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7,2/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWW2 veteran Lucky Gagin arrives in a New Mexico border-town intent on revenging against mobster Frank Hugo but FBI agent Bill Retz, who also wants Hugo, tries to keep Gagin out of trouble.WW2 veteran Lucky Gagin arrives in a New Mexico border-town intent on revenging against mobster Frank Hugo but FBI agent Bill Retz, who also wants Hugo, tries to keep Gagin out of trouble.WW2 veteran Lucky Gagin arrives in a New Mexico border-town intent on revenging against mobster Frank Hugo but FBI agent Bill Retz, who also wants Hugo, tries to keep Gagin out of trouble.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 1 vittoria e 1 candidatura in totale
Jose Alvarado
- Mexican Boy
- (non citato nei titoli originali)
Jimmy Ames
- Thug
- (non citato nei titoli originali)
Connie Asins
- Vocalist
- (non citato nei titoli originali)
Recensioni in evidenza
I don't really care very much for Robert Montgomery as a serious actor; they must have been at least a half dozen or more Hollywood actors at the time who could have handled the role better: Bogart, Cagney, Flynn, Power, Holden, Ford (etc). But despite being miscast, Montgomery pulls it off with some help from a great supporting cast. Great writing by a woman writer, Dorothy B Hughes, and a great screenplay by Lederer and Hecht (Lancaster's old buddy) provides the viewer with a real treat for atmosphere and storytelling. Gagin comes to New Mexico to square accounts with the guy who shot his partner, Shorty. Mr. Hugo is well-played by. Fred Clark. But the person who steals this film is not Montgomery, Clark or even Thomas Gomez, who was nominated for a Best Supporting Actor role as Pancho in the film. No, the film is stolen by actress, Wanda Hendrix as Pila, a wild-looking, space cadet, who is fiercely loyal to Gagin. One of the best film noir pieces you will ever see.
I was in the process of reading this book and then started watching a movie without knowing what the movie was. It was deja vu all of the sudden. It turned out to be this movie. I think that Robert Montgomery did a great job of capturing the character that was in the book. Tough but naive at the same time. A very good noir film that should get more play and recognition.
The dark atmosphere,the craziness of the music and the partying in the background all the time as the story unfolds. Maybe I had a leg up reading the book almost first. It's very rare when I think a movie based on a book is just as good as the book. I felt sympathy for Robert Montgomery's character. All the time thinking he was going to lose to the cheats. He had his own principals and stuck to them.
Can't say enough.
Good movie.
The dark atmosphere,the craziness of the music and the partying in the background all the time as the story unfolds. Maybe I had a leg up reading the book almost first. It's very rare when I think a movie based on a book is just as good as the book. I felt sympathy for Robert Montgomery's character. All the time thinking he was going to lose to the cheats. He had his own principals and stuck to them.
Can't say enough.
Good movie.
In one of a couple of films done at Universal starring Montgomery that are hard to find. Ex-solider Lucky Gagin (Robert Montgomery) arrives in the little southwestern town of San Pablo during a hectic fiesta weekend. He's come here seeking revenge against the man he holds responsible for his friend's death. But his quest may be derailed by one of the motley assortment of characters he meets: scheming federal agent Retz (Art Smith, spooky-eyed young Mexican girl Pilar (Wanda Hendrix), and boisterous carousel operator Pancho (Thomas Gomez), among others.
Montgomery does a very good job in both the directing and acting departments. The film showcases several stylish flourishes, and maintains an evocative, "stranger in a strange land" aura of uncertainty and mild paranoia. His performance as the plainspoken Gagin is also a nice stretch from his usual smooth charmer. He's blunt, occasionally rude, maybe not the sharpest guy in the room, but cunning enough to be a threat to those he targets.
The movie takes an unexpected turn in the last third which helps set it apart from the other crime pictures of the period, but in my opinion it weakened the resolution a bit. I liked Hendrix, and Gomez is affable in a character type he would go on to play several times in the future. Fred Clark, as a crime boss, and Art Smith as the fed, are unusual casting choices that work. The movie earned an Oscar nomination for Best Supporting Actor for Thomas Gomez.
Montgomery does a very good job in both the directing and acting departments. The film showcases several stylish flourishes, and maintains an evocative, "stranger in a strange land" aura of uncertainty and mild paranoia. His performance as the plainspoken Gagin is also a nice stretch from his usual smooth charmer. He's blunt, occasionally rude, maybe not the sharpest guy in the room, but cunning enough to be a threat to those he targets.
