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Watching the Danny Kaye version after having watched the Ben Stiller remake is a fascinating experience. The modern remake has definite virtues - notably Stiller's little-boy-lost performance in a sophisticated world of New York advertising, as well as the subtext offering an elegy to LIFE magazine, now doomed to appear on the internet only. On the other hand Norman Z. Mcleod's Technicolor version of the Thurber story contains one of Danny Kaye's best performances on film. He was nothing short of a genius - a brilliant slapstick comedian, with an apparently limitless range of facial expressions, with a natural instinct for delivering comic songs full of verbal pyrotechnics. Structurally speaking, the film has a story of sorts, but is basically a star vehicle for Kaye to show off his talents, playing a distressed sea- captain, an English flying ace (complete with cut-glass RP accent), a brilliant card-sharper (complete with cheroot) and a cowboy storming into a studio-set bound western town. His wife Sylvia Fine provides the music and lyrics for two specialty tunes; in one of them he plays a mid- European professor impersonating most of the instruments of the orchestra. With all this verbal and visual wizardry going on, it's hard to concentrate on the plot; but it doesn't really matter, as Kaye is such an endearing performer that he can quite easily win his way into the audience's affections, especially when he plays direct to camera as if performing in the live theater. The film contains one or two good supporting performances, notably from Virginia Mayo as the love-interest playing several roles in Kaye/Mitty's fantastic dreams, and Boris Karloff as a crooked psychiatrist trying to push Kaye/Mitty out of the window of an upper-floor skyscraper, and then putting him under psychological influence in an attempt to extract vital information out of him. But basically the film belongs to Kaye, a superb star vehicle for a fantastically talented actor and performer, who was as much at home in front of a live audience as he was in front of a movie camera.

Danny Kaye at his best in a fantasy/comedy about a hen-pecked (by his mom and girlfriend) man who daydreams that he's a hero rescuing a damsel in distress (Virginia Mayo) from all sorts of perils. In real life he stumbles across her path and instantly becomes involved in an espionage plot involving villainous Boris Karloff. It's all played for laughs and Danny even gets to do a couple of his tongue-twisting musical routines.

Especially enjoyable in the supporting cast are Ann Rutherford as his silly girlfriend and Florence Bates as her overbearing mother. Thurston Hall has fun with his role as Kaye's harried, blustery boss who, while browbeating him, is nevertheless prone to borrowing ideas from Kaye for new sales angles in the pulp fiction market.

Kaye has a field day when his dreams take over, impersonating everyone from a sea captain to a riverboat gambler to a fashion designer--all with his own distinct flair for comic routines. A funny, witty, always entertaining little gem that has somehow been overlooked through the years. Virginia Mayo makes a delightful co-star.

If you like Danny Kaye's style you should see this movie. I like his style of making people laugh, so I'm amused with "The Secret Life of Walter Mitty". The scenes in which "Mitty" imagines himself to be a brave British pilot (and when he pretends to be his old music teacher), a hat designer, and a gambler from the old South are my favorite "dream sequences" of the film. Regarding the scenes that take place in "the real world" I think the takes with Doctor Hollingshead (Boris Karloff) and the one in which Mitty pretends to have a gun in his pocket are very funny. The partnership between Danny Kaye and Virginia Mayo is here at its best.

In New York, the clumsy Walter Mitty (Danny Kaye) is the publisher of pulp fiction at the Pierce Publishing house owned by Bruce Pierce (Thurston Hall). He lives with his overprotective and abusive mother (Fay Bainter) and neither his fiancée Gertrude Griswold (Ann Rutherford) and her mother (Florence Bates) nor his best friend Tubby Wadsworth (Gordon Jones) respects him. Walter is an escapist and daydreams into a world of fantasy many times along the day. When Walter is commuting, he stumbles in the train with the gorgeous Rosalind van Hoorn (Virginia Mayo) that uses Walter to escape from her pursuer. Walter unintentionally gets involved with a dangerous ring of spies that are seeking a black book with notes about a hidden treasure.

"The Secret Life of Walter Mitty" (1947) is a hilarious comedy about a clumsy daydreamer that gets into a dangerous ring of spies. Last Saturday I watched the annoying "The Secret Life of Walter Mitty" (2013) with Ben Stiller and I decided to seek the original 1947 movie that is better and better, with many gags. Danny Kaye is very funny performing the clumsy and coward Walter Mitty. Forget the 2013 remake and prefer to see the original 1947 comedy. My vote is seven.

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This is probably the finest role in Danny Kaye's career. I think its because I can relate to the fact that he is a daydreamer with a vivid imagination and he let's his imagination goes wild. Walter represents every put upon person and his daydreams are his way of escaping. I especially loved the gambler sequence, especially when he wakes up and the cards go flying.