Due sorelle di Boston

Nice turn of the century film where Kathryn Grayson comes to N.Y. to sing in a joint. Her presence there threatens a scandal in her native Boston as her uncle is the Republican candidate for mayor of the town.

He comes with his wife to investigate and the fun starts. June Allyson is her sister and Jimmy Durante, the owner of the place where Grayson is singing. To save Grayson, Durante arranges for her to sing at the opera with the established Lauritz Melchior.

Peter Lawford, falls for Allyson but thinks that Grayson is having an affair with his father.

The picture becomes funny at times but needed technicolor to brighten it up.

Ben Blue is funny as a drunken waiter and Melchior shows some comedic gift here.

A pleasant film capturing the turn of the century musical traditions in America.

"Two Sisters from Boston" (1946) is an amusing mix of romance, comedy, and music. MGM's Pasternak unit skillfully hedged its bets by offering opera (Wagner and Liszt are represented, but in English), music hall ribaldry, and plenty of "cheesecake" -- i.e., feminine legs on display.

Kathryn Grayson and June Allyson play two Boston sisters from an upright Back Bay family. The family isn't poor, but the paterfamilias (a suitably dour Henry Hayden) is notoriously stingy. One of the sisters -- Abigail, played by Miss Grayson -- is allowed to go to New York to study opera. But her skinflint uncle doesn't give her enough expense money to pay her rent, so Abby takes a part-time job in a Bowery saloon, where she stars as "High C" Susie, singing with Spike (Jimmy Durante) in low-comedy skits.

Word gets out, and the outraged Bostonians travel south to New York to check out the rumors for themselves. There, the younger sister Martha (June Allyson) confronts Lawrence Patterson Jr. (Peter Lawford), son of the opera impresario, and demands to know what's happened to her sister. Lawrence Jr. is clueless, but he is instantly smitten with Martha, and from that point on he makes it his business to see that her sister Abigail gets an opera audition.

There is a lot of sly humor involved -- Jimmy Durante, in probably the best role of his career, covers for both Abigail and Martha in between hilarious bits on the stage of his Bowery auditorium. Ben Blue, who early in the film shows up at the saloon and heckles Durante during his act, turns out to be a staid butler at the Patterson mansion. Durante recognizes him and discovers that he has amnesia except when he is drunk. In a hilarious scene, Blue slowly gets in his cups, then blurts out to the startled Patterson family: "She's High C Susie! She's the Belle of the Bowery!" and points directly at Abigail, who's about to audition for the opera. But Martha is standing right next to Abby, and she declares to the shocked gathering that SHE, not Abigail, is the true "Belle of the Bowery." Now she has to prove it.

All this, plus at least three operatic arias by the great Danish baritone Lauritz Melchior, and a happy operatic debut by young Abigail. Lawrence Jr. attends Martha's game attempt to substitute for the Belle of the Bowery, sees through the artifice, and falls deeply in love with her. At the end, Abigail is seen singing gloriously on stage in full operatic regalia, while Lawrence Jr. and Martha are nuzzling in the box seats.

And a great time was had by all.

Dan Navarro -- daneldorado93@yahoo.com

Two Sisters From Boston is one of those comedies that will probably have less and less appeal since the coming generations might not know about the peculiar foibles of Boston, that were still operating in some quarters in 1946. The story is set at the turn of the last century in the time of what could be labeled George Apley's Boston.

Scandal is about to break when it is discovered that one of the Chandler sisters, Kathryn Grayson, is discovered to be the notorious High C Susie who headlines at a Bowery nightclub. The explanation is real simple, Kathryn's uncle Harry Hayden has been real stingy even though he's financing her voice lessons, the money for living just isn't there, so Kathryn is singing for her supper. In most places even in 1900 that would raise no problems, but not in Boston where coincidentally enough Hayden's running for mayor.

In rushes the other Chandler sister, June Allyson, to help save the family honor. In the process her little schemes manage to involve the family with Peter Lawford and his parents who are opera patrons, tenor Lauritz Melchior and Bowery theater entertainer Jimmy Durante. This film must have been a bit of nostalgia for Durante, it was at clubs like these where High C Susie headlines that Durante got his start during this same period.

Peter Lawford plays his part like a young George Apley in training. It might have been interesting casting if instead of Thurston Hall to play his part they could have gotten Ronald Colman albeit for a small role.

Both Grayson and Allyson get show their respective styles as singers and Lauritz Melchior is fine as the egotistical Wagnerian tenor. His was a limited casting potential so Melchior only made a few films over at MGM. The score written by Sammy Fain and Ralph Freed provided no big hits, but managed to accommodate Grayson, Allyson, Melchior, and Durante an eclectic group of singers if there ever was one.

Enjoy Two Sisters From Boston while you can while jokes about Boston's puritanical standards are still understood.

Reviewing this film during its first run (for the New York Times), Bosley Crowther called it "joyous, melodic and romantic". That is a fair assessment.

All the actors feel like they are in their element, and they deliver very enjoyable performances that make this an extremely entertaining film.

The story is about a young woman, Abigail Chandler (Kathryn Grayson), from an upper class Boston family who works in burlesque, though her family believes she performs in opera. Miss Grayson, who is both beautiful and talented, gets to perform with two MGM stars and she makes the most of it. Not surprisingly, they pair her with opera tenor Lauritz Melchior, and they are great together. She also performs some burlesque numbers with Jimmy Durante. It is an unexpected joy to see and hear her perform these very non-operatic songs alongside The Schnoz.

Her sister, Martha, is played by June Allyson. She is paired romantically with Peter Lawford, who plays a young man from an upper crust family. He is perfectly suited to the role of an earnest traditionalist.

The main story of the film holds everything together, but the musical performances are most of the best scenes. I plan to rewatch this film in the future.

Being a great fan of Lauritz Melchior, I was extremely delighted to be able to see the few movies he made in 40's last night on TCM. The four times he sings in the picture were, for me, extreme highlights, especially when he sang 'Morgenlich leuchtend im rosigem Schein'.

June Allyson was a delight and the act she did in the night club, left me laughing. Alot was based on her innocence and it worked great.

Kathryn Grayson was also a delight and the film was very clearly made to showcase her and Melchior. But even so, she did come out in glorious voice and made her and Allyson's characters people to care about.

Jimmy Durante was also a great treat as the club manager and hood, using like phraise: 'I don't know nothin' alot to make people do what he wanted.

To finalise this comment, for me it was Lauritz Melchior who steeled the show every time he was on the screen, but the story was good with a happy ending where everyone had what they wanted.