Smarrimento

**SPOILERS** Straight laced at his practice as a big city, San Francisco, doctor and wonderful family man Richard Talbot, Kent Smith,has never done anything more serious in his life then being late at his doctors office. That was all to change when one evening going to his car he ran into singer Nora Prentiss, Ann Sheridan. Nora has a fainting spell falling on the street and bruising herself. Bringing Nora up to his office Richard after treating her starts to slowly fall madly in love with Nora. That leads to him throwing away his very successful practice his family, wife and two children, and later even his life, which in the movie he loses twice. Where in the end Richard faces the California gas chamber for first degree murder. The movie "Nora Prentiss" is about a mans obsession. That obsession leads him into such depths of depression and depravity that he destroys everything he held near and dear to himself in order to keep the woman, Nora Prentiss, that drove him into this madness and in the end loses her as well. Nora for her part is totally unaware of how far her lover was willing to go to keep her from disappearing out of his life. Spending money like crazy on Nora and using the excuse of working late at the office so that his wife Lucy, Rosemary DeCamp, won't suspect his almost nightly lateness from home Richard is still very reluctant to divorce his wife, on what possible grounds? Then like heaven sent a patient of his Walter Bailey, John Ridgely, who not only fits Richards hight and weight but is even Richard's age,43, pops into his office one night and collapses and dies from a heart attack! Going to call the police to pick up the body Richard get this bright idea to switch identities and thus bury his past, as Dr. Richard Talbot, and start a new life as whoever he chooses with who he feels is the love of his life Nora Prentiss. Nora who was leaving for New York for a job as a singer at the Sea Gull Cafe run by her very close friend and former employer Phil Dinardo,Robert Alda, runs into Richard who excitedly tells Nora that he's divorcing his wife and within weeks when his divorce papers go through they'll be able to get married. Rchard in fact disposed of Bailey's body with his wedding ring on him to make it look like he was the one who was killed. In New York living like a fugitive from the law Richard has Nora becomes a bit annoyed of his constant secrecy and avoidance of people. It soon gets to the point where she's forced to live with Richard in a hotel room and only having her job at Phil's nightclub as the only contact with the outside world. Richard, now calling himself Robert Tompson, for his part constantly keeps up with the news back home in San Francisco and learns that his "death" is being investigated by the police as a murder suspect with evidence found at his office; The cops found a letter of divorce that he partly burned that's interpreted as a blackmail note. Also at the accident scene the police found a can of gasoline with his fingerprints on it. Richard finally lose it when he finds Nora, who by then he already confessed what he did, in her dressing room with Phil! That has him go into a jealous rage and attacks the startled nightclub owner. This causes the police to chase Richard all through the streets of Manhattan ending up in a fiery accident in Central Park with his face badly burned. With Phil not pressing charges and Richard getting a face-over, plastic surgery, it now looks like he and Nora can finally get married and put his life as Doctor Richard Talbot behind him. It's then his being fingerprinted by the police for car theft and those fingerprints matched those back in San Franciso on the can of gasoline come up as a match! This made Richard the number one suspect in his own murder! how's that for ultimate justice. Now with nothing to look forward to with his wife and family as well as Nora out of his life forever Richard, or as he's known now as Robert Thompson, can only sit in his dark prison cell and count the days leading up to his scheduled execution. He can also see what a mess he made of his life by reaching for something that he should have known was well out of his reach Nora Prentiss.

Awfully frank thriller about a chance meeting between a doctor working late one night and a singer who gets a bad scrape in a minor accident hooking up into a extra-marital(for the doctor) relationship that heads South in a hurry. Kent Smith, the male lead from Cat People and Curse of the Cat People, plays Dr. Talbot rather nicely I thought. He portrays a man who has worked hard his whole life and sacrificed his "life" for his job and family. Ann Sheridan plays the genuinely nice singer who appeals to the doctor not only because of her beauty but her ability to see him for who and what he is. She does a phenomenal job in what really is a complex role. The rest of the cast is pretty decent. Bruce Bennett may come off miscast as a doctor, but Robert Alda as a night club owner and Rosemary DeCamp as Talbot's wife both excel. While not really a mystery - or a very ingenious one as we know what is going on early on, this picture really depicts what at once seems quite harmless and its transformation into something very harmful. Director Vincent Sherman is more than adequate behind the camera. Some might say this really isn't film noir - I can see some of their points - but this is noir all the way for me: the suggestive black and white cinematography, the voice-over narrator, the man being changed by the "dame," and the ending that is bittersweet. The biggest problem with Nora Prentiss is the title. Ann Sheridan was the box office grab - and this grabbed a lot of tickets - but she is not the star of the movie nor is her character the central character. Kent Smith is the star and a more appropriate title should have been selected. Hmmm...maybe, "The Cheating Surgeon" or "The Doomed Affair." Definitely needs more thought!

