Il castello di Dragonwyck

In 1844, the Wells family lives in a small farm of their own in Greenwich, Connecticut and the sons and daughters have a rigid discipline and religious education from the patriarch Ephraim Wells (Walter Huston). When his wife Abigail Wells (Anne Revere) receives a letter from her wealthy distant cousin Nicholas "Nick" Van Ryn (Vincent Price) inviting one of her daughters to live with his wife Johanna Van Ryn (Vivienne Osborne) and him nursing their daughter Katrine Van Ryn (Connie Marshall), the naive Miranda Wells (Gene Tierney) gets excited with the perspective of traveling. Her mother convinces Ephraim to let her go and Miranda travels with her father to New York. They meet Nick and they learn that he is a patroon of farmers at the Hudson Valley. Then Miranda travels to the Dragonwyck mansion where she is introduced to the voracious Johanna and the sweet Katrine and to the housekeeper Magda (Spring Byington). Miranda also meets Dr. Jeff Turner (Glenn Langan), who is a sort of leader of the farmers that work for Nicholas, in a party and befriends him. Soon she notes that Katrine is neglected by her parents. When Johanna gets mysteriously ill and dies, Miranda returns home. But the atheistic Nick visits her family to propose to marry her. Now Miranda's dream comes true and she gets married with him and moves to Dragonwyck. Will they live happily ever after?

"Dragonwyck" is the debut of Joseph L. Mankiewicz as director. The screenplay also by Mankiewicz is based on a successful novel by Anya Seton with modification in the ending. The cinematography By Arthur C. Miller and the music score by Alfred Newman call the attention of the viewer since the very beginning. The Gothic romance with supernatural touches shows the confrontation between an atheistic arrogant man and his naive religious wife. The performance of Vincent Price is top-notch and the gorgeous Gene Tierney performs a naive character but with strong principles. Walter Huston, despite a secondary role, is also amazing. My vote is seven.

Title (Brazil): "O Solar de Dragonwyck" ("The Manor of Dragonwyck")

Gene Tierney, Vincent Price and Walter Huston and Joseph L Mankiewicz were reasons enough to maintain interest in seeing Dragonwyck. While I had no problem with any of them, I did have a fair lot of issues with the film. The film is overlong and is rather ponderously paced. It further suffers from some clumsy scripting, a consequence of trying to cram too many different genres, and a story that has some suspense but suffers from the fact that it doesn't go anywhere for a bit of the time and the ending underwhelmed also. However, the production values are simply gorgeous, and the score is resolutely haunting. Mankiewicz's direction is solid. Gene Tierney looks beautiful and is adorable and touching. Walter Huston, Anne Revere and Jessica Tandy give terrific support. The best asset is the performance of Vincent Price, one that is devilishly handsome, sometimes frightening and always commanding. All in all, Price makes a deeply flawed movie worth watching. 6/10 Bethany Cox

With shades of Hitchcock's Rebecca, Dragonwyck is a lushly Gothic melodrama; abound with themes of social class; centring on the struggle between the rich and the poor in nineteenth century America. The most striking thing about Dragonwyck is the beauty of the piece. The sets are brilliantly Gothic, while director Joseph L. Mankiewicz keeps the atmosphere thick and foreboding, which in turn ensures that the film succeeds in capturing the best of it's locations. The film reunites the two strongest cast members from Otto Preminger's masterpiece 'Laura' - Gene Tierney and the master of the macabre, Vincent Price. These two are both great thespians, but it is Vincent Price that shines the most. Many people pass this great man off as merely a camp horror movie actor, but with his performance here; along with the vast majority of his later ones - Price proves that he is far more than that. His voice and mannerisms make up a lot of his performances, but it's the subtleties that he hints at beyond his immediate performance that really make him great. Just like he did with The Fall of the House of Usher; Price plays one thing, while all the time hinting at a darker side to his character.

The plot follows a young farm girl (Tierney) who goes to stay with her mother's cousin, Nicholas Van Ryan (Price), in his castle upon his request. It isn't long after her arrival that she hears strange things from the servants, and it's not long after that she realises all isn't quite right with Dragonwyck. The plot is rather thinly spread, but the film always manages to stay interesting because of the fact that it doesn't let you know anything until you really need to know. Things are hinted at throughout the film, but the audience never really knows anything for sure. Even by the time the film reaches it's climax, there are several things that have been left open. Vincent Price's performance here stands out from the rest of his oeuvre because he manages to be charming at the same time as being dark and brooding. After having seen the likes of The Abominable Dr Phibes, it's hard to imagine the man being charming; but here it's hard to imagine why Gene Tierney wouldn't fall for him. Dragonwyck has a few problems, but on the whole this is a quality forties melodrama and comes with high recommendations, especially to the Vincent Price fan.

As a fan of both Gene Tierney and Vincent Price, I eagerly sought this film for years before happening upon a broadcast. Since it, most unfortunately, still isn't available on video, I was forced to depend upon network whims. Since I'm also a fervent fan of gothic books and films, I was all the more anxious to see two of my favorite stars in one of my favorite formulae. I'd like to say the film completely fulfilled my hopes. Not quite, perhaps, but it's still a lot of fun, especially for those who follow the stars. (One friend said she thought this was the only Vincent Price film not available on video.)

If you enjoyed _My Cousin Rachel_ (another tragically elusive film!) or the Orson Welles _Jane Eyre_, you'll probably have a good time with _Dragonwyck_. The classic elements are there: lovely, innocent heroine (Tierney); brooding, mysterious, wealthy man (Price); luxurious yet sinister mansion; ghostly and/or murderous plot twists. One plot twist will probably come as absolutely no surprise, given the relentless typecasting of Price (has he ever been a good guy, except in _House of the Seven Gables_? --another great gothic, by the way). Nevertheless his character has touches of subtlety and surprising developments. Tierney's character is perhaps less subtly shaded but does develop nicely over the course of the movie. Jessica Tandy is quite fun in an energetic supporting role, and Tierney's stern, craggy father is another strong supporting character.

Few have probably read the novel that inspired the film, but after seeing the film I sought out the source and I have to say the film tightens up the story considerably. Certainly it makes changes, but overall the film is more satisfying in many ways. It may not be quite in the company of such classics as _Rebecca_ and _Jane Eyre_, but it's nonetheless a lot of fun.

I really liked this movie, even if it owed a lot to "Rebecca." In some ways it is an odd mix of Gothic horror, Americana and "women's picture." However, it held together, thanks to the performances of Gene Tierney, Walter Huston, and (especially) Vincent Price. Price practically turns the film into a Poe movie before the fact. He can be both romantically charming and sinister, which is a combination that is hard to beat.

I loved the scenes with Price's first wife, who is obsessed with food. In fact, I found the movie curiously disjointed. In the first half of the film, Spring Byngton plays a rather daft "Mrs. Danvers" type, and then she vanishes from the movie without any mention made of it (Not even "We had to fire that old bid d y.") Likewise the haunted daughter from the patroon's first marriage. She had a couple of powerful scenes, and then she was gone without a word. (Not even "Gee, too bad she died of scarlet fever.")

I never would have guessed that Mankiewicz was the director of this film. (Well, perhaps in the scene in which the aristocratic women were making sport of Tierney's commonness.) Very powerful Gothic atmosphere in the key scenes. A very enjoyable film, especially for Vincent Price fans.