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L'affascinante straniero

Titolo originale: Love from a Stranger
  • 1947
  • Approved
  • 1h 21min
VALUTAZIONE IMDb
5,9/10
326
LA TUA VALUTAZIONE
L'affascinante straniero (1947)
Film noirDrammaMisteroRomanticismoThriller

Aggiungi una trama nella tua linguaA newly married woman begins to suspect that her husband is a killer. Even worse, she soon comes to believe that she will be his next victim.A newly married woman begins to suspect that her husband is a killer. Even worse, she soon comes to believe that she will be his next victim.A newly married woman begins to suspect that her husband is a killer. Even worse, she soon comes to believe that she will be his next victim.

  • Regia
    • Richard Whorf
  • Sceneggiatura
    • Philip MacDonald
    • Frank Vosper
    • Agatha Christie
  • Star
    • John Hodiak
    • Sylvia Sidney
    • Ann Richards
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,9/10
    326
    LA TUA VALUTAZIONE
    • Regia
      • Richard Whorf
    • Sceneggiatura
      • Philip MacDonald
      • Frank Vosper
      • Agatha Christie
    • Star
      • John Hodiak
      • Sylvia Sidney
      • Ann Richards
    • 15Recensioni degli utenti
    • 1Recensione della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto8

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    + 3
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    Interpreti principali24

    Modifica
    John Hodiak
    John Hodiak
    • Manuel Cortez
    Sylvia Sidney
    Sylvia Sidney
    • Cecily Harrington
    Ann Richards
    Ann Richards
    • Mavis Wilson
    John Howard
    John Howard
    • Nigel Lawrence
    Isobel Elsom
    Isobel Elsom
    • Auntie Loo-Loo
    Ernest Cossart
    Ernest Cossart
    • Billings
    Philip Tonge
    Philip Tonge
    • Dr. Horace Gribble
    Anita Sharp-Bolster
    Anita Sharp-Bolster
    • Ethel
    Frederick Worlock
    Frederick Worlock
    • Inspector Hobday
    • (as Frederic Worlock)
    Phyllis Barry
    Phyllis Barry
    • Waitress
    • (non citato nei titoli originali)
    Billy Bevan
    Billy Bevan
    • Taxi Driver
    • (non citato nei titoli originali)
    Colin Campbell
    Colin Campbell
    • Bank Teller
    • (non citato nei titoli originali)
    David Cavendish
    • Policeman
    • (non citato nei titoli originali)
    Charles Coleman
    Charles Coleman
    • Hotel Doorman
    • (non citato nei titoli originali)
    Bob Corey
    • Taxi Driver
    • (non citato nei titoli originali)
    Abe Dinovitch
    • Undetermined Secondary Role
    • (non citato nei titoli originali)
    Eddie Dunn
    Eddie Dunn
    • New York Police Detective
    • (non citato nei titoli originali)
    Eugene Eberle
    • Bellboy
    • (non citato nei titoli originali)
    • Regia
      • Richard Whorf
    • Sceneggiatura
      • Philip MacDonald
      • Frank Vosper
      • Agatha Christie
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti15

    5,9326
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    10

    Recensioni in evidenza

    8michell-2

    Heavy-handed but well-paced melodrama

    Hodiak overacts and Sidney does an adequate job in this dark Franju remake of 1937 movie (based on a play based on an Agatha Christie novel). Overstuffed with English local color & symbolic stormy weather. Entertaining.
    4jcoppeto001

    mundane

    This was a rather pedestrian version of the Agatha Christie short story thriller (Philomel Cottage). Of course, the original short story confined itself to the time the couple spent on their honeymoon, although the subsequent adapted theater play expanded on the plot. Sylvia Sidney came off as a kind of Betty Davis type with a distracting edge to her delivery. John Hodiak's performance started off with subtlety but towards the end it deteriorated into melodrama. I agree with another reviewer that I couldn't help thinking that this would have gotten a much better treatment from Alfred Hitchcock. The plot development was implausible at times. Although the beginning was cogent and mood-setting, I was disappointed by the lack of subtlety in the ending, which differed from the Christie ending. The story should have been about the psychology of predator and prey, but that aspect was muted. I have not read the theater play, so I don't know how its ending compared to the wonderful Christie ending.
    theowinthrop

    A Somewhat Curious Remake

    In 1937 Basil Rathbone and Ann Harding were directed by Rowland V. Lee in the film LOVE FROM A STRANGER, based on a short story turned into a play by Agatha Christie. Set in contemporary England, Rathbone played a "gallant" type who sweeps the recently enriched Harding into a sudden marriage, and then plots to kill her. She gradually realizes her danger, and at the last moment turns the tables on him. It worked well, and so it was re-shot in 1947. Now it is John Hodiak and Sylvia Sidney who play the ill-fated couple, with John Howard as Sidney's one ally on the outside trying to help her.

