Two Guys from Milwaukee

European Prince Henry (Dennis Morgan) is on a tour of the United States. He's tired of prepared meetings with the powerful. He wants to meet regular folks and Lauren Bacall. He sneaks away from his entourage for a 24 hour escape. He befriends cabbie Buzz Williams (Jack Carson).

The prince gets discovered rather quickly but they transition into a fun fake love triangle. It's fun until it's not. The fight is a little too much and would only work if they're falling down drunk. A drunken fight could be fun. It takes a while for it to wrap up. They do finally end this after a lot of praising of America and the common man. It's hokey but it probably won over the post-war audience.

Two Guys From Milwaukee was a fun, comedic surprise. Yes, it was a little predictable; though, who would win the girl was in question almost until the end. The story moved along quite quickly with smart and snappy dialogue and an array of likable characters.

Beyond the comedy and the quickly developed love story was a very enjoyable window into everyday life in Brooklyn in the mid-1940's--the friendliness, the simplicity (by modern standards), the economic modesty. Director David Butler shot the movie in an intimate fashion, which makes you feel like you're sitting with the characters in the living room, riding the tour bus in Manhattan or waking with them in the morning.

Jack Carson plays the role of Buzz Williams, the very likable Brooklyn cabbie. Carson has played many enjoyable characters, but this one has a unique charm to it. He's a simple enough guy, but with some real life complexity to him. Even during a rather obvious advertisement for democracy (of course, having just won WWII, there's nothing wrong with marketing the winning stuff) Carson delivers the message in a humble, regular-guy-on-the-street way.

All in all, you'll smile through much of the movie and laugh out loud, too. It was a very enjoyable way to spend 90 minutes.

A Balkan prince making an official tour of the United States jumps off the train to mingle with the common people and experience the "real" America. Prince Henry (Dennis Morgan) befriends a cabbie from Brooklyn named Buzz Williams (Jack Carson) and gets a street-level view of New York City with the help of Buzz's family and friends.

The prince particularly enjoys seeing the sights with Buzz's girlfriend, Connie (Joan Leslie), who is a manicurist. In a short time, they grow very close, setting up a romantic triangle that is the crux of the film. All three characters are very likable and the romantic complications are kept light. In fact, Buzz and Connie have an unusual relationship. When Connie has to make a choice between the two gents, it is handled very well.

Within the story are plugs for democracy (in the immediate aftermath of the world war). This coincides with the beginning of the American effort to export its political system.

Warner Brothers also used the film to promote its upcoming film, "The Big Sleep", which would be released later. This is done cleverly and humorously.

The entire cast is fun to watch. Carson and Morgan might not be the studio's answer to Crosby and Hope, but they have a chemistry that works well. They will later appear in "Two Guys from Texas".

Dennis Morgan teamed with Jack Carson in an earlier film with Ann Sheridan.

What makes this film so good is that eventually the 2 guys will change status and accept what has become of them.

The story basically deals with a Balkin Prince (Morgan, in a non-singing role) who comes to America on the eve of his country deciding whether or not to maintain the monarchy or change to a republic. His goal is to spend some time with the common people and of course, he meets up with cab driver Carson.

Naturally, Joan Leslie, Carson's girlfriend, falls for our prince and there are some very funny scenes as the FBI trails the trio.

The ending is a good one with a big surprise. It has something to do with Morgan's goal throughout the picture.

TCM did an interesting marathon of films by Billy Wilder's frequent writing partner I.A.L. Diamond, highlighting primarily films Diamond did not write with Wilder. In this film, Dennis Morgan plays a European prince who tries to hide out as a regular American, which makes for a silly culture clash comedy, with Morgan getting advice on how to act American from cabbie Jack Carson. It's nothing as funny as his work with Wilder, but it's inoffensively entertaining, features a likable cast, and even boast a funny cameo by Bogie and Bacall.