VALUTAZIONE IMDb
6,8/10
1069
LA TUA VALUTAZIONE
Un truffatore ha il compito di sedurre una vedova di guerra con lo scopo di estorcerle danaro per la costruzione, non veramente progettata, di un centro di aggregazione per minori. Ci riesce... Leggi tuttoUn truffatore ha il compito di sedurre una vedova di guerra con lo scopo di estorcerle danaro per la costruzione, non veramente progettata, di un centro di aggregazione per minori. Ci riesce facilmente, ma poi si innamora della donna.Un truffatore ha il compito di sedurre una vedova di guerra con lo scopo di estorcerle danaro per la costruzione, non veramente progettata, di un centro di aggregazione per minori. Ci riesce facilmente, ma poi si innamora della donna.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
Johnny Carpenter
- Bidder
- (non citato nei titoli originali)
Barbara Challis
- Maid
- (non citato nei titoli originali)
Recensioni in evidenza
"Larceny" from 1948 is a kind of an all over the place noir. It starts with a group of con men led by Silky (Dan Duryea) lousing up a scam and being forced to think of something else. He and his cronies come up with the idea of sending Rick (John Payne) to seduce a wealthy war widow (Joan Caulfield) into building a huge war memorial in her husband's memory. He has to lie and say her husband was his best pal in the service.
Meanwhile, Silky's girlfriend Tory (Winters) seems anxious to be with Payne and gets in the way at every turn. Silky isn't happy about this, which could be dangerous.
Payne meanwhile falls for Caulfield and vice versa. It turns into a real mess.
It was okay. Every woman in the film - Caulfield, Winters, Patricia Alphin, who plays a waitress, and Dorothy Hart all act as if they've never seen a man before when they meet Payne. He was handsome, but the characters seemed more like aggressive women from a later era.
The exception would be Caulfield, whose character was more subtle. Dorothy Hart didn't have much of a career, but she was absolutely stunning.
Meanwhile, Silky's girlfriend Tory (Winters) seems anxious to be with Payne and gets in the way at every turn. Silky isn't happy about this, which could be dangerous.
Payne meanwhile falls for Caulfield and vice versa. It turns into a real mess.
It was okay. Every woman in the film - Caulfield, Winters, Patricia Alphin, who plays a waitress, and Dorothy Hart all act as if they've never seen a man before when they meet Payne. He was handsome, but the characters seemed more like aggressive women from a later era.
The exception would be Caulfield, whose character was more subtle. Dorothy Hart didn't have much of a career, but she was absolutely stunning.
Above average, minor crime film, well-directed by George Sherman. The Noir credentials of LARCENY can be disputed, but we can see John Payne's character as trapped by circumstances of his own choosing. As successful con-man, with a special talent for romancing rich women, he meets his match when something like real love comes along.
Payne is good at playing the conflicted states of the character. We've also got Dan Duryea, at his best, playing a bad guy, Shelley Winters, a razor-tongued harridan, and Percy Helton in a rare, somewhat substantial role as hotel manager. Dan O'Herlihy seems an odd choice. His British accent and gentle manner seem at odds with the confidence racket (but maybe that's the point). The dialog is quite good all the way through, with some quotable lines.
"Stop twisting my arm! People will think we're married!"
"Tory's like a high tension wire - once you grab on, you can't let go... even if you want to... and I don't want to. I like Tory. I like her a lot."
Not essential, or even very memorable, but you could do worse than to see LARCENY, now nicely transferred on blu-ray.
Payne is good at playing the conflicted states of the character. We've also got Dan Duryea, at his best, playing a bad guy, Shelley Winters, a razor-tongued harridan, and Percy Helton in a rare, somewhat substantial role as hotel manager. Dan O'Herlihy seems an odd choice. His British accent and gentle manner seem at odds with the confidence racket (but maybe that's the point). The dialog is quite good all the way through, with some quotable lines.
"Stop twisting my arm! People will think we're married!"
"Tory's like a high tension wire - once you grab on, you can't let go... even if you want to... and I don't want to. I like Tory. I like her a lot."
Not essential, or even very memorable, but you could do worse than to see LARCENY, now nicely transferred on blu-ray.
I wasn't too surprised I enjoyed "Larceny". After all, I love noir and I love Dan Duryea, as he played the slimiest and most menacing villains in these films...and "Larceny" features both.