    It is odd for two reasons. First it was reset into late Victorian, early Edwardian England. The reason seems to have been based on the success in the last few years of Victorian melodramas at the box office (GASLIGHT, THE LODGER, HANGOVER SQUARE, THE VERDICT, THE WOMAN IN WHITE). This should not have been too difficult to do, for murders for profit has occurred in every time period and era. But it leads to a bit of historical theft (see below). The other reason is that the end was altered. The Harding/Sidney character's last trick was weakened in the remake, and Hodiak did not meet quite the same just deserts that Rathbone did. In fact, it becomes something of a steal from Robert Louis Stevenson's TREASURE ISLAND in the end.

    The bit of historical theft was concerning Hodiak's background. Like Rathbone, he is a serial killer of wives (usually wealthy ones). In the earlier film, it turns out that Rathbone's earlier career was written up in a book of true crimes, including a photograph of him (with a beard), that was subject to his character trying to get possession of the book before a crime connoisseur could see the picture and go to the authorities. The same plot twist is in this film, but the picture is a newspaper drawing of Hodiak with a beard. But it mentions his earlier crime as being in South Africa (Hodiak's character is given a Spainish name). The possibility exists that Agatha Christie or the screenplay writers were acquainted with the late 19th Century career of wife murderer Frederick Bayley Deeming. Deeming murdered (as far as we know) two wives, and his four children in Liverpool, England (in 1891), and Melbourne, Australia (in 1892). Although money was not involved in either case, he was a con-man, who was extradited from Uruguay in South America in 1890 to serve time for fraud in England. He also tried to confuse witnesses at his murder trial in Melbourne by first shaving off his mustache, and then growing a beard at his trial. It did not work - he was hanged in Melbourne in May 1892. Not quite a fit, but close enough to make one wonder.
    5ulicknormanowen

    Cortez the killer.

    Unlike many of the writer's plots,it is not a whodunit but pure thriller ;"Philomel cottage" was a short story which was often transferred to the screen (there's another version featuring Ann Harding );It's possible that the author was inspired by Charles Perrault 's fairy tale "Bluebeard" ,the basement replacing the bedroom the heroine must not enter.(a dark room in the 1937 effort) They also hint at "Blue beard " (reportedly inspired by one of Joan Of Arc's companions,Gilles de Rais) in this adaptation.

    Probably to capitalize on the success of "gaslight" ,they set the action in the Victorian era and the hero became "Manuel Cortez ". But,and it's the main flaw :one knows from the start that the handsome soon-to-be-husband will do away with his spouse to latch onto her fortune;only "where " and "when" remain and it spoils the suspense which could have been successful ,a la "suspicion" ;John Hodiak is efficient with his beaming mile and his strong appeal,and ,furtively ,a hard look in his face .But Christie buffs will be better off with the first version (aka "a night of terror")starring Ann Harding and Basil Rathbone.
    ctyankee1

    Agatha Chritie story suspense and drama

    This movie "Love From a Stranger" is based on a story written by Agatha Christie. It is similar to "Love From a Stranger" made in black and white in 1937 starring Basil Rathbone and Ann Harding.

    This one is from 1947 black and white. The stars of this movie are John Hodiak as Manuel Cortez and Sylvia Sidney as Cecily Harrington.The premise is the same in both movies.

    A woman wins a sweepstakes/lottery, drops her boyfriend, and meets Mr Wonderful who sweet talks her, marries her in a short time and prepares to kill her at sometime in the near future at 9:PM.

    Cecily is the target. She finds out more about Manuel her husband while he is away one night and gets scared. She sees a hole like a burial hole down in the cellar where no one is allowed to go. I like the ending in this one too is was like a bar fight but much better. The one with Basil Rathbone had a ironic ending too. You can watch this with John Hodiak on this IMDb site http://www.imdb.com/title/tt0039586/ which will link you to Hulu.

    You can download the one with Basil Rathbone at Archive.org for free or watch it on line with the same name. http://www.archive.org/details/LovefromaStranger

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    Trama

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    • Quiz
      Phyllis Barry's final film.
    • Connessioni
      Referenced in Hollywood Mouth (2008)

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    Dettagli

    Modifica
    • Data di uscita
      • 15 novembre 1947 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Love from a Stranger
    • Luoghi delle riprese
      • Universal Studios - 100 Universal City Plaza, Universal City, California, Stati Uniti(Studio)
    • Azienda produttrice
      • Bryan Foy Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 21min(81 min)
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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