Mia moglie capitano

Paulette Goddard and Fred MacMurray star as a married couple in "Suddenly It's Spring," also featuring Arleen Whelan and MacDonald Carey.

Goddard is a WAC captain, Mary Morley, an expert in marital relations, who returns from overseas as an escort for GI war brides. She and her husband Peter (MacMurray) have been separated, and he wants a divorce. He is also her former law partner.

Peter is in love with Gloria (Whelan) and needs Mary to sign the divorce papers. As far as Gloria is concerned, he hasn't been moving fast enough, either.

When she doesn't sign them initially, Peter invites Mary to dinner. Meanwhile, one of Peter's clients, Jack (Carey) has been staying at his apartment. He thinks Mary is one of Gloria's bridesmaids for her wedding to Peter. When he talks to Mary, she realizes the situation. She isn't exactly ready to get a divorce.

Peter tries hard to get Mary to sign the papers, by acting like a jerk in public etc., but Gloria is impatient. He's getting desperate.

Very pleasant film with the vivacious and beautiful Goddard, one of my favorites, who plays well opposite MacMurray. When he was on My Three Sons, I thought he was a big nothing who starred in films while the big stars were off fighting World War II. I have been so pleasantly surprised by him over the years. He's a kind of Everyman, and if he didn't have the deepest range in the world, he has a nice presence and did both comedy and drama easily.

I wonder how many couples came together after the war and didn't know where they stood with one another - I'll bet a lot.

Good film.

I don't typically write reviews here, but this film is even more underseen than underrated, and deserves some attention. Paulette Goddard and Fred MacMurray come back from the war, having sworn to get a divorce four years prior. However, during the war Goddard worked as a marriage counselor to soldiers, and has since had a change of heart; not just to save her reputation/career but also her marriage. It plays not dissimilarly to The Awful Truth or The Philadelphia Story, in that MacMurray must chase down his wife; and yet it is dissimilar in that she's the one who loves him and he must chase her down to sign divorce papers. As it turns out, there's nothing so romantic as the thrill of the hunt - will MacMurray open his eyes and see what a wonderful wife he's giving up before it's too late? (Take a wild guess). Definitely would recommend this film to anyone into classic comedy.

Paulette Goddard and Fred MacMurray share some cute moments in this modest comedy-drama about a married couple just back from the War. Back in 1941 they had planned to divorce—but then Fred went to the Pacific to fight and Paulette became a WAC and zipped around Europe.

Now it's 1946 and they have to decide how—or whether—to put their lives back together.

Of course there are complications....Fred has taken up with the snooty Other Woman (Arleen Whelan), who wants him to get that divorce. And Fred's best friend (Macdonald Carey), seeing that Paulette may soon be free, sensibly takes an interest in pursuing her.

Unfortunately, Whelan's character just isn't very interesting, and Carey comes across as pushy at best. MacMurray and Goddard seem to be trying hard but there's just not much to their story—a lot of talking but not much snap or depth to the dialog, which leaves the plot feeling flat, too.

The two stars do look good; one could always do worse than spend an hour-and-a-half with Fred and Paulette. If the picture is unconvincing, at least it's also inoffensive.

Fred MacMurray and Paulette Goddard made this 1947 film for Paramount which marked their fourth and final picture together. Having appeared together in earlier classics like STANDING ROOM ONLY, THE FOREST RANGERS and ON OUR MERRY WAY [although they didn't perform together in this all star cast].

Paulette comes home from serving as an army officer to find her lawyer husband [MacMurray] wants a divorce. She refuses, and prospective spouses [Macdonal Carey and Arleen Whelan] complicate the couple's situation. Unfortunately a bad script with a worn out subject, didn't help the stars make this a winner. Although both Goddard and MacMurray were at their top form. The supporting cast just didn't have the ability for comedy to keep up with the stars.

This is surprising as Mitchell Leisen [who directed Paulette in one of her outstanding films, KITTY] didn't make much happen in this. I guess it's a matter of the studio assigning a picture and the stars obligated to film it. There is one plus side to this film. The pin-up artist of the time, Vargas, did a stunning full portrait of Paulette. It was used for all the ads for the movie.

This is rarely seen [I have a VHS [a poor one] made for me from the film. The stars looking terrific, couldn't make this film rise above a B rating movie.

Films about divorcing people are a tough sell. While there have been some very good films with this as a topic (such as MY FAVORITE WIFE and THE AWFUL TRUTH), this is a very tough sell as there normally isn't anything funny or romantic about divorce.

When the film begins, Mary Morely (Paulette Goddard) arrives home from her stint in the WACs following WWII. Her husband, Peter (Fred MacMurray) wants to meet her to sign their divorce papers. After all, when she entered the Army several years earlier, she'd asked for a divorce and in the interim, Peter fell for Gloria. However, now that Mary has returned, she's reluctant to sign those papers, so she plans on delaying as long as possible and hopes to win him back in the process. After a while, Peter is tired of trying nicely and resorts to deliberately being the most boorish jerk possible. Mary responds by telling him that this is a big turn on! And finally, Pater's 'friend', Jack (Macdonald Carey), works behind Peter's back to try to help him get the divorce...mostly because he wants Mary for himself.

So, how is this film? It's only fair--mostly for two big reasons. First, why they had Fred MacMurray change back and forth into the boorish and loud character, I have no idea...he WAS boorish and loud. Second, the other films I mentioned were simply much better. Better, more subtle and more clever. Now I am not saying this film is bad...but it felt a bit forced at times and is more of a time- passer as opposed to a timeless classic.