Aggiungi una trama nella tua linguaBlackie tricks a blackmailer-murderer into a confession. Story involves sinister seances and ghostly apparitions.Blackie tricks a blackmailer-murderer into a confession. Story involves sinister seances and ghostly apparitions.Blackie tricks a blackmailer-murderer into a confession. Story involves sinister seances and ghostly apparitions.
- Regia
- Sceneggiatura
- Star
John Bagni
- Shill
- (non citato nei titoli originali)
Edmund Cobb
- Policeman
- (non citato nei titoli originali)
Tom Dillon
- Dinny McGonagle
- (non citato nei titoli originali)
Eddie Dunn
- Police Sergeant
- (non citato nei titoli originali)
George Eldredge
- Cop #2 Outside Hospital Room
- (non citato nei titoli originali)
Eddie Fetherston
- 2nd Police Sergeant
- (non citato nei titoli originali)
Doris Houck
- Waitress
- (non citato nei titoli originali)
Recensioni in evidenza
Tenth movie in Columbia's Boston Blackie series starring Chester Morris. This one has Blackie taking on a phony spiritualist (Marvin Miller) who's blackmailing a woman (Jeff Donnell). Inspector Farraday (Richard Lane) is on the wrong track as always. A fun entry in the series, thanks to a good cast and supernatural elements that provide more atmosphere than usual. Morris and George E. Stone as Blackie's sidekick The Runt are both great. Stone gets a lot of comedic bits here, afraid of spooks and the like. Richard Lane is amusingly cantankerous in this one. Jeff Donnell gives a sympathetic turn and Dusty Anderson provides some sex appeal as Miller's assistant. For his part, deep-voiced Marvin Miller is sufficiently sinister as the villain. Joseph Cretan has a nice scene as a tough pawnbroker that's somewhat of a change of pace from his usual authoritarian roles. I enjoy the Boston Blackie series a lot, even with its formulaic plots. This is one of the better Blackie pictures.
The Runt has a friend in a jam—he's stolen some "papers" that turn out to be hot jewels. Boston Blackie is, of course, drawn into the situation; the friend, of course, is murdered; and Inspector Farraday, of course, is right there to practically catch Blackie in the act. It all opens up a case of blackmail, another murder or so, a spiritualist and a couple of séances—and a fair amount of good-natured tough talk and silly banter.
By now, Inspector Farraday knows that when he shows up at a murder scene, Boston Blackie is going to be less than cooperative: "All I needed to hear from the men on the beat was that you had a perfect alibi and I took this call myself," he tells Blackie. "Now I'd like to hear some of your best double talk."
Blackie and Farraday operate at full speed in this well-written series entry. Their sidekicks, the Runt and Detective Matthews, are faithful but dumb as usual. The Runt's childish squeals do grow somewhat annoying, but I have to admit it's pretty funny watching him and Matthews cower and yelp together at the séance.
Two female characters play important roles. Jeff Donnell is Anne, a young woman who suffers from nervous troubles—or is that diagnosis an invention of the sinister Dr. Nejino, the spiritualist? Less passive—more actively looking out for herself—and more interesting is Dusty Anderson as Sandra, the mystic's assistant, whose loyalties are frequently in question but are mainly to herself.
A pretty good plot and a handful of good gags keep this episode moving. (My favorite bit: Farraday barking into the phone that "We're getting closer to Boston Blackie every minute," unaware that Blackie is at that very moment—well, much closer than Farraday thinks.) A satisfying hour for Blackie admirers.
By now, Inspector Farraday knows that when he shows up at a murder scene, Boston Blackie is going to be less than cooperative: "All I needed to hear from the men on the beat was that you had a perfect alibi and I took this call myself," he tells Blackie. "Now I'd like to hear some of your best double talk."
Blackie and Farraday operate at full speed in this well-written series entry. Their sidekicks, the Runt and Detective Matthews, are faithful but dumb as usual. The Runt's childish squeals do grow somewhat annoying, but I have to admit it's pretty funny watching him and Matthews cower and yelp together at the séance.
Two female characters play important roles. Jeff Donnell is Anne, a young woman who suffers from nervous troubles—or is that diagnosis an invention of the sinister Dr. Nejino, the spiritualist? Less passive—more actively looking out for herself—and more interesting is Dusty Anderson as Sandra, the mystic's assistant, whose loyalties are frequently in question but are mainly to herself.
