Maschere e pugnali

Conventional and slick spy-thriller set during wartime from Fritz Lang at his best. However , Warner Bros reedited the movie into an usual spy melodrama with some action and intrigue . It deals with a scientific enlisted by the secret service and undertaking dangerous adventures throughout Europe . During the last years of WW2 the US learn that the Nazis are investigating an atomic power so the OSS (organization strategic services) asks for help to University Professor Alvah Jasper (Gary Cooper), an American scientist leading the way to atomic bomb development in the USA . They assign him to go to Europe to meet Dr. Polda (Vladimir Sokoloff), an atomic scientist being kidnapped by the Nazis and he is helping them to build the bomb . As Jesper working for the OSS must bring him to the United States, but he first must meet up with his old professor from college Dr. Katerin Lodor (Helen Thimig) who explains him that Polda is in Italy . Then there happens a shockingly casual execution . Later on , Jasper must go to Italy in search of the scientist. In Italy he is accompanied by a group of Italian guerrilla fighters led by a brave American (Robert Alda) and a valiant resistance fighter named Gina (Lilly Palmer). After that , Jasper has a brutal fight (Marc Lawrence) against a Nazi in an alley . And of course Jesper gets the girl and both of whom fall in love for each other.

Interesting espionage film about the dangers of the atomic age with an intrepid physicist who becomes into secret agent working for the O.S.S . Good performance of Cooper as scientist who spend most of the time trotting round Germany , Switzerland and Italy ensuring the Germans don't obtain the atomic bomb . An attractive Lilly Palmer steals the show as sensible female fighter Gina , someone with whom Cooper forms an enjoyable bond in part because she brings out him sensitive qualities . Considered talent involved at the movie as the classic musician Max Steiner who composes a fine score and atmospheric cinematography in black and white by Sol Polito . The version filmed by Fritz Lang was considerably more strong and exciting carrying on to suggest that German scientific has discovered the secret of atomic bomb and escaped with it to Argentina , then Warner Bros got into the act and cut it .The film belong to the Lang's trilogy about Nazi time along with ¨Man hunt¨and ¨Hangmen also die¨. Lang directed masterfully all kind of genres as Noir cinema as ¨Big heat , Scarlet Street and Beyond a reasonable doubt¨ , Epic as ¨Nibelungs¨, suspense as ¨Secret beyond the door, Clash by night¨ and Western as ¨Rancho Notorious and Return of Frank James ¨ .This standard espionage drama with some good and thrilling moments will appeal to Gary Cooper fans .

I have a sort of mission to track down and see all of Fritz Lang's American movies and welcomed the opportunity to watch this post Second World War Drama starring Gary Cooper. The film has its longueurs but on the whole tells a good story and contains at least one memorable set-piece by the great director.

Cooper's Hollywood roles tended to fall into two broad categories - shy bumbling whiter-than-white innocents ( see "Mr Deeds...", "Meet John Doe" or "Ball Of Fire") or calm, grace-under-pressure heroes like here. For me he does both equally well and while you can see that the man has aged as he enters the twilight of his career, he still carries off with aplomb the lead role. He also convinces in his relationship with his younger love interest, Lilli Palmer, who besides her good looks, displays maturity and sensitivity in her role as a behind-the-lines Resistance fighter.

The story has a topical theme too, the race to the Atomic bomb and Coop's character gets in a hefty diatribe early on about the perverse uses that science is being put to by men before he's drafted by an old comrade, now in the American secret service, to attempt to rescue a pair of fellow-scientists from enforced collaboration with the Nazis.

For me the story hangs together well, the acting as indicated, is good and the cinematography throughout is fine. The story does drag a bit in the middle as Cooper and Palmer start to get to know each other but is enlivened by the memorable "dirty-fight" between Cooper (and Palmer) with a pursuing enemy agent. No hay-maker punches here with enhanced sound effects, instead the fight encompasses face-gauging and finger bending before erstwhile peace-loving scientist Cooper dispatches his protagonist by strangulation. Lang then piles on the suspense with a scene reminiscent of "M" as a little boy's ball innocently bounces to where the fresh corpse lies, threatening discovery, only for Cooper to quickly improvise a cover-up. The fight scene (indeed some of the plot elements too) surely entered Hitchcock's thoughts when he produced his 1960's Cold War thriller "Torn Curtain".

