VALUTAZIONE IMDb
7,7/10
3347
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAnimated version of the fairy tale of the Russian boy Peter and his hunt for a raiding wolf, presented to the music of Sergei Prokofiev.Animated version of the fairy tale of the Russian boy Peter and his hunt for a raiding wolf, presented to the music of Sergei Prokofiev.Animated version of the fairy tale of the Russian boy Peter and his hunt for a raiding wolf, presented to the music of Sergei Prokofiev.
Pinto Colvig
- Animal Sounds
- (non citato nei titoli originali)
James MacDonald
- The Wolf
- (voce)
- (non citato nei titoli originali)
Recensioni in evidenza
This short film was released in the full-length Disney film "Make Mine Music"--a very, very uneven collection of short films with musical themes. I assume that because so many of the shorts in this film were just awful, that's why Disney later released several of the better shorts as stand-alone shorts. Heck, until I recently saw "Make Mine Music", I always thought that "Peter and the Wolf" was a stand-alone short, as that's how I saw it as a kid.
The film begins with Sterling Holloway (the voice of Winnie the Pooh) narrating. First, he explains how each character in the story is represented by different musical instruments and then he narrates the story itself as the animation is presented. For the most part, it's great for kids who can tolerate classical and neo-classical music---others might be a bit bored. However, the animation is nice and there is a sweet charm to the story.
The film begins with Sterling Holloway (the voice of Winnie the Pooh) narrating. First, he explains how each character in the story is represented by different musical instruments and then he narrates the story itself as the animation is presented. For the most part, it's great for kids who can tolerate classical and neo-classical music---others might be a bit bored. However, the animation is nice and there is a sweet charm to the story.
I first saw this short when it was part of the compilation movie, Make Mine Music. It's an entertaining program telling the fairy tale of Russian boy Peter and his hunt for a raiding wolf, played to the very catchy and harmonic music of Sergei Prokofiev.
Winnie-the-Pooh voice actor Sterling Holloway does a nice job narrating, and the music fits in well with the excitement, intrigue, and adventures of the story.
Grade A
Winnie-the-Pooh voice actor Sterling Holloway does a nice job narrating, and the music fits in well with the excitement, intrigue, and adventures of the story.
Grade A
This is definitely an underrated short movie, that I haven't seen around for ages. Though when I was a kid, I was absolutely terrified of the wolf, and his music, provided by three french horns. My younger sister is still terrified of this movie, and she still refuses to see it. What makes it memorable, is the music by Prokoviev. I loved it how he used a different instrument for each character, such as the flute for the bird and the clarinet for the cat. Actually, contrary to another review, I liked Sterling Holloway's narration. Sure it got a little distracting, but it is a kids movie, and Peter and the Wolf is one of those works where a narrator is obligatory. The animation is spot on, but it is easy to get frightened by the wolf. All in all, a memorable and underrated musical memory. Before I round off, I once had the video where it had two other shorts, the land of symphony and Isle of Jazz short and the one with Mickey Mouse conducting the orchestra. I'm just wondering if I'm the only one who remembers them. 9/10 Bethany Cox
Disney's version of the Sergei Prokofiev musical composition. Originally part of the movie Make Mine Music, this cartoon was released later on its own as a theatrical short. I saw it as a kid as part of a compilation video. It wasn't until I was grown up that I realized it was originally part of another movie. It's nicely animated with some likable characters and plenty of that old school Disney charm. The music is great. Sterling Holloway provides the narration. He possessed one of those distinctive voices that, once you hear it, you'll never forget. I won't cover the plot to the story as most people pretty much know the plot to Peter and the Wolf, right? So, give it a shot if you can find it on its own or, better yet, watch Make Mine Music and see it with many other fun cartoons.
A Walt Disney Cartoon.
A brave Russian lad, with help from his animal friends, goes hunting the most fearsome beast in the forest.
Back in the 1930's the Disney Studios was visited by the Russian composer Sergey Sergeyevich Prokofiev (1891-1953) who performed on an old piano his new composition of Peter and the Wolf (1936). Walt was immediately charmed and determined to make it eventually into a cartoon.
A decade later, the result was a fine little film. Although quite a departure from the original's purely aural medium utilizing the listener's imagination, PETER AND THE WOLF works well as a narrated (by Sterling Holloway) cartoon. The animation is excellent, the characters vivid, the streamlined plot straight to the point. An attempt is still made by the animators to keep true to Prokofiev's design of using this tale as a child's introduction to the instruments of the orchestra. But too much analysis becomes arcane. The cartoon does not supersede the orchestral work. It simply gives it a new interpretation.
PETER AND THE WOLF was originally a segment of Disney's compilation feature MAKE MINE MUSIC (1946), but it quickly proved popular enough to act as a standalone short subject.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.
A brave Russian lad, with help from his animal friends, goes hunting the most fearsome beast in the forest.
Back in the 1930's the Disney Studios was visited by the Russian composer Sergey Sergeyevich Prokofiev (1891-1953) who performed on an old piano his new composition of Peter and the Wolf (1936). Walt was immediately charmed and determined to make it eventually into a cartoon.
A decade later, the result was a fine little film. Although quite a departure from the original's purely aural medium utilizing the listener's imagination, PETER AND THE WOLF works well as a narrated (by Sterling Holloway) cartoon. The animation is excellent, the characters vivid, the streamlined plot straight to the point. An attempt is still made by the animators to keep true to Prokofiev's design of using this tale as a child's introduction to the instruments of the orchestra. But too much analysis becomes arcane. The cartoon does not supersede the orchestral work. It simply gives it a new interpretation.
PETER AND THE WOLF was originally a segment of Disney's compilation feature MAKE MINE MUSIC (1946), but it quickly proved popular enough to act as a standalone short subject.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.
Lo sapevi?
- QuizOriginally released as a cartoon short in the compilation feature Musica maestro (1946).
- ConnessioniEdited from Musica maestro (1946)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Pedrín y el Lobo
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 15min
- Proporzioni
- 1.85 : 1
- 1.37 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti