VALUTAZIONE IMDb
7,1/10
1011
LA TUA VALUTAZIONE
Una donna ricorda la sua adolescenza negli anni '20, quando si innamorò del suo insegnante.Una donna ricorda la sua adolescenza negli anni '20, quando si innamorò del suo insegnante.Una donna ricorda la sua adolescenza negli anni '20, quando si innamorò del suo insegnante.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 1 candidatura in totale
Ann E. Todd
- Joyce Fontayne
- (as Ann Todd)
Gurney Bell
- Off-Screen Singer
- (voce)
- (non citato nei titoli originali)
Vanessa Brown
- Wanda
- (non citato nei titoli originali)
Buddy Clark
- Off-Screen Singer
- (voce)
- (non citato nei titoli originali)
Ruth Clifford
- Audience Spectator at Debate
- (non citato nei titoli originali)
Ken Darby
- Off-Screen Singer
- (voce)
- (non citato nei titoli originali)
Hazel Dawn Jr.
- Vi
- (non citato nei titoli originali)
Bill Days
- Off-Screen Singer
- (voce)
- (non citato nei titoli originali)
Shirley Doble
- Student
- (non citato nei titoli originali)
Recensioni in evidenza
Can a movie made in 1946 still move teenagers today? Well, all I can say is when I first saw this movie in 1983 I was still in high school and this film totally touched and inspired me!
At first, it just seems like your typical nostalgic sentimental high school film. We have, Margie the geeky girl who's so far from being in the 'in' crowd it's pathetic. Then we have the popular girl, Mirabelle, living next door to Margie as a constant reminder of how 'out of it' she is. Then Margie has the typical school girl crush on her gorgeous French teacher and also has the typical pathetic loser/ boyfriend following her around.
But wait! Then Henry King takes a simple movie to a another level and it soon becomes clear we are watching the emergence of a strong and unusual woman. Our first clue that this movie is something different are the sly hints about Margie's emerging sexuality. (I mean, she literally keeps losing her knickers at the most in-opportune occasions, how did this get past the censors?) Then there is Margie's feminist grandmother, who wants Margie to be the first woman president of the United States. But just in case we still don't get it, it all becomes clear when we hear Margie's winning debate speech on why the U.S. should take the Marines out of Nicaragua. (Ironically, when I saw this film in 1983, this issue was as hotly debated as it apparently was in 1929!) Margie, in spite of her awkward gestures and amateur delivery, gives one of the most amazing speeches ever given by a teenager in a film. It is truly amazing. We see unsuspected depths in this young woman and from that point on we (along with the men in her life) are fascinated with how this young ladies life will turn out (to give any more away would spoil the film for you!)
This film also has an unusual look for the time period, since it was one of those rare films in the 40's where exteriors were filmed on location. Henry King is one of the great studio directors who is constantly forgotten and overlooked. But take one look at the skating sequence in this film, where the camera follows skaters beautifully, as they circle around the camera, and you will see a master craftsman in league with Hitchcock or any of the other Hollywood greats. (And as a former ice skater, I can tell you Jeanne Crain is a pretty good skater!)
But the moment that got me most, and still gets me, is the way Margie handles her disappointment about who she has to go to the prom with and the dignity in which she carries herself. This movie shows the amazing and difficult journey of Margie McDuff from a little girl who is on the road to being an amazing woman! (Well, we hope!) So by the end of the film, we believe, along with her grandmother and the others in her life, that Margie is indeed a unique and unusual person and really could have been the first woman president of the United States!
At first, it just seems like your typical nostalgic sentimental high school film. We have, Margie the geeky girl who's so far from being in the 'in' crowd it's pathetic. Then we have the popular girl, Mirabelle, living next door to Margie as a constant reminder of how 'out of it' she is. Then Margie has the typical school girl crush on her gorgeous French teacher and also has the typical pathetic loser/ boyfriend following her around.
