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If you ever wished Barbara Stanwyck had starred in Dark Victory, rent The Other Love for your chance at recasting the Hollywood classic. In this romantic drama, Barbara has a serious lung condition and has to abandon her career as a famous concert pianist to heal in a Swiss sanitorium. It's not long before she falls in love with her doctor, David Niven, but is he hiding the seriousness of her illness from her?

Barbara Stanwyck gives an excellent performance in this overlooked film. She usually portrays very strong, independent characters, so whenever she breaks down and cries or begs for help, it's truly heartbreaking. Get ready to be heartbroken more than once during this film. I like Barbara anyway, but I was particularly impressed by her range of emotions: fear, anger, resentment, love, relief, hope, and determination. Ladislas Fodor and Harry Brown's script wasn't the strongest element in the film, and I could imagine another actress would have either been too flat or too melodramatic. Barbara is very real.

In addition to the medical portion of the film, Barbara is also caught in a love triangle, torn between David Niven and Richard Conte. While I love The Niv, Richard Conte is very magnetic. One man knows her past, and the other could be her future; one keeps up a professional front, and the other is overtly passionate. Which will she choose? Find out by renting this romance on a cold, rainy afternoon.

Famed concert pianist Karen Duncan (Barbara Stanwyck) is recuperating in a Swiss sanatorium from a respiratory illness under the supervision of loving Dr. Tony Stanton (David Niven). She befriends fellow patient Celestine Miller (Joan Lorring). Playboy Paul Clermont (Richard Conte) crashes his race car barely avoiding Karen on the road. Her illness is more serious than she suspects. She is shocked by Celestine's unexpected death. Stanton tells her that she must rest but she ignores his advise and runs off to live her life with Clermont. It's a bit slow. With Stanwyck, it holds out a possibility of something more. I was hoping for a good twist or something different. In the end, it doesn't really give more than a straight downward slide into a romantic melodrama.

When this was first released in the end David Niven plays the piano and says something like 3 mistakes and Barbara doesn't answer he goes over the her holds her hand and finds she has died. This was cut out after it was released the second time a few years later.

In The Other Love Barbara Stanwyck steps into territory that was reserved for Margaret Sullavan, Hollywood's all time champion of essaying roles in bittersweet romances. Two films of her's, Three Comrades and The Mortal Storm bare no small resemblance to The Other Love. Especially the former since it also was taken from a Erich Maria Remarque story.

But Three Comrades had Frank Borzage directing it and that was the man for these films. His touch on bittersweet romances is as apparent and obvious as Alfred Hitchcock with suspense. This film would have raised a few notches in ratings had he directed it. And of course Sullavan would have aced the part of the tubercular heroine.

As it is Stanwyck is not bad in the role of a patient of Dr. David Niven at a Swiss sanitarium for tuberculosis. Niven is having a lot of trouble keeping his professional decorum with Stanwyck, but the doctor does win over the potential lover. Stanwyck doesn't realize how sick she is just as Sullavan didn't realize it in Three Comrades. She's a classical concert pianist and the enforced rest is rusting her technique.

The first chance she gets she runs off with racing driver Richard Conte who she doesn't tell how sick she is. But in the end Conte proves to be a stand-up guy.

There is also a very touching performance from Joan Lorring as a singer who is also a patient in the sanitarium. Her death just about pushes Stanwyck over the edge.

Barbara and the cast acquit themselves well, but Frank Borzage could have made The Other Love a classic.

David Niven and Barbara Stanwyck were both actors of quality, but they share absolutely no chemistry together in this sudsy melodrama about a concert pianist with TB. The rugged Richard Conte, a racing driver with a taste for the high life, is a much better fit for Stanwyck's screen presence, but isn't really given enough time to make his mark. Naturally, Stanwyck looks gorgeous throughout, despite her life-threatening illness...