A pretty good plot and a handful of good gags keep this episode moving. (My favorite bit: Farraday barking into the phone that "We're getting closer to Boston Blackie every minute," unaware that Blackie is at that very moment—well, much closer than Farraday thinks.) A satisfying hour for Blackie admirers.
In "The Phantom Thief," Boston Blackie (Chester Morris) is as usual blamed for anything that goes wrong on Inspector Farraday's (Richard Lane) watch. This time, as he attempts to help a friend of the Runt's (George E. Stone) return some jewels he didn't mean to steal, Blackie finds himself involved with a phony medium (Marvin Miller), blackmail, and murder, all the while trying to hide from Farraday, sometimes in plain sight.
Not a bad entry into the series, with Jeff Donnell, who was actually a character actress, playing a duped, wealthy woman with rotten taste in men. She handles her part well, considering she usually played a bubbly, wisecracking friend. Marvin Miller, with dark makeup and that sonorous voice, is effective as the medium. Boomers may remember him as John Beresford Tipton's go-to Mr. Anthony on "The Millionaire." Unfortunately he never made it to my house.
Chester Morris is charming and funny as Blackie, but this time he's not particularly ably assisted by The Runt, who is terrified of all those disembodied hands and skeletons at the séance.
Fast-moving and entertaining.
Not a bad entry into the series, with Jeff Donnell, who was actually a character actress, playing a duped, wealthy woman with rotten taste in men. She handles her part well, considering she usually played a bubbly, wisecracking friend. Marvin Miller, with dark makeup and that sonorous voice, is effective as the medium. Boomers may remember him as John Beresford Tipton's go-to Mr. Anthony on "The Millionaire." Unfortunately he never made it to my house.
Chester Morris is charming and funny as Blackie, but this time he's not particularly ably assisted by The Runt, who is terrified of all those disembodied hands and skeletons at the séance.
Fast-moving and entertaining.
Thought this film was one of the best Boston Blackie films with all kinds of slapstick going on with George E. Stone, (The Runt) and Chester Morris, (Boston Blackie). In this film Richard Lane, (Inspector John Farraday) carries on with the same type of role he has played in other films, only in this film Farraday is constantly accusing Boston Blackie of every murder. The Runt manages to get Boston Blackie involved in a diamond necklace which has been stolen from Jeff Donnell, (Ann Duncan) who gives a great supporting role. Dr. Nejino,(Marvin Miller) performs séance's with all kinds of voices from the dead being heard and ghostly hands floating in the air and plenty of trap doors opening and closing in the closets. This film will entertain you, however, this film is a Classic 1946 film and has plenty of the same old thing which is repeated in all of these B films.
Phantom Thief, The (1945)
** 1/2 (out of 4)
Boston Blackie (Chester Morris) once again finds himself involved in a murder case where ghosts and a weird fortune teller are suspects. This isn't the best in the series but it's not the worst either and in the end it makes for an entertaining 65-minutes. The mystery this time out is pretty predictable and easy to follow but there are some nice added touches including all the stuff involving the ghosts. The supporting cast is up to their usual nice quality with Richard Lane and George E. Stone back to their old tricks as Farraday and The Runt.
** 1/2 (out of 4)
Boston Blackie (Chester Morris) once again finds himself involved in a murder case where ghosts and a weird fortune teller are suspects. This isn't the best in the series but it's not the worst either and in the end it makes for an entertaining 65-minutes. The mystery this time out is pretty predictable and easy to follow but there are some nice added touches including all the stuff involving the ghosts. The supporting cast is up to their usual nice quality with Richard Lane and George E. Stone back to their old tricks as Farraday and The Runt.
Lo sapevi?
- QuizEleventh of fourteen "Boston Blackie" films starring Chester Morris released by Columbia Pictures from 1941 to 1949.
- Citazioni
Horatio 'Boston Blackie' Black: As soon as I get done fixing your ethical code I need to work on your grammar.
- ConnessioniFollowed by Boston Blackie and the Law (1946)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Boston Blackie's Private Ghost
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 5min(65 min)
- Colore
- Proporzioni
- 1.37 : 1
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