Peccatori senza peccato

This film is based upon a novel by a long-forgotten novelist, Arthur Stuart-Menteth Hutchinson (1879-1971), who was born in colonial India, and who earlier wrote a novel called THE HAPPY WARRIOR which was made into a silent feature film as long ago as 1917, in which Leslie Howard made his first feature film appearance. This film, IF WINTER COMES, was also initially made into a silent film in 1923 with a cast of actors all of whom are now entirely forgotten in the mists of time. The very powerful and disturbing story was thus a postwar tale, but one told of the aftermath of the First World War, but which is here recycled and set in the aftermath of the Second World War. Walter Pidgeon plays the lead, a gentle and kindly man living in the fictional Surrey town of Tidborough and married to an embittered harridan of a wife, played by Angela Lansbury, who certainly knew how to play embittered women and have a pinched face and the tongue of a serpent. The film is chiefly notable for the second screen appearance of Janet Leigh, aged twenty but successfully playing an innocent 16 year-old girl named Effie Bright, who is all sweetness and light. And who ever had a sweeter smile than Janet Leigh at this age? Despite being American, she manages a British accent successfully enough. The romantic female lead is played by an impassioned Deborah Kerr, at her most intense. She has returned to the town and has her heart set on joining up again with Walter Pidgeon whom she had jilted three years earlier when she ran off and married the wrong man. Pidgeon is a bit wooden, so that one wonders why all this passion is swirling around him. He is excellent at being kindly and noble, and in fact during my brief acquaintance with him in my teens, he was exactly like that offscreen. 'You couldn't find a nicer man.' But that is not the same as inspiring an controllable passion in Deborah Kerr when she is on heat. Oh well, that's the movies for you. Victor Saville did an excellent job of directing, and the film works very well. Dame May Witty has a cameo role, and it is always a pleasure to see her. The story however is very powerful and upsetting. It is about a man with a good heart who through his kindness becomes a central figure in a vast misunderstanding, where he stands accused of all sorts of terrible things which he did not do. Most of the people of the town are exposed as bitter and small-minded, and they turn against him en masse. It is really very harrowing indeed. This makes for good drama, and there is plenty of desperate tragedy.

Good deeds better be their own reward since they can easily backfire as the movie shows. Poor Mark Sabre (Pidgeon) undergoes something of a mid-life dedication to doing good for others above everything else. Maybe it's a reaction to his cold-hearted wife (Lansbury) or renewed affection for now married former flame Nona (Kerr). Whatever the reason, circumstances are conspiring to ruin him because of his kindness. So how will things finally sort out.

It's the kind of production MGM specialized in—classy players in classy surroundings (British). Nonetheless, the topic of unwed motherhood was rather daring for its time, figuring quietly but importantly in the plot here. It's Britain 1939 and civil society is responding to WWII mobilization, including the small town of Pennygreen, whose sons are suddenly marching off to war. While on the homefront, volunteers are flocking to boost civil defense.

The movie's first part meanders some, appearing to head in one direction— namely, straightening out Sabre's love life. But then his lady-love Kerr largely disappears from screen, gone into civil defense. At the same time, the second part changes direction, picking up in suspense, when the unlucky Effie enters the picture. Because of Sabre's selfless attitude, we can't be sure how the movie will end. Still, I wonder if there isn't a backstory to Kerr's abrupt absence and the resulting shift of direction.

Anyway, in my book, a youthful Leigh steals the film with a highly sensitive turn as the star-crossed Effie. It's easy to see why she climbed the Hollywood ladder so quickly. At the same time, the unknowns playing High Jinx and Low Jinx manage to spark proceedings with their imaginative character concepts. Of course, vets like Pigeon and Kerr come through on cue, while Lansbury's stony wife would send any guy packing.

All in all, it's well done soap opera with a few surprises that should please fans of tangled relationships.

This film begins in England...just a few months before World War II begins in Europe. Mark (Walter Pigeon) and Mabel Sabre (Angela Lansbury) have been married three years--and it turns out he married her on the rebound. His old fiancée, Nona (Deborah Kerr) has just returned to her home town....the first time since she broke Mark's heart. Mark and Nona are foolish, as the start spending time together alone 'as old friends'. Not surprisingly, however, it stirs up feelings within them--dangerous feelings for both their marriages. Soon, however, Mark pushes Nona away and remains true to his wife.

