The Falcon's Adventure

I am watching this one right now on TCM. The Falcon's Adventure finds our hero helping Brazilian beauty Louisa Braganza (Madge Meredith) deliver her father's formula for making industrial diamonds. And she really needs the help after her father gets pistol whipped by a bad guy trying to steal the valuable piece of paper. The adventure takes Tom and Goldie to Miami where Professor Dennison is supposed to take possession of the formula. In addition to Madge Meredith, hard looking but gorgeous Myrna Dell has good role here after just having a bit part in the previous Falcon film, The Falcon in San Francisco. Carol Forman plays Helen Ray, Louisa's maid. Carol is best remembered for her villainous leading role in the 1947 serial, The Black Widow. Phil Warren and Steve Brodie are the hoods. Joseph Crehan and Harry Harvey play the bumbling cops. RKO churned out three more Falcon movies after this one with a different actor as The Falcon. Tom Conway didn't get away from a crime fighter, though. He played Bulldog Drummond in two 1948 movies. The Falcon's Adventure is fast paced with good dialogue and a story that's easy to follow. Watching it is a good way to spend 61 minutes on a summer Saturday morning.

The 13th and last RKO Falcon film starts with the mutual injunction by Tom Conway as Tom Lawrence alias the Falcon and Ed Brophy as Goldie of "No dames!" whilst they prepare to go on vacation. While you're still wondering what they're going on vacation from as they hadn't had a job since the beginning of the 1st film in 1941 (with Sanders as Gay though and Jenkins as Goldie) they bump into a woman and get dragged into a seedy industrial espionage caper.

They promise to help her when her uncle is murdered, by taking an envelope containing the details of a formula to make substitute industrial diamonds to his business colleague in Miami. Suspect everyone here except the cops here who are after Lawrence – and Goldie for the murder. To console himself Goldie keeps paraphrasing travel brochures: "On the coldest day you can always enjoy the warmth of a nice cosy electric chair" for one. Some nice languid atmospheric nightclub scenes rub shoulders with some especially bad behaviour from the baddies. Favourite bit: the dignified game of hide and seek/hunt the thimble the imperturbable and suave Lawrence has with the baddies on the sleeper train. Least favourite bit: the most embarrassing scene in the entire series in the alligator wrestling hut – definitely thrown in for the kids!

All in all not the best in the series but yet another entertaining outing, with an overall satisfying plot and many episodes even in this that make me wish they could have gone on for just a few more years as Columbia did with Boston Blackie, although RKO were churning these out faster. Absolutely no sex, not much violence (in fact none at all by today's high standards), and positively no message all make this type of film anathema to serious people who can only regard movies as an art form that must depend on these three pillars.

Three Diet Falcon's were made later with John Calvert in the title role, I don't mind them but could never bring myself to count them into the main series, which Tom Conway had made his own by this time. Sad also that it was all downhill after this for Conway, who moved into TV, voice overs and even played Norman Conquest in Park Plaza 605 rather well in 1953. He also developed serious eye and alcohol problems – I don't know if they were linked – wound up poverty stricken and after a spell in hospital in 1967 was found dead in his girlfriend's bed. For us folk that want to at least we still have his 10 entertaining Falcon's plus a number of other worthy, even classic RKO movies from 1942 to 1946 with which to remember him by.

The Falcon RKO film series is mostly very enjoyable, with both George Sanders and his brother Tom Conway who took over from him being great in the title role.

Reiterating somewhat what has already been said in my previous Falcon film reviews (due to that a fair few have similar strengths and flaws), admittedly, some are better than others. For examples there are some particularly fun entries such as 'The Gay Falcon', 'A Date with the Falcon', 'The Falcon Strikes Back', 'The Falcon and the Co-eds', 'The Falcon in Hollywood' and 'The Falcon in San Francisco', while others while still very much watchable disappoint a little such 'The Falcon's Brother', 'The Falcon in Danger', 'The Falcon Out West' and 'The Falcon in Mexico'.