But wait! Then Henry King takes a simple movie to a another level and it soon becomes clear we are watching the emergence of a strong and unusual woman. Our first clue that this movie is something different are the sly hints about Margie's emerging sexuality. (I mean, she literally keeps losing her knickers at the most in-opportune occasions, how did this get past the censors?) Then there is Margie's feminist grandmother, who wants Margie to be the first woman president of the United States. But just in case we still don't get it, it all becomes clear when we hear Margie's winning debate speech on why the U.S. should take the Marines out of Nicaragua. (Ironically, when I saw this film in 1983, this issue was as hotly debated as it apparently was in 1929!) Margie, in spite of her awkward gestures and amateur delivery, gives one of the most amazing speeches ever given by a teenager in a film. It is truly amazing. We see unsuspected depths in this young woman and from that point on we (along with the men in her life) are fascinated with how this young ladies life will turn out (to give any more away would spoil the film for you!)
This film also has an unusual look for the time period, since it was one of those rare films in the 40's where exteriors were filmed on location. Henry King is one of the great studio directors who is constantly forgotten and overlooked. But take one look at the skating sequence in this film, where the camera follows skaters beautifully, as they circle around the camera, and you will see a master craftsman in league with Hitchcock or any of the other Hollywood greats. (And as a former ice skater, I can tell you Jeanne Crain is a pretty good skater!)
But the moment that got me most, and still gets me, is the way Margie handles her disappointment about who she has to go to the prom with and the dignity in which she carries herself. This movie shows the amazing and difficult journey of Margie McDuff from a little girl who is on the road to being an amazing woman! (Well, we hope!) So by the end of the film, we believe, along with her grandmother and the others in her life, that Margie is indeed a unique and unusual person and really could have been the first woman president of the United States!
I have looked for the movie in the stores without any success. "Margie" was wholesome and refreshing. Hopefully today the movie industry will produce movies that the family can sit back and enjoy like we did in the mid 40's and 50's.
It is a real shame that this film is not available on video. I taped it from AMC a while back for my mother, and later made another copy for myself. I've watched it often enough that I'm afraid the tape will wear out.
Jeanne Crain is terrific, as is the rest of the cast. The story is adorable, and one really feels for Margie in her teenage angst. All in all, it is a wonderful movie; one which I could watch over and over.
Jeanne Crain is terrific, as is the rest of the cast. The story is adorable, and one really feels for Margie in her teenage angst. All in all, it is a wonderful movie; one which I could watch over and over.
I saw this movie for the first time in 1987 on a cable channel. I love this classic because it has great actors such as Jeanne Crain. It is a coming of age story that deals with the same things that teens encounter today such as popularity in high school, morals, sense of humor, crushes, different family structures and modesty. I think this film was entertaining in every aspect.
My children watched it when they were five. Now they are 15 and still adore watching the embarrassing and funny things this young teenage girl experiences. This movie is for young and old alike. There is also no worrying about foul language or obscene scenes. I only wish that the movie would be released on a DVD. My video tape is about to wear away from all the playing!
My children watched it when they were five. Now they are 15 and still adore watching the embarrassing and funny things this young teenage girl experiences. This movie is for young and old alike. There is also no worrying about foul language or obscene scenes. I only wish that the movie would be released on a DVD. My video tape is about to wear away from all the playing!
This movie made me a fan of Jeanne Crain when I was 13. She showed a talent here for light comedy. The bloomer bit was hilarious. It was a "feel good" movie and although I have not seen it for years I remember it well. Too bad it is not in VHS. I surely would buy a copy.
Lo sapevi?
- QuizParts of this movie were filmed at the University of Nevada - Reno. Jeanne Crain would return there two years later for the filming of Amore sotto i tetti (1948).
- BlooperThe hairstyles of Jeanne Crain, Barbara Lawrence, and Lynn Bari are strictly 1946, although the story takes place in 1928.
- Citazioni
Grandma McSweeney: Margie, twenty years from now you'll look back at Johnny Green and you'll wonder what you ever saw in him.
Margie: Twenty years from now I'll be an old woman and it won't matter what I think.
- Curiosità sui creditiThe opening credits appear as pages in a photo album with occasional annotated pasted photos of the characters from the film. A human hand flips the pages over.
- ConnessioniReferences Collegio femminile (1936)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Cómo le conocí
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 34 minuti
- Proporzioni
- 1.37 : 1
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