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IMDbPro

The Brute Man

  • 1946
  • Approved
  • 58min
VALUTAZIONE IMDb
4,4/10
1648
LA TUA VALUTAZIONE
Jane Adams, Rondo Hatton, Donald MacBride, and Tom Neal in The Brute Man (1946)
Clip: Stay away from me!
Riproduci clip4:06
Guarda The Brute Man
1 video
11 foto
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Aggiungi una trama nella tua linguaA facially-deformed and mentally-unhinged man wreaks his revenge, with a series of brutal murders, on those who deformed him.A facially-deformed and mentally-unhinged man wreaks his revenge, with a series of brutal murders, on those who deformed him.A facially-deformed and mentally-unhinged man wreaks his revenge, with a series of brutal murders, on those who deformed him.

  • Regia
    • Jean Yarbrough
  • Sceneggiatura
    • George Bricker
    • M. Coates Webster
    • Dwight V. Babcock
  • Star
    • Rondo Hatton
    • Tom Neal
    • Jan Wiley
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    4,4/10
    1648
    LA TUA VALUTAZIONE
    • Regia
      • Jean Yarbrough
    • Sceneggiatura
      • George Bricker
      • M. Coates Webster
      • Dwight V. Babcock
    • Star
      • Rondo Hatton
      • Tom Neal
      • Jan Wiley
    • 46Recensioni degli utenti
    • 27Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    The Brute Man
    Clip 4:06
    The Brute Man

    Foto10

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 5
    Visualizza poster

    Interpreti principali42

    Modifica
    Rondo Hatton
    Rondo Hatton
    • Hal Moffat AKA 'The Creeper'
    Tom Neal
    Tom Neal
    • Clifford Scott
    Jan Wiley
    Jan Wiley
    • Virginia Rogers Scott
    Jane Adams
    Jane Adams
    • Helen Paige
    Donald MacBride
    Donald MacBride
    • Police Captain M. J. Donelly
    Peter Whitney
    Peter Whitney
    • Police Lieutenant Gates
    Fred Coby
    Fred Coby
    • Young Hal Moffat
    Janelle Johnson Dolenz
    • Joan Bemis
    • (as Ja Nelle Johnson)
    Carl Anders
    • Student
    • (non citato nei titoli originali)
    Rodney Bell
    • Minor Role
    • (non citato nei titoli originali)
    Mary Ann Bricker
    • Dorothy Obringer
    • (non citato nei titoli originali)
    Jimmy Clark
    • Student
    • (non citato nei titoli originali)
    Tristram Coffin
    Tristram Coffin
    • Police Lieutenant
    • (non citato nei titoli originali)
    • …
    Peggy Converse
    • Mrs. Obringer
    • (non citato nei titoli originali)
    Pat Costello
    • Car 22 Patrolman
    • (non citato nei titoli originali)
    Joseph Crehan
    Joseph Crehan
    • Police Commissioner Salisbury
    • (non citato nei titoli originali)
    Alan Foster
    • Jeweler
    • (non citato nei titoli originali)
    John Gallaudet
    John Gallaudet
    • Police Guard
    • (non citato nei titoli originali)
    • Regia
      • Jean Yarbrough
    • Sceneggiatura
      • George Bricker
      • M. Coates Webster
      • Dwight V. Babcock
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti46

    4,41.6K
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    Recensioni in evidenza

    7ferbs54

    An Extremely Well-Made Little B Picture

    Guys, the next time you look in the mirror and don't like what you see, try telling yourself that at least you're not Rondo Hatton. Hatton suffered with the congenital disease acromegaly, which, as Webster's puts it, is "chronic hyperpituitarism marked by progressive enlargement of hands, feet and face." He lived to the age of 52, being felled by a heart attack shortly after making his last film, "The Brute Man," in 1946. This is an extremely well-made little B picture, featuring fine acting by all, a compact story and some real suspense. In it, Hatton plays a former college BMOC who became disfigured after a lab accident and who, years later, begins a murder spree against all his former pals and teachers that he blames for his current condition. He also befriends a pretty, blind piano teacher, who naturally doesn't recoil automatically from the big lug's unique physiognomy. These scenes, with big Rondo and the blind woman, will likely cause most viewers to recall Frankenstein and the blind hermit in "Bride of Frankenstein" (1935), just as his later sacrifices on her behalf are reminiscent of Chaplin's for his blind flower girl in "City Lights" (1931). No, "The Brute Man" is not nearly in the same league as those two immortal classics, but still remains a fine entertainment nevertheless. "Frankenstein" makeup man Jack Pierce contributed his great talents to this film, too, making Hatton (I would imagine) even more of a sight than he was ordinarily. It's hard to feel much sympathy for Rondo's "Creeper" character, cold-blooded psycho that he has become, but somehow, we DO still feel some, to the actor's great credit. Oh, by the way, this DVD looks just terrific; an absolutely first-rate transfer from the fine folks at Image Entertainment.
    5monsterlover58-1

    Not The Worst You Could Watch

    After reading many of the other reviews for this film , I just thought I would try to say a couple of positive things about it. For one if you,re a Universal Horror film completist like myself , it's a "must have" I realize the production values are somewhat low for Universal standards , thats why they released it as a "PRC" film , but hey! they were glad to get it. Secondly , It's actually a "prequal" to the film House Of Horrors , which is really a lot better film overall , and moves at the brisker pace you'd expect a Universal Horror flick to travel at. Third , It's got Rondo. Truly an unusual character to build a film around. He is now now a minor cult icon , and the inspiration of the Rondo Awards , that honor many different aspects of Horror & Sci-fi , by allowing us to vote online..All & All , I gave this one a 5 out of 10 mainly based on my great love of the classic Universal Horror films. Take a second look some evening , watch it with House Of Horrors. It's not all that bad.
    Michael_Elliott

    Somewhat Sad

    The Brute Man (1946)

    ** (out of 4)

    Hal Moffat (Rondo Hatton) was once an up and coming doctor but he was brutally attacked and left as a deformed monster. Now with vengeance in his heart he sets out as The Creeper to seek revenge on those who left him in his condition.

