In Fast Company

A guy from the neighborhood gets caught up in a cabbie war. Father Donovan recruits Slip (Leo Gorcey) to drive the cab for a couple of days while the guy recovers. It's the Bowery Boys against the corrupt taxi company owner.

This is the second film in this series. It has both Slip and Sach. They have their fun. It's a silly franchise and that's fine. I don't care that much about any seriousness. I probably wouldn't even want that many car chases. The fights need to be more slapstick. All in all, it's a little fun with some serious matters which may or may not fit with the silliness. It's fine.

The second of four dozen Bowery Boys films made from the 1940s well in the 1950s. However, although I enjoy their films, I will be quick to admit that their humor is far from subtle or sophisticated...and occasionally, it's just downright bad. Because of this, my wife usually leaves the room when I put on their films...but in this case she mostly sat with me...making faces during much of the movie!

In this installment, Slip (Leo Gorcey) agrees to help an out of work independent cab driver. His local priest ENCOURAGES him to help out...and risking the fires of Hell, Mahoney drives a cab. But soon he realizes HOW the driver got hurt, as the competition is very violent and dirty and will do just about anything to stop any competition. See the film and see how he and the gang handle these goons.

In many ways, this film is like a reworking of the old James Cagney movie "Taxi"...with some humor and hijinks added to it. And, it's pretty much what you'd expect from Gorcey, Huntz Hall and the rest....which, for some is pleasant entertainment and for others, a migraine lasting a little over an hour. I'd say this one is about average for the franchise...maybe slightly better.

The gang saves a neighborhood cab co. from an outlaw rival.

Like the Marx Bros. or the Three Stooges, the Bowery Boys are best when bringing chaos into the well-ordered world of the rich or pretentious. Their's is a street tough brand of chaos, too moronic to be organized. Slip (Gorcey) may try, but the gang are like wacky billiard balls, causing the so-called leader to take out his frustration on the hapless Sach (Hall) in sometimes humorous fashion.

Too bad this entry doesn't get more of that energy on screen. It's actually a pretty dull affair. The one big set-piece, the packed telephone booth, goes on too long with no variation, soon losing its humor. Surprisingly, Hall and Gorcey remain pretty subdued without many of their usual wild antics. It's almost like the producers of this second series entry aren't sure the direction they want the series to take. At the same time, poor Bobby Jordan as the sometimes sane member looks a little lost. Still, it is a good chance to catch the lovely and classy Jane Randolph taking a break from her Cat People role.

The real problem, however, is with the premise. The rival cab company is simply filled with too many characters like the Boys. So the usual silly antics remain just that, silly, and aren't redeemed by puncturing the balloons of the high and mighty.

When a competing driver won't succumb to pressure, New York City's crooked "Red Circle Cab" company derails him in an accident, overturning his cab. While the driver recuperates, a local Priest recruits "helpful lad" Leo Gorcey (as Slip Mahoney) to drive the rival "Cassidy" company cab. Sacrificing a night out with angelic girlfriend Judy Clark (as Mabel Dumbrowski), Mr. Gorcey clashes with the criminal "Red Circle" cabs. Gorcey quickly employs "The Bowery Boys": Huntz Hall (as Sach), Bobby Jordan (as Bobby), William "Billy" Benedict (as Whitey), and David Gorcey (as Chuck) to humorously help make amends.

"In Fast Company" is above average for "The Bowery Boys", but nothing special overall. In this film, (Leo's father) Bernard Gorcey, who had been appearing in the series films regularly, receives his familiar character name "Louie Dumbrowski" (herein, proprietor of "Louie's Ice Cream Parlor"). Good moments include an entertaining fruit stand owner (nicely played by Luis Alberni), a seltzer water sequence, and an early example of "telephone booth stuffing" (or, How many people can you fit in a telephone booth?). Since telephone booth stuffing became a fad in the 1950s, it looks like "The Bowery Boys" were ahead of the curve.

***** In Fast Company (6/22/46) Del Lord ~ Leo Gorcey, Huntz Hall, Bobby Jordan, William 'Billy' Benedict

In Fast Company (1946)

* 1/2 (out of 4)

Second film in the Bowery Boys series has Slip (Leo Gorcey) offering to drive a cab for a driver who was injured on the job. Soon he and the boys find themselves in the middle of a cab war with the big cabs trying to knock over the little ones. The subject line of a cab war has been dealt with in quite a few films with the most memorable being TAXI with James Cagney and Loretta Young. This film here can't hold a candle to that one nor the previous film in the series. This second film comes off as a major disappointment as it appears the film was rushed into production without too much thought put into the screenplay. For the most part there are very few laughs to be found in this film and the biggest one comes towards the end when Sach (Huntz Hall) walks into a trophy room with various stuffed animals and gets scared. The rest of the comedy comes from rather silly slapstick including a really bad scene where the boys and a few others get locked inside a phone booth. Other forms of so-called comedy comes from the boys eating up all the bananas from a dealer and another one dealing with a watch inside one of those claw machines that Sach keeps getting but losing at the last second. As with the first film, there's no question that this was meant to show off Gorcey but that doesn't even happen that well. As expected he spills a lot of mangled dialogue but the character really doesn't do much else. Most of the supporting cast is wasted and especially Bobby Jordan. Character actor John D. Brown comes off the best as Father Donovan and I'm sure many will remember him from countless Warner pictures in the 30s.