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The film is based on A.J. Cronin's bestselling novel. It boasts an exemplary cast and a very evenly-written script. Venerable character actor Charles Coburn, a favorite of many, receives top billing. And true, his performance could easily dominate the movie. But the screenwriter is careful to intersperse moments of Coburn's wily great-grandfather character throughout the narrative while keeping the rest of the ensemble in focus.

The cast includes real-life husband and wife Hume Cronyn and Jessica Tandy (though they do not play a married couple here). It also features child actor Dean Stockwell in the first half and matinée idol Tom Drake in the second half as the young protagonist.

The Green Years pulls at our heartstrings one moment, then makes us laugh uproariously the next (usually because of Coburn's antics). But throughout the story there is a valuable lesson about the importance of making sacrifices and celebrating life's triumphs.

The title is meant to suggest several possible meanings. I urge you to view the film and discover what it means for you.

I find this film charming. As a 1950's Dublin kid, I loved the acting, direction, script and message of this film. I agree that it is a Scottish 'How green is my Valley'. I have always felt closer to Scotland than Wales, although not understanding why! Dean Stockwell and Tom Drake are especially wonderful. Nowadays, some follow ups would be certain. I would love to follow Robert Shannon's adulthood, after this film ended. I have always been a fan of Jessica Tandy and it was great to see her as a young girl, knowing what a successful career she had. This is a warm hearted Sunday afternoon film with feel good after-shocks. I don't know if a colour remake is possible but it's a black and white classic. Enjoy!

At first when I read the blurb of this film on the viewers guide I expected another "How Green Was My Valley," which had ruined coming-of-age films for me until I saw "Breaking Away" in '79. I started watching it anyway and soon found I was hooked for the next 127 minutes.

"The Green Years" demonstrate what a better film "Kings Row" could have been if someone other than Robert Cummings had played the lead. It's basically the same story set in Scotland: both take place in isolated rural towns, both deal with mental cruelty, and both deal with overcoming your circumstances to better your life. And ironically, both feature the splendid and versatile actor Charles Coburn in pivotal roles.

The people of this village seem real here, with Hume Cronin playing the tight-lipped tightwad of an extended family who "live like they're poor out of choice." Tom Drake is fine as the older Robbie Shannon, earnest and sincere, but with an increasing sense of cynicism appropriate for the role. Richard Hayden as the headmaster that befriends Robbie adds just the right amount of sanity, humor and hope you need in a story that runs over 2 hours.

But young Dean Stockwell and Coburn are magic, especially in the scene when he and 2 drunken friends try to teach young Robbie how to box. I can't recall a relationship between 2 actors on film, one very old and the other very young, that rings as fresh and honest as their's does. I think W.C. Fields and Freddie Bartholomew in "Great Expectations" come closest.

Yes, it's episodic, and perhaps a tad too long, and Norman Lloyd is wasted as one of Cronyn's sons. But if you have an affection for this sort of film made soon after the end of WWII, you won't be disappointed.

TCM screened this film recently and it was worth staying up past my bedtime to watch it. The film can be summed up in two words: Charles Coburn. He is magnificent as the perpetually inebriated yet good natured great grandfather. His dialogue is top notch and he delivers it to the hilt, at times funny, and others poignant. Dean Stockwell as the young boy is always interesting to watch, as are Jessica Tandy and Hume Cronyn. Fans of old films will recognize many stock players as well: the mother here is also the mother in The Fighting Sullivans and the school master turns up years later as the impresario for the Von Trapp children in the Sound of Music. It's fun to see him so young. The movie has a lot of the Goodbye Mr. Chips qualities I love in film. And keep your ears open and you'll hear strains of similar music from The Wizard of Oz - letting you know it's an MGM production. Throw in a bit of Charles Dicken's Oliver Twist and you've got a fine movie. I won't give any more away.

HOW GREEN WAS MY VALLEY was one of the best films of the 1940s and really did a lot to bring to life the Welsh experience at the end of the 19th century. The film featured brilliant writing, acting and John Ford's deft direction. Now five years later, MGM returns with a film that reminded me, in many ways, of this earlier film--though it is set in Scotland just a decade or so after HOW GREEN WAS MY VALLEY.

One major difference was that the main character (initially played by Dean Stockwell) was actually Scotch-Irish and when orphaned he was sent from Ireland to live with family in Scotland. Unfortunately, not everyone in the family was happy to see the kid--as the stingy (both financially and emotionally) grandfather (played exceptionally well by Hume Cronyn) saw the kid as a burden and obligation instead of kin. Also, the fact that the boy was Catholic didn't help matters. However, the great-grandfather (Charles Coburn) was quite different. Despite at first seeming a bit gruff, he became the boy's greatest friend and ally. Through the course of the film, we see the boy grow from childhood to young manhood (where he is played by Tom Drake).

The film has a nice touch to it--with really nice acting and direction. About the only negative is that perhaps they tried too hard to stick with the original book, as there were so many story elements that seemed unnecessary and distracting, while several characters were never fully developed. A good example was the friend being hit by a train--it came from no where and did NOTHING to further the story. Also several family members' motivations and behaviors seemed oddly difficult to predict. A good re-write and streamlining of the novel would have improved things. Now I am NOT suggesting they should have shortened the film--just devoted more time to character development. Still, this is a lovely and entertaining film.