The movie takes an unexpected turn in the last third which helps set it apart from the other crime pictures of the period, but in my opinion it weakened the resolution a bit. I liked Hendrix, and Gomez is affable in a character type he would go on to play several times in the future. Fred Clark, as a crime boss, and Art Smith as the fed, are unusual casting choices that work. The movie earned an Oscar nomination for Best Supporting Actor for Thomas Gomez.
When a bus arrives in San Pablo, the mysterious American Lucky Gagin (Robert Montgomery) looks for the La Fonda Hotel and he meets the local Pila (Wanda Hendrix) that offers to take him there. Gagin is a tough man and army veteran and he seeks out a man called Frank Hugo (Fred Clark) and he learns that he will be back to his room only on the next day. Gagin stumbles upon FBI Agent Bill Retz (Art Smith), who is chasing the powerful mobster Frank Hugo, and he warns Gagin to forget his scheme for revenging his friend Shorty that was murdered by Frank. Then Gagin looks for a hotel room and he goes to the Bar Tres Violetas, where he befriends the owner of carousel called Pancho (Thomas Gomez) and he buys drinks for his friends in the bar. Pancho offers a place to Gagin to spend the night. On the next morning, Gagin goes to the hotel and meets Frank Hugo. He blackmails the mobster, asking for 30,000 dollars to give a check that incriminates him. Frank Hugo accepts the deal and tell that the money will be available only at 7:00 PM. Will Gagin succeed in his extortion of money from Frank?
"Ride the Pink Horse" is a different film-noir directed by Robert Montgomery, who is also the lead actor. His bitter and unpleasant character is well-developed as a war veteran disillusioned with the post-war life since his lover is unfaithful and his best friend was murdered by a mobster. Wanda Hendrix performs a weird character, maltreated by Gagin but following him like a puppy. But the plot is a good story of friendship. My vote is seven.
Title (Brazil): "Do Lodo Brotou Uma Flor" ("From the Mud Sprouted a Flower")
"Ride the Pink Horse" is a different film-noir directed by Robert Montgomery, who is also the lead actor. His bitter and unpleasant character is well-developed as a war veteran disillusioned with the post-war life since his lover is unfaithful and his best friend was murdered by a mobster. Wanda Hendrix performs a weird character, maltreated by Gagin but following him like a puppy. But the plot is a good story of friendship. My vote is seven.
Title (Brazil): "Do Lodo Brotou Uma Flor" ("From the Mud Sprouted a Flower")
This is a classic pseudo film noir. It means to emulate, but not necessarily be, a true film noir.
Robert Montgomery is excellent and believable as a man driven to revenge the death of his war time pal.
The scenes with Wanda Hendrix as, in turns, a guileless teen, a knowing friend and a woman who 'sees things' are taut and dramatic. There are a few moments of humor there too.
Mr Montgomery's direction is both intelligent and convincing. There are moments of drama. Moments of near pathos. Moments of comedy. Moments of boredom - from the characters, not the audience.
The 'Fed' and 'Pancho' the carousel owner are interesting and engaging characters. Not hollow or cardboard cutouts that one might see in some films.
All in all it is a very enjoyable film and a must see for those that appreciate both the acting skills and the directorial skills of Mr. Robert Montgomery.
Robert Montgomery is excellent and believable as a man driven to revenge the death of his war time pal.
The scenes with Wanda Hendrix as, in turns, a guileless teen, a knowing friend and a woman who 'sees things' are taut and dramatic. There are a few moments of humor there too.
Mr Montgomery's direction is both intelligent and convincing. There are moments of drama. Moments of near pathos. Moments of comedy. Moments of boredom - from the characters, not the audience.
The 'Fed' and 'Pancho' the carousel owner are interesting and engaging characters. Not hollow or cardboard cutouts that one might see in some films.
All in all it is a very enjoyable film and a must see for those that appreciate both the acting skills and the directorial skills of Mr. Robert Montgomery.
Lo sapevi?
- QuizFilmed in Santa Fe, the burning of Zozobra, which began in 1924, is still an annual festival occurring in September.
- BlooperOpening scene at the bus station, Montgomery walks over to the gum machine to insert his coin, but the gum package is already present before he inserts it.
- Curiosità sui creditiThe main title card reads, "as LUCKY GAGIN in RIDE THE PINK HORSE." The film's title is in far smaller type than the character name.
- ConnessioniFeatured in Pulp Cinema (2001)
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- Ride the Pink Horse
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Botteghino
- Lordo Stati Uniti e Canada
- 2.000.000 USD
- Tempo di esecuzione1 ora 41 minuti
- Colore
- Proporzioni
- 1.37 : 1
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