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This is an extremely stylish film noir with a balanced, touching performance by Robert Mitchum. I was not expecting to be as moved by this film as I ultimately was. It has the snappy banter that one would expect of a film from the 40s, but the dialogue transcends mere wit and left me more than a little emotional. Mitchum is remarkably understated and cool, making his self-destructive behavior all the more entrancing. Kirk Douglas also adds a really light touch to his role, keeping his slick gangster more genuine than one might expect. I would have to say that while it is in many ways a typical film noir (and a fine example of the style), I have never seen anything quite like it. There are locations you would never expect to see in a film noir and a surprising bittersweet ending. Fantastic film.

Terrific exotic adventure/melodrama with gothic undertones. Douglas follows Mitchum following Greer to Mexico; murder and robbery follow everywhere femme fatale Greer goes. She's excellent; vulnerable eyes revealing the fear motivating her totally irrational, greedy actions. She and Mitchum are made for each other (it's a shame that this and the less exciting "The Big Steal" are their only films together as far as I know, although Greer did make a good pairing with the comparably skilled Richard Widmark in "Run for the Sun"). Every step of their twisted journey feels inevitable, painful, and joyous, like a death-row inmate smoking his last cigarette. Mitchum is at his best here as the patsy for Greer and Doublas' schemes, who plays along as if he knows better but is truly seeking absolution from death.

One of the best films ever made by Hollywood, all the more amazing considering it was made almost on the fly (what people today call a "film noir" but what the producers though of as a "B" movie).

Tourneur is one of the best low budget directors in the business; fans of good film will seek out his movies, which cover all the different genres of film. His father was one of the creators of film style, and he has a striking sense of visual composition himself, which he puts to excellent use in this, possibly his best film.

I have been a fan of Jacques Tourneur's horror movies ('Cat People', 'Night Of The Demon', 'I Walked With A Zombie',etc.) for many years, but for some reason I hadn't seen 'Out Of The Past' until very recently. Regarded by many noir buffs as one of the very best examples of the genre, if not THE best, it knocked my socks off! Some movies are so good that you almost can't believe they exist. 'Vertigo', 'Rashomon', 'Taxi Driver', 'Cool Hand Luke', 'The Wild Bunch', 'The Wages Of Fear', these are some titles that immediately spring to mind. Your jaw just drops in amazement, and repeated viewing reveal more layers and levels of enjoyment. 'Out Of The Past' now joins that group of very special movies for me. Tourneur's horror classics are brilliant works, but this movie surpasses them all to me. Everything about this movie is superb. The direction, photography, script (which crime legend James M. Cain of 'The Postman Always Rings Twice' and 'Double Indemnity' fame contributed to anonymously), and the actors. The cast are all good, but Robert Mitchum steals the show with a first rate performance, second only in my opinion to his unforgettable role in the extraordinary 'Night Of The Hunter'. The beautiful Jane Greer is also excellent, as is Kirk Douglas. If you want to get into film-noir and understand just how influential it was on subsequent movies, make 'Out Of The Past' your first stop. It is a masterpiece, pure and simple. I know this movie will be in my life for a very long time, and that gives me a lot of satisfaction. 'Out Of The Past' comes with my highest recommendation. I can't put into words just how great this movie is, so just watch it for yourself.

Tremendously stylish, brilliantly scripted and wonderfully directed noir classic about a man who cannot escape from his past. Rarely does the genre get away from the grimy city streets with it's dark corridors and alleyways only partially lit by un-realistic streams of bright light. In this film we not only see the underworld gangs, the bars and floozies, the heavies and the fatales, but we also see the bright beautiful countryside, the streams and the rocks - a complete otherworld.

Mitchum is superb as the man who has escaped the city to live a new life in the country only to be dragged back by powerful forces. This broadening of the cinematic landscape makes the movie more affecting than your assorted Bogarts' & Ladds'. As with 'I am a Fugitive from a Chain Gang' I feel much more sympathy for the lead actor who gets dragged back into the bear pit to wrestle for his life and soul.

'Out of the Past' also has some of the finest dialogue and narration I have ever heard, probably matched only by 'The Maltese Falcon'. 'She was like an autumn leaf blowing from gutter to gutter', is one gem that sticks in my mind.

The mood of the film is pleasantly melancholic and the portrayal of the fatale figure (Jane Greer) is particularly sympathetic. In most noir movies the male perspective of the double-crossing woman predominates (not that there's anything wrong with that, it's usually very funny). Here however, whilst Greer presents one of the blackest of women you at least know why she does what she does and can sympathise with her plight. She is trapped too.

Tourneur, tragically made few films but was a master at getting messages deep into your psyche, into your soul. 'Cat People 'and 'I Walked With a Zombie' both had otherworlds where the demons lived. We all have otherworlds too, places we'd rather not go very often, but as with Mitchum we are sometimes confronted with those demons and have to do battle once again. When I go next I hope to be wearing my hat at an exquisite angle and have my trench coat well belted.

Out of the Past came at a time for Robert Mitchum after one of the worst films in his career, Desire Me which he did on a loan out to MGM. He must have been grateful to get back to RKO studios and to do one of the best noir films ever done.

Mitchum plays the luckless Jeff Bailey, private eye who has the ill fortune to fall under the feminine charms of Jane Greer after gambler/racketeer Kirk Douglas hires him to find her and $40,000.00 she stole from him after shooting him. Mitchum trails her to Mexico, but when he meets her, let's just say he easily sees why Kirk Douglas wants her back so bad. It's one piece of intrigue after another at this point until there's tragedy all around.

This was Kirk Douglas's second picture and he showed his range as a player after playing a weakling in his debut film, The Strange Loves of Martha Ivers. Douglas and Mitchum got good notices, but this film really belongs to Jane Greer. The sheer scope of this woman's evil will leave you gasping. Out of the Past gave Jane Greer her career role and she made the most of it. Two of post World War II Hollywood's biggest leading men and several others in tow. It's breathtaking when you think of it.

Out of the Past is a real downer of a film, but mesmerizing as a study of how a man can get hooked on feminine charms applied right.