Over time, it becomes painfully obvious that Mark is a very nice guy. While his wife is easy to dislike since she's so unpleasant, he wants to fulfill his obligations to her and the marriage. He also is very kind to a young neighbor, Effie (Janet Leigh)--as she lives with a puritanical and tyrannical father. When Effie becomes pregnant and is thrown out of her home, Mark invites her to live with them. This throws Mabel into a nastier than usual mood. She verbally abuses her servants and so they quit, then she lets Mark know that Mark must do nothing to help Effie. Mark chooses, instead, to tell his wife to get out...she's gone too far.

After young Effie moves in, Mark's boss uses this as an excuse to break his contract by firing him. They claim he's violated a morals clause. Can things get worse in this very soapy film....oh, yeah! The moralistic town begins to boil like a cauldron...why and what happens is something you'll need to see for yourself. Be aware, however, that it is a bit racy for a 1940s film.

While you do feel sorry for Mark because he's such a decent guy, as you watch you might also feel that he's incredibly foolish and makes many dumb choices. Clearly he's backed himself into a corner and now it looks like everyone is ready to tear him to pieces.

Despite Mark being a bit dumb (and by the end he seems like a TOTAL idio), the film is pretty good. As I mentioned above, it is very soapy--like a traditional soap opera with LOTS of salacious elements. But it works because the acting is so good--otherwise the film might have come off as too over the top and perhaps even silly. Worth seeing but blunted a bit because Mark was just too nice--almost a putz in the film. Otherwise I might have scored it a bit higher.

This was sort of two movies in one. It started out with Angela Lansbury as a self-centered woman who was fearful that her husband (Walter Pidgeon) would be drawn back to his old flame. Lansbury was quite good as the wife who had an interesting approach to this situation. But later, the movie turned into a story about a young woman (Janet Leigh, doing a good British accent), who turns to Pidgeon for help and inadvertently causes a host of problems for him. Deborah Kerr is also good as Pidgeon's old girlfriend, but even with the good cast, the movie overall is little more than a confused soap opera, and the ending doesn't make much sense. Not one I'd recommend, unless you're a particular fan of anybody in the cast.

Despite some of the negative reviews on this site, I really enjoyed this 1947 film, which is set in England right before war is declared in Europe.

Walter Pidgeon is Mark Sabre, a successful writer of children's books, who works at a prominent publishing house. He is well respected and liked in the small town of Penneygreen, where he lives. Though he is a shareholder in the company, he will never be made partner because his boss thinks that Mark's political views are too radical. In fact, he'd love it if Mark weren't even in the company. But the only way he can get rid of him is if Mark violates the morals clause in his contract.

Mark married the formal, somewhat cold Mabel (Angela Lansbury) on the rebound. Now his former love, Nona (Deborah Kerr) returns to town with her husband after a long absence. Nona and Mark realize that they are still in love, but decide for the moment that they can't act on their feelings.

Mark's situation is complicated by a young pregnant woman, Effie (Janet Leigh) who turns to Mark for help after her father turns her out. Mark takes the girl in, and Mabel, believing him to be the father, leaves him. A scandal erupts, and Mark's career and reputation hang in the balance.

"If Winter Comes" is an absorbing drama with good performances. Walter Pidgeon was a solid leading man and is sympathetic and strong here as the principled Mark; as the nasty Mabel, Angela Lansbury, then only 21, is very effective. With darker hair and the way her makeup is done, Deborah Kerr continues to remind me of Maureen O'Hara in her early films. She gives a lovely performance, a good juxtaposition to Lansbury's judgmental, snobbish Mabel. As Effie, Janet Leigh justifies her discovery by Norma Shearer; she sports a good English accent and gives a heartfelt portrayal. Binnie Barnes, Dame May Witty, Reginald Owen, Hugh French, and Dennis Hoey round out the excellent supporting cast.

Recommended, and not only to people who liked Mrs. Miniver.