Faithful in My Fashion

Mid-film, Tom is wearing Ike jacket which lacks his 3-stripe sergeant's rank. An excellent actor, never a let-down. Looked for a CIB then saw 2nd Armod Div patch. All tank crewmen were incredibly brave.

Yes, CHUNKY, this is the nick-name that Donna Reeds' romantic lead played by Tom Drake tags her with! So lets get this clear right away. From her first ingénue role in THE GET-AWAY (1941) too her last, DALLAS T.V. (1984-1985) Ms. Reed could NEVER be described as CHUNKY. Not this attractive and slim actress. Whose roles at M.G.M. seldom lived up to her talents.

Ms. Reed is supported by a cast of competent character actors, who unfortunately must flounder through this alleged 'screw-ball' comedy. Clearly M.G.M. was out of their depth making this type of film. A type better produced over at COLUMBIA, PARAMOUNT, RKO and even UNIVERSAL. Neither the 'touch' of Ernst Lubitsch nor the wit of Preston Sturges could save this film. A rather conventional romantic comedy that had all the markings of a pre-war (WWII) effort.

If Irving Thalberg had still been alive the screen-play would have either gone through a significant rewrite or never seen the light of day. It did fit into Louis B. Mayer's 'safe-zone' of none challenging family entertainment. A form that could not stand up to the post-war challenges of the 'DeHavilland Decision', loss of their theater chains, television and would contribute to M.G.M.s decline. Fortunetly for Donna Reed her best days are ahead of her culminating in FROM HERE TO ETERNITY (1953) and her Oscar win as Best Supporting Actress.

Jeff returns from WWII, during which his girl has been promoted to department store executive and is now engaged to another man. So, just how much has war changed the homefront.

Typical MGM second feature of the time gives their younger players a chance to shine, while backed up by a veteran cast of supporting players. It's strictly lightweight since all dark traces of war have been removed from Drake's returning soldier. As a comedy, it's more sweet and mildly amusing than funny. Drake's ultra-boyish Jeff is the idealized boy-next- door, while Reed's conflicted Jean is still the picture of wholesomeness. Together, they're the audience's ideal young couple for facing a post-war future, with all the essentials moving into place. Above all, the movie works to reassure anxious movie-goers then readjusting to peacetime.

The comedy itself depends on two extended segments—the "mad" Russian (Ruman) playing cupid, and the shoe department "merchandizing" the couple back together again. And although the veteran players try hard, the episodes come across as more frantic than sparkling. Too bad the studio didn't assign a more talented comedy director with a better sense of timing and pacing. True, Drake may never have become the studio's second Van Johnson, while Reed is mainly remembered as one of TV's favorite moms. Still, the two do have their moments of genuine charm in this otherwise forgettable period piece.

This is kind of a lightweight comic version of "The Best Years of Our Lives." A soldier returns from World War II on a final two-week leave before getting out of the service. Visiting the New York department store where he used to work, he declares that he intends to go back to being a stock clerk and marry the girl he left behind in the stockroom. But things have changed: The girlfriend is now a store executive, and she's engaged to another man.

Sympathetic workers at the store devise an elaborate plan to fool the young vet for two weeks, making him believe things are just as he left them. They even talk the old girlfriend into playing along, but obviously their real hope is that love will be rekindled.

OK, give it credit for a cute premise. But as a comedy of mix-ups, this one doesn't work especially well. It's more likable than funny. (The most amusing character by far is the insecure new fiancé, but he's barely on screen.) Best enjoyed as a period piece.

It's interesting to see Donna Reed and Barbara Billingsley in a movie together, although Billingsley's role is very small. Who could have guessed that in just a few years, these two would be America's most beloved TV mothers? Nobody.

After serving four (and a half) years, World War II hero Tom Drake (as Jeff Compton) returns to the New York City department store where he worked with stock clerk sweetheart Donna Reed (as Jean "Chunky" Kendrick). Free from service (in a few weeks), Mr. Drake hopes to marry Ms. Reed. He believes she has been waiting for him. But, Reed has been promoted to a manager, and has a fiancé. In fact, she believes she never loved Drake - but, since he was serving his country honorably, and was taken to a prison camp, Reed could never bring herself to write the "Dear John" letter.

Her co-workers, led by fussy Edward Everett Horton (as Hiram Dilworthy), convince Reed she shouldn't spoil Drake's furlough, and she pretends nothing has changed. Reed wants to break it to him gently, but Drake gets more and more romantic… Reed and Drake are an incredibly sweet and attractive couple - they so obviously belong together, you could go stark raving mad if this film didn't end with the two (re-)kindling their love, and living happily ever after. And, the film does not disappoint. Mr. Horton, obviously having fun during the drunk scene, and the supporting cast are amusing.

****** Faithful in My Fashion (8/22/46) Sidney Salkow ~ Donna Reed, Tom Drake, Edward Everett Horton, Spring Byington