. . . Ann Sheridan, that is. And they didn't call her the "Oomph Girl" for nothing.

She's worldly (mostly underworld) straight- forward, knows the score, and completely direct. What's more, you believe and trust her . . . nothing underhanded here.

At one point she, as Nora Prentis says, "I may not have been handled with care, but I'm not shop-worn." That about sums her up.

There's no other quite like Sheridan, and she can make a wisecrack in a flash, partly for levity and partly to hold off wolves. Furthermore, it works pretty much all the time.

In "Nora Prentis" Sheridan's perfectly cast as a nightclub singer who walks into an affair with a married man. Kent Smith is fine as her suitor. Vincent Sherman's the competent director, and James Wong Howe's the fine photographer.

We're treated to Ann's beautiful contralto voice (in a lovely ballad, "Who Cares What People Say") and to the rest of Warner Bros. stock company, including Robert Alda.

"Nora Prentis' " characters work because they're endowed with both strong and weak qualities. No one's clearly victim or villain here, just quite ordinary people who get trapped in tragic circumstances.

Dr. Richard Talbot's teenage daughter runs to the kitchen window one morning and joyfully declares "It's Spring. Something's stirring." Later, when the good doctor is applying a bandage to the injured knee of a shapely chanteuse named Nora Prentiss, we are left in little doubt as to what that 'something' is!

This film is yet another variant on the theme of 'amour fou' which is capable of raising one to the heights and dragging one to the depths. As this tragic but highly implausible tale unfolds, credibilty is stretched to the utmost but Vincent Sherman somehow succeeds in covering most of the plotholes. Mr. Sherman is an extremely capable director and he is fortunate here to have Anton Grot's production design, the evocative cinematography of James Wong Howe and Franz Waxman's dramatic score.

It is customary to dismiss actor Kent Smith as being rather bland but he surprised me in this and engages our sympathy as the hapless doctor whose slow descent into the abyss is painful to behold. Suffice to say this is essentially a vehicle for Ann Sheridan whose role was expanded by order of Jack Warner. What can one say of Miss Sheridan? She combined oodles of 'oomph' with what one critic has described as 'no nonsense pragmatism.' She left us far too early but is still here thanks to the magic of film.

Ann Sheridan is a nightclub singer who gets involved with a straitlaced, married doctor in "Nora Prentiss" - and the consequences are interesting indeed. The doctor is played by Kent Smith, well-remembered by yours truly as the husband of Simone Simon in "Cat People." Though he never reached big movie stardom, Smith enjoyed a 40+ year career in film, on radio, and TV. In this, he's regimented and by the book, partly helped by his equally disciplined wife, played by another favorite of mine, Rosemary DeCamp, a wonderful actress. One night, Prentiss ends up in his office with a mild injury, and from then on, the good doctor can't imagine life without her and what he's been missing. Conflicted about asking his wife for a divorce, one day, an opportunity drops into his office, and nothing is the same again.

This is an intriguing film, but it takes a little bit too long to get to the point. The ending by '40s standards took me by surprise. Though Sheridan is nothing like Kay Francis, they both are women associated with a certain era - you can't think of Francis without thinking of her in those flowing '30s gowns and outfits - and you can't think of Sheridan without tailored suits and shoulder pads. They went along well with her earthy quality and low speaking voice. The overall effect was of someone who had been around the block but still had her dignity and self-respect. Photographed by James Wong Howe in this film, she looks marvelous. Though IMDb doesn't state if she did her own singing in "Nora Prentiss," if she didn't, the voice matched her speaking voice perfectly and sounded great.

Kent Smith is very good as the pent-up, frustrated doctor. One criticism would be that most of the time, doctors look at bodies clinically and aren't usually embarrassed by the site of a woman's knee, as Smith is in one of the opening scenes. However, he's very effective, as are Robert Alda and the always reliable Bruce Bennett in smaller roles.

This film apparently did a lot for Sheridan's career, which is understandable. Very good movie.