The Ghosts of Berkeley Square

Having just watched this marvellous film of wit & charm I felt compelled to comment. A witty movie full of wonderful characters.

A gem of it's kind recommended for anyone who believes black & white means a bad movie but is prepared to be convinced.

However, I do not see why it is classified as horror/comedy as there is no trace of horror in the whole film.

The cream of British comic acting talent could not disguise the somewhat thin script, that was clearly intended as a wartime morale booster, but somehow appeared past its sell-by date, in 1947. Its true length should have been half an hour but they didn't have TV then.

Nevertheless it has some fascination as a period piece, and we are kept in dull suspense wondering why they are waiting for the visit of a monarch, an interesting twist, which gives it its patriotic wartime message.

The best cameo is undoubtedly Yvonne Arnaud as the scatty Bordello keeper (who - for the benefit of those below a certain age or not French or British - continued to have great success on BBC comedy radio throughout the 1950s till her death aged 66.)

Robert Morley too, as usual, never fails to entertain.

In the 1700s a pair of rum military officers plan to kidnap the Duke of Marlborough. The officers die testing a trap-door on the afternoon they are supposed to be serving tea to Queen Anne. As punishment for missing their date, they must haunt the house until royalty visits again.

Although they try to attract royalty they seem to be doomed to failure, and the house is leased to many different colorful-characters including French courtesans, circus performers and an Indian emperor.

A light-hearted film full of dry-humour quips and farce. The humour would have appealed to audiences looking for escapism and whimsy; however like all films of this time it contains subtle war-propaganda to inspire the masses.

Robert Morley and Felix Aylmer are a pair of Queen Anne era Colonel Blimps who have taken a nice house and live together. Thinking that the Duke of Marlborough is about to do something stupid they hatch a plot to kidnap him. But they blunder into their own trap and are killed.

The curse of Queen Anne falls on them. They are earthbound until a member of the royal house visits their dwelling. Otherwise they are a pretty lively pair and have all kinds of powers to use for their enjoyment and to get some royalty over to the place as the house passes through several different owners. A lot more than Marjorie Reynolds and Lou Costello had in The Time Of Their Lives which film bears some resemblance.

A bit of knowledge of British history helps in viewing this film. The ghosts are bound for over 300 years. And you won't believe what it takes to get a monarch to the place.

Very droll and witty a real treat for the ear that way.

Robert Morley and Felix Aylmar are a couple of high-ranking British officers in the reign of good Queen Anne, recently retired. They have bought a house together on Berkeley Square. When it turns out that Marlborough is in charge of the latest campaign, they realize he's going to lose the war. They rig up a contraption to kill him, but it backfires, killing them. They are condemned to haunt the place discreetly until reigning royalty visits -- there's always an escape hatch.

And so they haunt it, as it is occupied by gentry, and a bawd and her girls, and P. T. Barnum, who turns it into a haunted house exhibit. Will royalty ever visit, freeing them?

It's directed rather lugubriously by Vernon Sewell from Caryl Brahms' and S. J. Simons' comic novel, NO NIGHTINGALE. The two authors had met a couple of decades earlier, when Miss Brahms recruited him to help her write captions for a series of cartoons by David Low. Their first novel, A BULLET IN THE BALLET, arose from her fantasy of killing ballet critic Arnold Haskell. Several novels followed, including the one this is based on. She died in 1982, five days short of her 81st birthday.

S. J. Simon was born Simon Jacoblivitch Skidelsky in Harbin, Manchuria. In the 1930s and 1940s, he was a leading bridge player, co-inventing the Acol bidding system, and writing the funny and still valuable classic Why You Lose At Bridge. He died in 1948, aged 44.