On the most part, while not fitting among either extreme of whether among the best or weakest Falcon films, 'The Falcon's Adventure' is solid fun and works well. It is agreed that 'The Falcon's Adventure' does start off a little contrived and routine, that the ending is rushed and abrupt (not an uncommon problem in this series, due to the films being very short) and that the villains are not that memorable or interesting with little menace.

Much can be recommended however. The music is lively and haunting, and on the most part the production values are slick and atmospheric with particularly nicely done photography and eye catching fashions and cars. The script is humorous, there is a good deal of atmosphere and intrigue and the story is absorbing once it gets going with bright and breezy pacing and enough twists, turns and suspense to keep the mystery diverting. Direction is competent.

Conway, in his swansong performance in the title role, is dapper, suave and charismatic, uttering cutting lines with aplomb. Edward Brophy is amusing, and gives a performance not out of control or too low-key, while Madge Meredith allures in her charming if standard role. The cast generally are solid enough.

In summary, Conway's swansong in the Falcon series is a good, solid one. 7/10 Bethany Cox

Tom Lawrence and Goldie head off on holiday with a strict agreement that they won't get tied up with "no dames". However when Lawrence spots a woman in trouble and intercedes to find that he has rescued Louisa Braganza –niece of a scientist. He learns that Louisa may have been kidnapped to get a formula for manufacturing industrial diamonds from her father. When her uncle is murdered, the Falcon is the #1 suspect and he makes a break for it to find the people who set him up. With the formula entrusted to him by Louisa, Lawrence has bought himself some time but with the police and the killers on his trail he still must move quickly.

In the final of the thirteen Falcon movies, Tom Lawrence gets mixed up in a murderous plot to get hold of a formula for manufacturing diamonds. Putting the Falcon on the other side of the law and pursued by them adds an element of tension to the film and injects a bit of pace into the mixed plot. With the film series coming to an end I had worried that it would just collapse – hence them making no more films, but in reality this film is of the generally reasonable standard of the rest of the films. The plot is a bit contrived at the start but once you get into it, it is pretty engaging and quite fun with mystery and some nice action (albeit rather old fashioned stiff punches etc). The conclusion is rather unsatisfying though and I didn't think it did the plot justice by seeming to end rather abruptly and without really being a meaty end to the story. Of course it is an even more annoying end to the film series, featuring as it does as rather wet joke from Goldie and a chuckle from the cast – not the way an enjoyable series should have bowed out.

The cast are mixed but Conway is very good and by this stage my memory of his brother had pretty much gone to the point that I now think of Conway when I think of the Falcon character. Brophy's returns in the revolving role of comedy sidekick – despite the fact that he had already been in the series as a detective in The Gay Falcon. He is OK but you do feel that all the actors in that role are just doing an impersonation – none of them, particularly Brophy, ever really made the role their own or did anything new with it. Meredith is OK and is better than the simmering love interest that have been used during parts of the series. The bad guys don't make enough of an impression – partly causing a weak ending to the story. Jason Robards Sr makes an appearance as the police detective and is good with straight support.

Overall this is mostly a good film and the main body of it is quite engaging and fun. However the start feels a bit forced (convenient) and the ending is a rather weak end to both the film and the series. The cast are mixed but Lawrence is strong and the film is worth seeing and will please fans of the series even if you can't help wishing that it had gone out on more of a high than a plateau.

Routine Falcon entry with plenty of eye candy for the guys and a good look at high fashion, post-war style. There's some mystery in who's trying to get the stolen formula for industrial diamonds. But as in most Falcon entries, the emphasis is not on whodunit ( like Charlie Chan, for example). Instead, it's on the right mix of humor, action, and intrigue. Plus, there's Conway who unfortunately makes his last appearance as the incredibly smooth Falcon. Here, Goldie gets some amusing caustic lines; the Falcon has a heckuva scrap with a bigger guy and loses; while various shady characters maneuver to get who knows what. All in all, the 60-minutes amounts to a solid, if unexceptional, entry in the RKO series.

(In passing—too bad leading lady Meredith got mixed up in a bogus criminal conviction the year after this movie that knocked a big hole in her career. Judging from her work here, she had the looks and ability of an A-grade leading lady.)