Out California Way

Routine trivial western from Republic, glossed up with their 2 color Trucolor, which makes all the actors look like they're wearing tons of rouge. One does get to see a few of the other western actors in the Republic stable as guest stars including Allan "Rocky" Lane, Don "Red" Barry, and off course Roy Rogers and Dale Evans. Monte Hale, the star of this epic though doesn't convey any charisma whatsoever, explaining his rather short career(about 20 films at Republic). They say his black and whites are better, but having seen only 1 other "Home on the Range", it too in color, one wonders why indeed Monte was ever signed.

A major plot point of this film is involved with terrorizing a horse in order to keep his human co-star (played by Monte Hall) from replacing the unpleasant lead actor in the film. This is all done in service of a typically mediocre singing cowboy movie. Not cool. TRIVIA: Very meta of them to call the movie they're filming in the fictional story "Out California Way."

I noticed one reviewer described this film as looking 'garish'....and it is indeed an ugly looking color movie. This is because Republic Studio made many of its late 40s and early 50s B-movies in TruColor. While these films were color pictures, it was a second-rate color. This is because Technicolor was expensive and TruColor and Cinecolor were much cheaper alternatives...about the same price as black & white film stock. But these two color systems had serious drawbacks. Because they were two-color processes, they really did not provide a full spectrum of colors. Yellows and purples, for example, were not possible with TruColor or Cinecolor and the other colors tended to look orangy and greenish-blue. And, this weird spectrum only got worse as the films degraded...and the copy I found and dan-180 apparently found was pretty degraded...and is definitely very orangy. Ugly and garish are definitely the case with this film, though some TruColors and Cinecolor films have aged a bit better...and a few even worse.

The copy on YouTube also has another huge drawback. Like so many of the old B-westerns, this one has been trimmed to fit television time slots. While it originally ran 67 minutes, after trimming it's only about 52...and that's a lot of missing footage...too much. So, if you can find a different copy of the film, watch it--the color might be better and you might get more of the original movie.

The story itself is a cute supposedly behind the scenes movie starring the second-tier western star, Monte Hale. When it begins, Monte is trying to break into movies...and a cute kid (Bobby Blake) is trying to get his trick horse into films as well. But the fat-headed newcomer, radio cowboy Rod Mason (John Dehner) is determined to keep them out of pictures because he's a jerk and is very insecure. So, after Hale is discovered and put into one of Mason's films, Mason and his jerk friend both torture the horse when no one is looking in order to make him dangerous to ride!! Can Monte and the studio figure out the truth?

This film is neat because in addition to seeing Hale (who did a great job), you see other supposedly behind the scenes cameos with Republic stars Rocky Lane, Roy Rogers, Dale Evans and Red Barry. All in all a fun film...it's just such a darn shame it is so ugly and short.

By the way, I do wonder if this film was meant as some sort of commentary about specific jerk western stars. I know, for instance, that 1930s star Ken Maynard has a horrible reputation as a real jerk-face once the cameras started rolling. I could guess as to which other stars (particularly ex-Republic stars) the film might also be alluding to, but know that Ken Maynard (not to be mixed up with his nice-guy brother, Kermit) was pretty much hated by everyone in the industry.

This isn't so much of a western movie, as it is a movie about MAKING western movies - set in the mid 40s. There are at least a half-dozen songs here, but many of them are quite juvenile. I guess that's supposed to play to the youthfulness of the audience at whom this must be aimed. Most of the music is provided by Foy Willing and The Riders of The Purple Sage, but Roy Rogers and Dale Evans - as part of their cameo appearance - also contribute a tune. Rocky Lane and Red Barry briefly cross the screen as well. Robert (Bobby, as he was billed back then) Blake has a main part: While trying to get his HORSE in films, he meets actor-wannabe Monte Hale. The newcomer ultimately upstages an established radio-to-celluloid cowboy, thereby establishing what little tension there is in this flick. In addition, the kid has an older sister, who provides a bit of romance involving her and Monte. The plot and dialogue throughout seems very contrived, which may be too noticeable to adults; and kids may lose interest in a few places.

When Herbert J. Yates decided to introduce his latest sagebrush star Monte Hale he did with a backstage story so to speak. Monte Hale gets to play himself, a likable young cowboy who would like to break into motion pictures. In going to Republic he sure went to the right studio since this was the bread and butter of that outfit.

Hale teams up with young Bobby Blake and his horse Partner who Blake has taught many tricks. He first tries to introduce Partner to western star John Dehner who is a radio actor with a western series there. But for the big screen Dehner just hasn't the skills and his double Fred Graham fills in for Dehner in a lot of ways.

Hale catches the studio attention, but Dehner is jealous and he wants to damage Hale's career before it starts. And the horse Partner is the instrument he uses.

Monte also gets a little romance in with Bobby Blake's sister Lorna Gray and Republic Pictures gets a new cowboy hero. Several of the current stars like Allan Lane, Don Barry and Roy Rogers and Dale Evans all make guest appearances. And of course John Dehner never became a cowboy hero at Republic, but in real life had quite a distinguished career in all kinds of character roles.

You have to wonder about the real studio politics among all these guys at Republic. When Gene Autry moved to Columbia Pictures, Roy Rogers was King of the Republic lot as well as King of the Cowboys. But there was quite a bit of rivalry over who was crown prince and those listed above were not the only movie cowboys working for Herbert J. Yates.

Out California Way is a pleasant enough picture and Monte Hale is a good cowboy hero.