Risorgere per amare

I was ten when I began watching good movies. Les Jeux Sont Faits was one of them, and as a young boy, this romantic fantastic noir from 1947 impressed me deeply and forever. Except that I was too young to remember the title of the movie and the director's and actors name, ... but the story, impossible to forget, haunting me for nearly forty years.

And last week, searching in a huge video club, I finally rediscovered it. What a surprise : Jean Delannoy, Jean-Paul Sartre, Micheline Presles and the great cinematographer Christian Matras (three masterpieces with Max Ophüls and many more).

Despite a too old cassette edition, the souvenir was intact and the emotion even stronger. A real forgotten french romantic fantastic noir movie masterpiece, sadly with no DVD edition, I just don't understand.

But maybe we can think of hope with the "musée Jean Delannoy", time will tell ...

If ever there was a hidden gem in movie-history, this is a true one. Despite its rather sombre theme, notice that one of the writers is Jean-Paul Sartre, the film is terribly entertaining and exciting. Micheline Presle is superb in the title role. The black-and-white photography is excellent, as always in the French films from the 30´s and 40´s. This film is a must, if you ever get to see it, although the chances probably are rather slim since it hasn´t been in circulation for quite some time.

and very true to the book! the actress who plays Eve is wonderful (you'll cheer her on), but Pierre is a little too old. the pain of the characters is captured beautifully in the dialogue. see if you can find this movie. it's worth it.

The film starts with wealthy Micheline Presle (Eva) living her final moments as she is poisoned by evil husband Fernand Fabre (André). At the same time, revolutionary leader Marcello Pagliero (Pierre) is shot dead by a betrayer. Both these characters pass into the next world where they are free to do as they wish. It isn't long before they fall in love and they are given a chance to return to the land of the living for 24 hours to prove their love for each other. However, they both have issues to clear up once they become mortal. If they can overcome these, they will know if they are destined to be with each other.

I like the theme that this film explores, I like how the afterlife is portrayed and I like the story. So, guess what – I recommend the film. The cast are good, perhaps Pagliero overacts in a couple of spots, but so what. Last time I passed into the afterlife, it was exactly like this with the living and dead inhabiting the same streets. OK, that was in a dream but this film compounds my instincts for that particular theory. It's a romantic story that is crammed with intrigue and drama and there are no wasted scenes.

Whadaya say Jean Delannoy ain't high culture?This is Jean-Paul Sartre!Will this director suffer for eternity from the reputation he got from the "nouvelle vague " clique?At least an user without bias has already written to tell his admiration for "les jeux sont faits".

"Les jeux sont faits" is an unfairly almost unknown movie in France and elsewhere,sometimes by people who praise such works as "heaven can wait" (1943 and 1978)," a matter of life and death" (Powell,1946),"une simple formalité" (Tornatore,circa 1998) and even "the sixth sense"(1999).

Two young people (Micheline Presle and Marcel Pagliero)come back from the realm of the Dead because they "were meant for each other".Their love must overcome everything or else they will have to go back .It might seem easy,but they had not reckoned on there being a society...The others... In "huis clos",there's Sartre's famous sentence "l'enfer c'est les autres"(=hell comes from the other ones")She comes from a wealthy milieu ,he's a working-class hero.Too many things come between them ."Les jeux sont faits" ,from the very beginning.

A good editing, an intriguing "paradise"(?) without a single religious touch,the person who facilitates the communication between the two worlds being an ordinary secretary (a wonderful Marguerite Moreno).And the last picture is poetic and ,what might seem strange in Sartre's world,leaves some hope to the viewer.

Outside the already mentioned works,people who like this should catch "Orphée" (Jean Cocteau,1950) and ,above all,"huis clos"(Jacqueline Audry,one of the very few women who were directors at the time,1954).