L'intraprendente signor Dick

Even some 72 years later this fine film has not lost any of its original lustre. No, in fact, it would garner a brand new audience of viewers if only it was aired more often and produced on a high quality Criterion Collection Blu Ray version.

There are many sub-plots including a few romantic interests but I especially enjoyed the scene in the restaurant when Cary Grant and Myrna Loy were planning on enjoying each others company while dancing and dining the night away. But wait, they are soon joined by more and more people at their table for two who all have their own agenda, and there are a few restaurant staff who can be heard periodically chiming in the background with yet another "Happy Birthday To You" for some of the other restaurant patrons. I belly laughed as the calamity grew and grew and I was unsure what the evening climax was going to hold?

This is an innocent, fun happy, hoot of a film that I will be sure to watch a few more times.

I give it an admirable 7 out of 10 rating.

Shirley Temple plays a high school girl Susan Turner who falls for an artist called Richard Nugent (Cary Grant).Also Susan's older sister Judge Margaret Turner starts to like this playboy artist.The Bachelor and the Bobby-Soxer is a good comedy which has many fine moments.The acting is brilliant, and how could you miss with this cast.Cary Grant is a man you can always count on.He could always make great performances.Myrna Loy is wonderful and so is Shirley Temple.This ex-child star celebrates her 76th birthday today, so happy birthday Shirley. I recommend this screwball comedy for everybody, who needs a few laughs.

Like most romantic comedies, the premise of THE BACHELOR & THE BOBBY-SOXER really isn't on the firmest of grounds (though why watch a film if you want full-blown reality?). Myrna Loy plays serious-minded Judge Margaret Turner, who always pays strict attention to the facts in every situation (personal or professional). She has guardianship of her younger sister Susan (Shirley Temple), a hormonal young girl who develops an instant crush on a roguish art lecturer Richard Nugent (Cary Grant) when he gives a lecture at her school. In order to help her get over this crush, Margaret--urged by her uncle Matt (Ray Collins)--gently blackmails Richard into being Susan's beau until the crush wears off. What ensues is a delightful comedy of errors as Richard squires Susan around town, while struggling to deal with an assistant district attorney (the suitably uptight Rudy Vallee) and Susan's own ex-boyfriend Jerry (Johnny Sands) as he falls in love with Margaret (and vice versa).

It really does seem almost impossible for a film to get any cuter or more feel-good than THE BACHELOR & THE BOBBY-SOXER. First of all, much of the comedy is fantastic--from Susan's starry-eyed image of 'Dickie' as a (literal!) knight in shining armour, through to her attempt to pass herself off as both Dick's mother and Margaret's sister when trying to help Dick escape from jail. The dining scene at the club is brilliant fun, especially as more and more people arrive at the table to disrupt Dick and Margaret's privacy. Watch Cary Grant's reactions in this scene--truly a fantastic comedic performance that has, thankfully, been captured on film to the great benefit of future generations. ;) You just can't help laughing throughout the film--at Susan's misguided passion for Dick, Dick's helpless bewilderment when he gets landed in jail for nothing he can remember, the attempts at matchmaking Uncle Matt subtly tries to pull off etc.

Secondly, the cast itself is excellent. There is no better (or more under-rated) comic actor than Cary Grant, and he lends his considerable talent and boundless charm to the character without reservation. It's always the little throwaway touches that count with Grant's performances, tiny things that make him appear so natural on the screen, and his Dick Nugent is remarkably true to life. I especially love it when Dick trades his car in and turns up his trouser cuffs to act 'young' around the Turners. ("You remind me of a man...") Myrna Loy is delightful as well, though woefully under-used. It's not hard to believe her as a fully professional, modern woman (surely female judges must have been very rare at the time?); nor is it difficult to believe that the judge might have a sweeter, human side. (Though who wouldn't be convincing when asked to fall in love with Cary Grant?) It's a shame that there aren't more love scenes between Grant and Loy, as they doubtlessly have great chemistry together. As for Shirley Temple--there is just no denying how cute she is, and how well she plays the role of the flighty, passionate Susan. It's not an easy role to play, given how the character as written is really rather annoying. Temple makes Susan sweeter and more tolerable, and she definitely holds her own in the company of Grant and Loy.

The only problem with the film, given its great cast and very funny script, is that the 'comedic' element triumphs at the expense of the 'romantic'. There aren't half as many scenes between Grant and Loy as I would personally have liked, and although Loy herself is very convincing in her portrayal of Margaret--you really *do* believe that her character has fallen for Grant's--it certainly isn't with the help of the script. The film really belongs to Grant and Temple, both of whom get to show off their comic talents to great effect. While Loy makes an excellent straight (wo)man, it really is a shame that we didn't get to see more of her, or more of her character interacting with Grant's.

All in all, great fun, great laughs, great cast. The great romance... well, that would probably have to come from another film. That said, THE BACHELOR & THE BOBBY-SOXER is still definitely a film that's well worth the watch...

I loved this movie but of course, I love anything Cary is in. I thought this movie was a great screwball comedy and just seeing Cary in that wild races(ex.egg race) He is just such a funny man. * I love the dimple in his chin* This is a delightful comedy about a boy-crazy teen played by Shirley who sets her sights on Cary. Who wouldn't? She hides in his apt. and suprises him. Meanwhile, Myrna finds Shirley missing and goes up to Cary's apartment, finds them together, and he is arrested. Well, he punched the DA, so that might account towards it. Then he is sentenced to be her date till she gets tired of him. If I told you anymore it would ruin the movie. Just watch it if you can. It is a treat. I love the dinner scene when everyone leaves Cary alone!

Want some insight into what titillated movie-goers in the post-war 1940's? This 1947 RKO production is a good place to start. There's the marquee value of a seductively handsome Cary Grant coupled with that spunky symbol of all-American innocence Shirley Temple, enough at the time to draw in ticket-buying throngs with its naughty innuendo of daring departure and forbidden pleasure. In fact, the underage subtext lingers beneath much of the movie's plot and humorous settings, but in a totally innocent manner, proving that this is not yet the more permissive 1960's. One slip, however, and this light-hearted soufflé could easily have become burnt-toast of the most tasteless variety. Fortunately, there are no slips.

Once the pace picks up, this comedy sparkles as brightly as any other Cary Grant madcap, which is to say, about as good as comedy gets. The nightclub scene is an absolute triumph of timing, staging, and scripting. The laughs build as the party table becomes more and more chaotic, interrupted by one petty annoyance after another, finally reducing the worldly Grant to speechless exasperation. This is the type of soaring comedic architecture that requires real artistry, but has been sadly replaced in contemporary film by a dumbed- down world of bathroom jokes, insult gags, and other cheap forms of humor that appeal mainly to juveniles.

The movie itself, directed by an unheralded Irving Reis, is literally brimful of bounce and charm, leaving no one in doubt that the big war is over and America is ready for the future even if its libido is showing. With: a slyly endearing Ray Collins, a bemusedly prim Myrna Loy, a pompously befuddled Rudy Vallee, and a well-deserved Oscar for writer Sidney Sheldon, along with a final scene that could not be more apt. Despite the shift in public mores, audiences now as then should find this a highly entertaining ninety minutes of expert movie- making.