    Poor Rondo Hatton. You can read up on his medical condition, which led him to look the way he did but basically Universal exploited his looks and threw him into a number of their horror films over the last two years of Hatton's life. Hatton would end up dying before this film would be released and this would stand as his final picture.

    I must admit that I have a hard time watching his films simply because of knowing his true story and it's pretty sad seeing him exploited. With that said, there's no question that he was an amazing presence on the screen and it's easy to see why the studio would want him in the movies. He certainly does a fine job here playing the victim as the studio obviously went for sympathy towards his character and threw in a subplot dealing with a blind woman, which seemed to be a wink back to the BRIDE OF FRANKENSTEIN.

    As far as the film goes, it's pretty much a routine horror film but at just under a hour it's certainly entertaining enough for what it is.
    jimandradka

    The final film of a man who proved that being different is not for sissies.

    This is the final film for Rondo Hatton, who suffered from acromegaly, and was employed in Hollywood increasingly as his disease progressed, just as Hedy Lamarr was used as her beauty increased. The plot is simple: a bright handsome young man is turned into a monster by an accident causing malfunction of his pituitary gland. His disease exacerbates his natural inclination to impulse and temper. As in the Frankenstein myth, his ugliness causes rejection by almost every one he meets. At any clear sign of revulsion, he kills. As in the Frankenstein movie, he receives unconditional acceptance only from a blind musician. At this hint of what life could have been, he softens. But the Hollywood ending cannot be. Rondo, who started in movies in 1930, was routinely used as a homely/ugly bit. The revival of horror films brought him a natural chance for stardom. Movies released in '44, '45, and '46 (the year of his death), had him appearing as The Creeper, in lead or featured parts. In the The Brute Man, he plays that part as it parallels his own life, and he is remarkably good, fully showing the good and the bad of the character. It is the faint spark of human needs that touches us, and it makes it possible to see the real ugliness of the beautiful actors cast to support him. But it is not a welcome message. The production is of course on the cheap, but with a lot of attention to detail, especially the waterfront hovel, his hideout, and the downscale apartment of the blind girl, his only other haven. Brando, in The Men, at the beginning of his career, and Rondo, in The Brute, at the end of his career, show us that being different is not for sissies, only with Brando you get the Hollywood ending.
    8chris_gaskin123

    Beware of the Creeper

    For such a low budget movie and from PRC as well, The Brute Man is quite good.

    As a result of an experiment going wrong at university, Hal Moffat becomes disfigured and some years later, starts killing people. His victims include a grocer's delivery boy and a jeweller. He makes friends with a blind woman but nearly kills her after shopping him to the police and is arrested in her home after she set him up.

    The Brute Man is shot well in black and white and is certainly one of the better efforts from PRC.

    I've never heard of any of the cast in this, with Rondo Hatton in the title role.

    This is worth checking out. A good way to spend an hour one afternoon or evening.

    Rating: 3 stars out of 5.

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    Trama

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    Lo sapevi?

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    • Quiz
      Rondo Hatton passed away before the film was released. Universal was so embarrassed by its shameless exploitation of Hatton's disfiguring illness (which led to his death) that it sold all rights to the finished film to "B" studio Producers Releasing Corporation (PRC). It's unlikely Universal would've cared about hurting anyone's feelings, they were about to merge with International Pictures, and were ceasing production of B horror movies, so they sold the picture to PRC.
    • Citazioni

      Mr. Haskins: [holding a grocery list] Where'd this come from?

      Jimmy: Somebody stuck it under the door.

      Mr. Haskins: [annoyed] Uhh...

      Jimmy: Don't you think it's kinda funny? Sticking a note under the door?

      Mr. Haskins: No! And don't go trying to make a mystery out of it! Somebody probably to busy to pick up the stuff.

      Jimmy: Could be the Creeper.

      Mr. Haskins: [very annoyed] Creeper, Creeper, Creeper! YOU GIVE ME THE CREEPS!

      Jimmy: Well he could be. That'd be a swell reason why he wouldn't wanna see anyone, or come out, 'cept at night.

      Mr. Haskins: Well you've just gotta deliver these groceries. And don't forget the money! A dollar and a quarter.

      Jimmy: OK... but I still think it could be...

      Mr. Haskins: I know! So he's The Creeper. Well you just creep along with that - I mean, hurry up with that stuff! And then get back and do the rest of your work!

    • Connessioni
      Featured in Mystery Science Theater 3000: The Brute Man (1996)
    • Colonne sonore
      Liebestraum No 2 A Sharp Minor
      (uncredited)

      Music by Franz Liszt

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    Dettagli

    Modifica
    • Data di uscita
      • 1 ottobre 1946 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Грубый человек
    • Luoghi delle riprese
      • Universal Studios - 100 Universal City Plaza, Universal City, California, Stati Uniti(Studio)
    • Azienda produttrice
      • Universal Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 58min
    • Colore
      • Black and White
    • Proporzioni
      • 1.33 : 1

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