Aggiungi una trama nella tua linguaTimid Arthur panics after mistaking the tipsy Olive for dead and dumps her on artist Galleo's terrace. Sensing an opportunity, Galleo tries to blackmail him but chaos unfolds when Olive refu... Leggi tuttoTimid Arthur panics after mistaking the tipsy Olive for dead and dumps her on artist Galleo's terrace. Sensing an opportunity, Galleo tries to blackmail him but chaos unfolds when Olive refuses to stay dead.Timid Arthur panics after mistaking the tipsy Olive for dead and dumps her on artist Galleo's terrace. Sensing an opportunity, Galleo tries to blackmail him but chaos unfolds when Olive refuses to stay dead.
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Recensioni in evidenza
The film fails as a true screwball comedy because the pace is too slow. Had the pace been a bit more frenetic, it might have succeeded. This was the director's fault more than anything.
Ann Dvorak's career peaked in the 1930s. Some of her best work came after that. Most of it was in dramas. It was a delight seeing her do a comic role. I urge those not familiar with her to do more research and check out some of her 1940s and 1950s performances. One that comes immediately to mind are The Secret of Convict Lake and A Life of Her Own.
One day, Mrs. Earthleigh leaves to go on a trip. When she's gone, her husband meets a very strange alcoholic, Olive (Dvorak) and she follows him home and WON'T leave no matter how hard he tries. Eventually, she appears to have died and falls onto Galleo's property! Well, Earthleigh can't find this narcoleptic alcoholic...and later Galleo decides to pretend he found this lady DEAD on his terrace...and enlists Earthleigh to 'dump the body'. Galleo knows there is no body but figures this is a chance to blackmail Earthleigh into dropping his lawsuit and letting him keep his dog. What's next? Well, Olive appears to die several more times and suddenly lots of people are being accused of killing her!
This is a cute little comedy and I might have scored this very original film higher had Dvorak's performance been a bit less broad and silly. Subtle definitely would have worked better...but it still worked and is a cute little situation comedy. Worth seeing.
This is a comedy that makes use of screwball comedy set pieces. It's all about misinterpretations. And it's pretty funny in parts. Some of artist Turhan Bey's (David) reactions are expertly dialogued, especially when a dead body turns up on his balcony and he discovers what has actually happened.
The director could have made more of singer Hadda Brooks. If she's going to appear in a film, then give her a full song. Ann Dvorak takes the attention away during Hadda's scene and we don't really want to hear Dvorak singing the title song "Out of the Blue".
You have to be in the mood for this type of comedy and if the mood takes you, it is quite a good example. I'll be keeping onto it for a future viewing when in the mood. It's got a pretty good cast and is one of Carole Landis's last films.
Most notable is George Brent playing the milquetoast who can't rid himself of Dvorak looking for a drink before his wife comes home. I've never seen him attempting comedy and his Coke bottle glasses help the image. And there are several scenes we get to see his famous wide rear end as he attempts to hide Dvorak in a steamer trunk. (the mic boom makes a few appearances too)
Virginia Mayo is delightful as usual, and between Carole Landis & Ann Dvorak you see several gorgeous costumes.
I had never seen Turhan Bey in a movie before and he reminded me of Orson Welles a bit in looks & demeanor. The high point of Bey's appearance was seeing him in white shorts, socks & sandals looking as if cast from a Village People video as the "Tennis Player"
The story had a few cute running gags about spinster neighbors seeing Dvorak passed out in a drunken stupor and thinking she's been murdered and of course the Brent character trying to get rid of her any way possible.
This under 90 minute romp may be predictable, but because it's perfectly cast & acted and fun to watch.
Lo sapevi?
- QuizVera Caspary also wrote the play "Ring Twice for Lora," then later turned it into a novel with a different title, which led to the famous film noir Vertigine (1944).
- Citazioni
Olive Jenson: I have a bad heart and when I pass out I really pass out. People tell me I look positively dead.
David Gelleo: Then Earthleigh must have thought he'd killed you. So he dumps you on my terrace.
Deborah Tyler: Why, that's terrible. I never heard of such a thing.
David Gelleo: How do you like that? You can't even bury a bone on his terrace but he can throw his old dead bodies on mine.
Olive Jenson: Who's an old dead body?
- ConnessioniReferenced in Guy - Gli occhi addosso (1996)
- Colonne sonoreOut of the Blue
by Will Jason and Henry Nemo
Performed by Hadda Brooks (uncredited)
[Performed live when Arthur and Olive are at the bar together; also played on a phonograph]
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Por un cuerpo de mujer
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.100.000 USD (previsto)
- Tempo di esecuzione1 ora 24 minuti
- Colore
- Proporzioni
- 1.37 : 1