional enough. They could improve if they have more time together. Even the short manufactured time at the ball game is enough for them to build chemistry. It's a fun comedy and I actual laughed during the fight. I love the bit where she calls out the guys' names. This seems to be another version based on the same Saturday Evening Post story. I wouldn't mind another one for the modern times.
The usual romance story, with a couple different subplots going on. You have the man vs. female misunderstandings and high-society dame vs. the common man battles, with racketeers and the police sniffing around. Stars Dane Clark and Martha Vickers, who had both been making films for a couple years. Also has big names Sydney Greenstreet with his usual, famous guffaw and Alan Hale, who was in almost every single movie made in the 1930s and 1940s. The story is a bit convoluted, which is probably why they don't show it very often. It's pleasant enough to watch, but they do everything except take a rocket to the moon. The best role in this must have been the costume designer Leah Rhodes, who has Martha Vickers dolled up in exquisite dresses and hats throughout. Rhodes won the 1950 Oscar for costumes in Don Juan, a couple years after this one. Directed by Fred DeCordova, who also produced and directed Johnny Carson all those years.
The avuncular Sydney Greenstreet dominates this film as his sinister image is turned upside down in The Way With Women. Greenstreet plays an automobile tycoon who like Henry Ford came from humble beginnings and is Ford like wealthy now without the Fordian idiosyncrasies.
Bored with retirement Greenstreet on impulse buys a half interest in a gas station with war veteran Dane Clark incognito and the two start to build a business. Then they have to fight off a nasty protection racket with Clark and Greenstreet in jail where no one believes he's the wealthy tycoon he says he is. Henry Ford never had problems like this.
The fact that Greenstreet is incognito allows for a romance to develop between his daughter and Clark who really doesn't hit it off with her. The daughter is played by Martha Vickers known for two things, playing Lauren Bacall's psychotic sister in The Big Sleep and being one of Mickey Rooney's wives.
Although Clark and Vickers are attractive the film really belongs to Greenstreet and it is nice to see him not being the mastermind behind some sinister plot or hanging around the fringes of polite society. The man had a real gift for comedy that was not utilized all that often, the only other film I can think of with a funny Greenstreet is Christmas In Connecticut.
Not the best of films, but entertaining and a must for fans of Greenstreet. To see the funny side of Caspar Guttman by all means see The Way With Women.
Bored with retirement Greenstreet on impulse buys a half interest in a gas station with war veteran Dane Clark incognito and the two start to build a business. Then they have to fight off a nasty protection racket with Clark and Greenstreet in jail where no one believes he's the wealthy tycoon he says he is. Henry Ford never had problems like this.
The fact that Greenstreet is incognito allows for a romance to develop between his daughter and Clark who really doesn't hit it off with her. The daughter is played by Martha Vickers known for two things, playing Lauren Bacall's psychotic sister in The Big Sleep and being one of Mickey Rooney's wives.
Although Clark and Vickers are attractive the film really belongs to Greenstreet and it is nice to see him not being the mastermind behind some sinister plot or hanging around the fringes of polite society. The man had a real gift for comedy that was not utilized all that often, the only other film I can think of with a funny Greenstreet is Christmas In Connecticut.
Not the best of films, but entertaining and a must for fans of Greenstreet. To see the funny side of Caspar Guttman by all means see The Way With Women.
Lo sapevi?
- QuizThe opening scene is of the War Memorial Flagpole in Pasadena, California. It was dedicated in 1927 in memory of the city's citizens who died in World War I. The traffic circle around it has since been eliminated and the flagpole was moved to the northeast corner of South Orange Grove Blvd. and West Colorado Blvd.
- BlooperTwo times Marcia is entering her vehicle outside of the jail - once she enters from the sidewalk side and as there's no one sitting in the drivers seat the car zooms off one second after the door closes. The second time she enters from the street side and it appears there's a driver on the right front seat side. This as she drives herself in earlier scenes.
- ConnessioniFeatured in Okay for Sound (1946)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- El pobre ricachón
- Luoghi delle riprese
- Pasadena, California, Stati Uniti(opening scene)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 24min(84 min)
- Colore
- Proporzioni
- 1.37 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti