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IMDbPro

Live Wires

  • 1946
  • Approved
  • 1h 5min
VALUTAZIONE IMDb
6,1/10
459
LA TUA VALUTAZIONE
William 'Billy' Benedict, Pamela Blake, Claudia Drake, William Frambes, Leo Gorcey, Huntz Hall, Bobby Jordan, and Mike Mazurki in Live Wires (1946)
ComedyCrime

Aggiungi una trama nella tua linguaSlip, who has difficulties in keeping any job for long, is hired by the District Attorney's office to serve summons and warrants to problematic citizens.Slip, who has difficulties in keeping any job for long, is hired by the District Attorney's office to serve summons and warrants to problematic citizens.Slip, who has difficulties in keeping any job for long, is hired by the District Attorney's office to serve summons and warrants to problematic citizens.

  • Regia
    • Phil Karlson
  • Sceneggiatura
    • Tim Ryan
    • Josef Mischel
    • Dore Schary
  • Star
    • Leo Gorcey
    • Huntz Hall
    • Mike Mazurki
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,1/10
    459
    LA TUA VALUTAZIONE
    • Regia
      • Phil Karlson
    • Sceneggiatura
      • Tim Ryan
      • Josef Mischel
      • Dore Schary
    • Star
      • Leo Gorcey
      • Huntz Hall
      • Mike Mazurki
    • 19Recensioni degli utenti
    • 2Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto6

    Visualizza poster
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    Interpreti principali34

    Modifica
    Leo Gorcey
    Leo Gorcey
    • Terrence 'Slip' Mahoney
    Huntz Hall
    Huntz Hall
    • 'Sach' Jones
    Mike Mazurki
    Mike Mazurki
    • Patsy 'Pat' Clark
    Bobby Jordan
    Bobby Jordan
    • Bobby
    William 'Billy' Benedict
    William 'Billy' Benedict
    • Whitey
    • (as Billy Benedict)
    William Frambes
    • Homer
    Claudia Drake
    Claudia Drake
    • Jeanette
    Pamela Blake
    Pamela Blake
    • Mary Mahoney
    John Eldredge
    John Eldredge
    • Herbert L. Sayers
    Patti Brill
    Patti Brill
    • Mabel
    Bernard Gorcey
    Bernard Gorcey
    • Jack Kane
    Bill Christy
    • Boyfriend (Dynamite Doyle)
    • (as Billy Christy)
    Nancy Brinckman
    Nancy Brinckman
    • Girlfriend
    Robert Emmett Keane
    Robert Emmett Keane
    • Mr. Barton
    • (as Robert E. Keane)
    Earle Hodgins
    Earle Hodgins
    • Barker
    Gladys Blake
    Gladys Blake
    • Ann, Patsy's Receptionist
    William Ruhl
    • Construction Foreman
    George Eldredge
    George Eldredge
    • Policeman at Airport
    • Regia
      • Phil Karlson
    • Sceneggiatura
      • Tim Ryan
      • Josef Mischel
      • Dore Schary
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti19

    6,1459
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    Recensioni in evidenza

    6lee_eisenberg

    The East End Kids become the Bowery Boys

    Enjoyable if unspectacular flick about a hothead who, unable to hold down a job, gets a job where he starts running into gangsters. Phil Karlson's "Live Wires" was the first movie in which the group previously known as the Dead End Kids got called the Bowery Boys. There's nothing particularly original about this movie, but the protagonist's short temper and Archie Bunker-like malapropisms provide plenty of laughs. Leo Gorcey's accent certainly drives the role.

    I should note that the only movie in which I've previously seen this crowd was the 1937 crime drama "Angels with Dirty Faces", starring James Cagney, Pat O'Brien and Humphrey Bogart. Obviously this is a completely different kind of movie. It's not the greatest comedy, but an okay way to pass an hour and a half. Quite silly, but likable.
    7Paularoc

    Sach and Slip as repo men

    You either like the Bowery Boys films with their low brow humor or you don't. I like them. They're silly, funny, and light hearted. Slip gets and loses one job after another for being too hot tempered and quick with his fists but since his sister who he lives with has a steady job he doesn't worry about it. That is, until she gets fed up and insists he get a steady job. He first thinks he's going to make a bundle as a street peddler selling Pierce's Peerless Stain Remover. In this skit, Gorcey well demonstrates how very good he was at patter. Of course, the peddler scam doesn't work out and he then gets a job at the repossession firm that Sach is working at (somewhat surprisingly Sach has a steady job). They get the assignment of finding a couple of crooks, Patsy Clark and the crook known as The Pidgeon. Slip tells the boys that in tracking down Patsy they'll first make a list of the possibilities and then "It's just a process of illumination." Slip does indeed find Patsy who turns out to be a towering, violent and menacing crook played by Mike Mazurki. There are a number of pretty funny bits in the movie but my favorite was the scene at the high class nightclub, the 'High Hat' where Slip takes his girlfriend as part of a car repo job. After hearing from Slip that "money is no objection," the snooty waiter recommends a 1928 champagne. Slip and his girlfriend are mightily annoyed and insist that the waiter bring something newer than that.
    6sambase-38773

