La morte è discesa a Hiroshima

It has been about 25 years since I last saw the movie, but I throughly enjoyed it, and wanted to see it again. I thought is was a well done docu-drama. It may have some Hollywood in it, but I thought it was a reasonably accurate account on the development of the A-bomb. I hope that some day it will be printed for home viewing.

I was very young when I saw this film but I remember the drama of it and the dirt and mud in the scenes where I think they were constructing what I now know to be the Los Alamos site. There was a scene where Tom Drake became exposed to the radiation by catching some equipment and saving many lives which described radiation sickness as "I feel dizzy, etc." I understood that very well. I also fell in love with Robert Walker! I do not remember anything about actual bombing, etc. I think I was too interested in the personal side of the story. This is an historic movie because it was one of the very first about the bomb. I wish it were available anyplace?

The idea for this film was brought to the studio(MGM) by Donna Reed, whose high school science teacher had written to her about the secret WW11atomic bomb research project at Oak Ridge, Tennessee. Later, Donna and her husband, Tony Owen, received a $50,000 finders fee for this contribution. Always a contentious project, cooperation came from the army, including General Groves, manager of the Manhattan Project and from top scientists including J. Robert Oppenheimer, at Berkeley, and Albert Einstein, at Princeton. President Truman knew about the film and met with the producer. The script went through a lengthy development with columnist/screenwriter Bob Considine, and Clark Gable was originally in mind for the Robert Walker part. The Tom Drake scene, scattering a "going-critical mass" with his unprotected hand, is based on an actual incident, and the scientist who did it at the Chicago research lab (and possibly saved a good section of the city), died as a result.

Not successful at the box office, the studio rationalized the picture was too soon after the war and too realistic: audiences were not able to assimilate a story about nuclear energy in the late '40s, they were terrified of the bomb, of radiation fallout; pictures of Hiroshima were still in the news..

The film walks a fine line between fact and fiction (it received an Academy Award nomination for best documentary), but how effective was softening a docu-drama with a fictionalized love story?. The atomic "pile" was constructed on a sound stage, and the shots of the B-29 formation seem an appropriate metaphor for the film's subtext, the power of the nascent military/industrial relationship... moving forcefully ahead into the unknown.

I saw this movie years ago and hope that it still exists somewhere. I am not optimistic about this as it has never appeared on the History Channel or some other likely place.

This was the first of several films about the Manhattan Project and was perhaps the best one. It is the only one that shows the full scope of the project. The others are either about Los Alamos or the 509th Composite Group that dropped it.

This was also the only one that had some of the real people as advisers. General Groves was a technical adviser and Leo Szilard may also have been one (althought I'm not sure about Leo).

This is an important historical film and deserves preservation and re-publication.

The aforementioned reviewers have some interesting things to say about the screenplay, direction and the cast. Unfortunately, no mention has been made about the cinematography (first-rate) and the excellent music score composed and conducted by Daniele Amfitheatrof. The composer employed the services of an augmented orchestra, which in some cues numbers in excess of 100-players. In one scene (unfortunately cut from the release print) Amfitheatrof composed a dissonant motif in a syncopated dance-band rhythm, over which an electric violin plays a bittersweet theme. The great Andre Previn worked as one of the copyists on the score.