Aggiungi una trama nella tua linguaQuirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Pe... Leggi tuttoQuirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.Quirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.
- Bradley
- (as Olin Howlin)
- Gambler
- (non citato nei titoli originali)
- Gambler
- (non citato nei titoli originali)
- Christine Taylor
- (non citato nei titoli originali)
Recensioni in evidenza
Wayne is Quirt Evans, a man with a past. He is rescued by beautiful Gail Russell, a Quaker girl with a strong, silent father and a marvelous, generous mother who makes donuts and cakes that melt in your mouth, but according to her are, "not very good, the flour you know...".
Poor Quirt never has a chance. He is healed body and soul by this devoted family. But not before he must taste his old way of life one more time, which leads to a dramatic conclusion.
John Wayne never looked better on film then in The Angel and The Badman. In one scene, he wakes from a coma, hears a noise, gropes for his gun, which is under the pillow and rises, gun in hand to face a startled and stunning Russell. The sight of John Wayne, shirtless, his hair un-combed and his gorgeous, almost purple eyes taking in the lovely lady in front of him, is something no woman from 6 to 106 should miss. If you are a fan already and have seen this delightful film, you know what I mean. If you are new to John Wayne, check to one out and fall in love.
Harry Carey plays the Marshal of the territory who keeps track of Quirt, not completely convinced of his conversion, until the surprising climax. Carey's quiet authority is wonderful to watch, and his sly humor a tonic.
The Dr. here over-plays his role, but he can be forgiven. The neighbor who has denied water to the Quaker settlement but is convinced by Quirt(without the force of his famous gun), to "be a good neighbor" and remove the top two boards holding back the water that used to flow into flums and irrigation ditches, is a real old west character. Films today just don't use actors with faces like his any longer. Too bad.
Yes indeed, The Angel and The Badman is a wonderful, old fashioned film. The kind they don't make any longer, but should.
Wayne as Quirt Evans is wounded and taken in by a gentle Quaker family. After he recuperates he notices their daughter--the absolutely drop dead gorgeous Gail Russell.
The plot of AATBM is remarkably similar to Harrison Ford's WITNESS (probably a remake).
But what ultimately makes this movie work is Wayne's performance, and Russell's natural "Angelic" qualities. The camera really loves her. There's one scene where she confesses' her love for Wayne, and is surprised he doesn't feel quite the same: "I never thought it could happen to one and not another." Her outright innocence in this scene is incredibly touching, and endearing, and you see how this affects Wayne in the same way.
He's used to fast draws, fast women, booze, bar fights, and so on. Penelope is a gentle Quaker woman living in the wilderness of the Old West. She and her parents model their lives on the teachings of scripture, especially the "Love your neighbor" ideal. Quirt gets shot in one of his many battles with gun wielding black hat bad guys; Penelope's family takes him in and nurses him back to health; during which time Quirt and Penelope get a look at each other with the obvious chemical reaction. Her sweet and vulnerable demeanor mixes splendidly with his gruff but awkwardly gentle persona.
When Wayne's nemesis Laredo (Bruce Cabot) shows up, Wayne is faced with the conflict of adapting the peaceful ways of Penelope, or reverting to his violent shoot-first-and-ask-questions-later lifestyle. Wayne's inner conflict to change his outlook on life is illustrated well, a great performance for the Duke. This all goes on under the watchful eye of the Marshall (Harry Carey), who serves as not only a foil for Wayne constantly threatening him, but almost like a self-appointed guardian who sees Quirt's potential for good, trying to steer him toward the light. Carey's humor, and good spirit plays off Wayne perfectly.
The film builds to a brilliant finish, with Quirt forced to choose between peace or violence once and for all. One of my favorite westerns. Great cast, great story.
This well-handled production is a thoughtful Western but with average budget . By time this western was popular with the public . The film has rider pursuits , stampedes , shootouts , struggles and an agreeable love story . John Wayne gives one of the best interpretations of his long career . Bruce Cabot as Wayne's friend has an important and well featured role , he's habitual in his films . Gail Russell shined in the role as Penelope and provided a great acting . Rare and enjoyable beauty , she was to be groomed one of Paramout's top stars , but the alcohol took her and she was found dead and it attributed to the drinking . Gail was only 36 years old . Had it not been for the alcohol , Gail's career could have been one of the biggest . Besides , there appears Harry Carey Sr. as a tough sheriff , Carey was a veteran actor who played numerous Western . The motion picture is finely directed by the Wayne's usual screenwriter named James Edward Grant . There's also a lousy version in computer-colored . The flick will appeal to John Wayne fans and Western moviegoers . Rating : Nice and well worth watching .
Lo sapevi?
- QuizContrary to popular belief, no clips from this movie were used in the flashback scenes in John Wayne's final movie, Il pistolero (1976).
- BlooperWhen Penny wheels the wagon around to pick up Quirt at the beginning of the movie, you can see an extra set of reins coming out of a small "window" that is visible below the wagon seat where the actual wagon driver (the stunt driver) is controlling the team of horses.
- Citazioni
Quirt Evans: I thought you weren't allowed to work on Sunday.
Penelope Worth: Oh, Quirt, there's nothing we're not allowed to do. It's just that we don't believe in doing what we know is wrong.
Quirt Evans: Well, that makes it pretty much each fella's own guess.
Penelope Worth: But each fella knows inside.
Quirt Evans: Well, there's a lot of gents I wouldn't want to give that much leeway to.
- Versioni alternativeAlso available in a colorized version.
- ConnessioniFeatured in L'appartamento (1960)
I più visti
Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 4.070.000 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Proporzioni
- 1.37 : 1