    Curio From The Forties

    My favorite scene in the whole movie by far was the scene between Leo Gorcey and Mike Mazurki about 50 minutes into the movie. That scene was much funnier than anything else in the movie. It was the only time during the movie that I laughed out loud. This is not a terribly funny movie except for some amusing gags here and there, but that scene was on a whole other level. They were perfect together. They would have made a great comedy team.

    Other than that this movie is just a curio from the 1940's. It's watchable and is a breezy 64 minutes long so it's not a big time investment. But nothing too great and nothing to bad. I watched it one Saturday - or was it Sunday. Anyway, it's an okay way to kill an hour on the weekend.
    6WankerReviews

    Fun

    About a guy who lives with his sister, who is his own worst enemy, and finds himself involved in self inflicted confrontations. Jumping from gig to gig because he keeps finding trouble, his sister is fed up with him.

    I thought this was fun to watch. Not laugh at loud funny but entertaining. The lead character played by Leo Gorcey was getting on my nerves after a while, and I was surprised his sister put up with him for as long as she did. The movie is only an hour long but the events of Leo running into trouble, and his sister telling him off, got repetitive quickly. I wished it was a little longer because him transitioning to his new job as a repo, felt rushed. We only see him repo two people and they both happen in the last 20 minutes. I thought it would be the many funny adventures of being a repo man. Nevertheless it was still a fun watch.
    7ksf-2

    Leo Gorcey at it again, trying to get ahead.

    Well, this one opens with Slip Mahoney (Leo Gorcey) losing his job as a taxi driver, and coming home to his sister Mary (Pamela Blake) and friends... check out that dolled up, rolled-up 1940s hair-do on Blake! Huntz Hall is "Sach Jones", Slip's sidekick; Acc to IMDb, they would work or appear together 69 times! Keep an eye out for Bernard Gorcey (Leo's real dad) as Jack Kane at the soda fountain. Also keep an eye out for Bill Benedict, the blond-haired tall skinny guy in all those films from the 1940s.. he was called "Whitie" in most of the roles he played. Slip tries various schemes to earn some money, with mixed results along the way... mostly bad. This post- WW II film shows life on the gritty side of town, and the difficulty in getting work, with some humor thrown in along the way. Not bad. A film that's short & sweet, mostly a more mature version of the "Muggs Maloney" characters Gorcey had played in the early 1940s. A bit more slapstick right at the end than I like, but they got some mile-age out of real-life wrestler Mike Mazurki. Also a pleasant number "The Right Kind of Man" sung by Claudia Drake in the nightclub. Phil Karlson directed this 65 minute shortie from Monogram Pictures.

    Altri elementi simili

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The first of 48 Bowery Boys movies released from 1946 to 1958. In 1945, when East Side Kids producer Sam Katzman refused to grant Leo Gorcey's request to double his weekly salary, Gorcey quit the series, formed his own production company (owning 40% of it) with his agent Jan Grippo called Jan Grippo Productions, revamped the format including getting rid of the teen-aged stories, and rechristened the series The Bowery Boys (i.e., "Leo Gorcey and The Bowery Boys").
    • Blooper
      As Slip and Sach argue before the street hustler, Sach unfolds his arms, turns to Slip and says "I don't think it's any good." The shadow of the boom microphone is visible, moving on and off Sach's right side.
    • Citazioni

      Terrence 'Slip' Mahoney: [Sach and Slip inside an ice cream parlor noticing a crowd gathering around someone out in the street] Looks more like somebody's trying to incite a riot.

      'Sach' Jones: What do you mean inside? The guys outside.

      Terrence 'Slip' Mahoney: [Slip turns to Sach] Whoever said "Ignorance is bliss" must have been talking to you first.

    • Connessioni
      Followed by In Fast Company (1946)
    • Colonne sonore
      The Right Sort of Man
      (uncredited)

      Composer unknown

      Sung by Claudia Drake at the nightclub

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    Dettagli

    Modifica
    • Data di uscita
      • 12 gennaio 1946 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Francese
      • Spagnolo
    • Celebre anche come
      • Stepping Around
    • Luoghi delle riprese
      • Hollywood, California, Stati Uniti
    • Azienda produttrice
      • Jan Grippo Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 5 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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    William 'Billy' Benedict, Pamela Blake, Claudia Drake, William Frambes, Leo Gorcey, Huntz Hall, Bobby Jordan, and Mike Mazurki in Live Wires (1946)
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