Lang also doesn't shirk the brutalities of war, for instance the German nurse's brutal slaying of elderly, maternal scientist number one and the casual announcement later by a female Nazi agent that the second scientist's kidnapped daughter has also been cold-bloodedly slain.

On the whole a good, solid movie, not without faults but another worthy entry on my Lang-watch list.

Toward the end of World War II, the allied secret service receives a partial message indicating that the Germans are researching nuclear energy to build atomic bombs. In Midwestern University, the scientist Alvah Jesper (Gary Cooper) is called up by the Office of Strategic Services (OSS) to meet his former colleague Dr. Katerin Lodor (Helen Thimig) in Switzerland and bring her to North America. However, his mission fails and Dr. Lodor is killed by the Nazis but first she informs that Alvah's acquaintance Dr. Giovanni Polda (Vladimir Sokoloff) is working for the Nazis in Italy. Dr. Jesper travels to Italy and with the support of the Italian partisans leaded by Pinkie (Robert Alda) and Gina (Lilli Palmer), he has a meeting with Dr. Polda that is under the surveillance of the Gestapo. The scientist tells him that his daughter Maria had been abducted by the Gestapo and Alvah makes a deal with Dr. Polda, promising to release Maria first and bringing them to North America. While Pinkie travels to rescue Maria, Alvah stays with Gina and they fall in love for each other.

"Cloak and Dagger" is a suspenseful and full of action romance in times of war. The enjoyable story has good moments of tension but it is only a reasonable work of Fritz Lang. Gary Cooper's character seems to be a skilled and well-trained agent and not a scientist in many moments and Lili Palmer performs a strong female character in one of her first works. My vote is seven.

Title (Brazil): "O Grande Segredo" ("The Great Secret")

For Gary Cooper, it's "Cloak and Dagger" in this 1946 film directed by Fritz Lang and also starring Lilli Palmer (in her American film debut) and Robert Alda.

Toward the end of WW II, it comes to U. S. attention that the Germans are developing a nuclear bomb. The OSS recruits a midwestern university scientist, Alvah Jesper (Cooper) to go to Switzerland.

There, he is to speak speak to a German scientist Dr. Loder (Helen Thimig) who has escaped to Switzerland, where she is now hospitalized. But Alvah's cover is blown, and he is being watched. In Italy searching for the scientist working with Dr. Lodor, Polda (Vladimir Sokoloff), Alvah is protected by guerrillas who include Gina (Palmer) and an American, Pinkie (Alda).

A bit slow at first, "Cloak and Dagger" picks up steam as it goes along. The most stunning scene occurs when, as an Italian sings a folk song outside, Alvah and an Italian Gestapo agent, Luigi, (Marc Lawrence) fight inside a building.

And by the way, Michael Burke, the OSS member who was the film's adviser, and an agent named Andreas Diamond, showed Lang the hand-to-hand combat used in this film.

Apparently, Gary Cooper had problems with the scientific dialogue (as he had problems with not understanding his speech at the end of The Fountainhead), and Warner Bros. Records state this fight scene was the only one he did well. A very suspenseful, exciting, and raw scene, the best in the film. The thrilling ending is top-notch as well.

The love that develops between Gina and Alvah is poignant, and beautiful Lilli Palmer gives a fantastic performance. I agree with others, Alvah seems pretty sharp and experienced for an untrained agent. Cooper is very good in a heroic role - strong but gentle and as usual, terribly handsome.

The ending of this film was changed from an antiwar one and anti-nuclear weapons, since by the time the film was released, since the bomb had just been dropped on Hiroshima.

Well worth seeing, if not ultimate Lang.

Oftenly overlooked and seemingly forgotten Fritz Lang's WWII espionage thriller. Although passable by Lang's standards, but entertaining enough for die hard noir and spy genre enthusiasts. This film is most notable because of being one of the first mainstream movies with anti-nuclear attitude. Lot of that was cut out from final film of course.

'Cloak and Dagger' is war time melodrama in dark espionage sauce - there is romance, there action, there are thrills. Still the film feels little uneven at places. Gary Cooper's performance as professor Jesper was cool and charming, but at places he seemed too skilled and experienced as an secret agent opposed that he supposed to be just scientist inexperienced at secret agent field. That kind of gives the film James Bond like fairy tale super agent feel. Not that is a bad thing itself.

Fritz Lang is one of those directors whom every film I want to see, and 'Cloak and Dagger' didn't disappoint me at all. Entertaining flick with enough juice to nail the viewer to the screen from beginning to end.