Rick Mason (John Payne) works with a gang of cons run by Silky (Duryea). The gang has two serious problems despite their successes. First, Silky's girl, Tory (Shelley Winters) is poison...and rather emotionally imbalanced. Secondly, Silky isn't exactly a rousing endorsement for sound mental health! Again and again, Tory chases after Rick and Rick rebuffs her...and time and time again, Silky assumes the worst.
The gang's next caper involves a grieving war widow (Joan Caulfield). Rick pretends that he was good friends with the widow's husband during the war and he quickly ingratiates himself with her. The plan is to sell her on creating a giant memorial to her dead husband...and then pocket the money and run. The problem is that over time, Rick finds he's actually falling for her...which is complicated when the highly unstable Tory shows up...and Silky soon follows.
This film doesn't have the great camerawork and dark shadows you'd want in the best noir, but it does have plenty of slimy characters and intrigue. A very engaging and well written film and ample proof that later in his career, Payne excelled at some non-pretty boy roles.
Rick Mason (John Payne) works with a gang of cons run by Silky (Duryea). The gang has two serious problems despite their successes. First, Silky's girl, Tory (Shelley Winters) is poison...and rather emotionally imbalanced. Secondly, Silky isn't exactly a rousing endorsement for sound mental health! Again and again, Tory chases after Rick and Rick rebuffs her...and time and time again, Silky assumes the worst.
The gang's next caper involves a grieving war widow (Joan Caulfield). Rick pretends that he was good friends with the widow's husband during the war and he quickly ingratiates himself with her. The plan is to sell her on creating a giant memorial to her dead husband...and then pocket the money and run. The problem is that over time, Rick finds he's actually falling for her...which is complicated when the highly unstable Tory shows up...and Silky soon follows.
This film doesn't have the great camerawork and dark shadows you'd want in the best noir, but it does have plenty of slimy characters and intrigue. A very engaging and well written film and ample proof that later in his career, Payne excelled at some non-pretty boy roles.
Poor old war widow "Deb" (Joan Caulfield) is hoodwinked into donating her savings to build a memorial to her late husband by the sharp "Rick" (John Payne). It turns out that there is no such edifice, but "Rick" isn't able to be quite as cold and calculating as usual. He starts to fall for this dignified and respectable woman. That's a risky scenario, for his boss "Silky" (Dan Duryea) just wants the cash, and that's that. It doesn't help either that his bosses gal "Tory" (Shelley Winters) is pretty flaky, also quite keen on "Rick" and is quite shrewd at manipulation, too! Payne was never exactly versatile nor, for that matter, was the usually wooden Duryea but they do well enough with this solid story and whilst there is an inevitability to the ending, George Sherman manages to keep this well paced for 90 minutes and Winters plays her part really quite effectively. The lighting could have done with some extra wattage at times, but it is still good watch.
There is nothing more frustrating for a critic to review than a good film that goes slightly awry at the end. I will not give you any spoilers, but suffice it to say that Payne and Winters do a pretty good job, along with Duryea in convincing us that the world is divided among the rotten and the honorable. And then there are those who are stuck somewhere in between. The ending did not ring true to me, but others may have found it more convincing. See this one for yourself and decide if you think it was handled correctly.
Payne, who normally played goody-goody roles in most of his other films, is, at times, convincing as a confidence man, but at other times falls back into his Mr. Nice Guy persona. Maybe that was the intent of the writers, but I was not buying it.
Payne, who normally played goody-goody roles in most of his other films, is, at times, convincing as a confidence man, but at other times falls back into his Mr. Nice Guy persona. Maybe that was the intent of the writers, but I was not buying it.
Lo sapevi?
- QuizDan Duryea and Shelley Winters appeared together in two other films, Cocaina (1949) and Winchester '73 (1950).
- BlooperWhen John Payne is being shown to his hotel room, the tape on the floor as his marker for the previous shot at the front desk can be seen.
- Colonne sonoreOnward Christian Soldiers
(uncredited)
Music by Arthur Sullivan and lyrics by Sabine Baring-Gould
Sung by the boys' club
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Dettagli
- Tempo di esecuzione
- 1h 29min(89 min)
- Colore
- Proporzioni
- 1.37 : 1
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