The Brute Man

1946's "The Brute Man" was a follow up to "House of Horrors," from the same producer (Ben Pivar) and director (Jean Yarbrough), plus the same star, Rondo Hatton, who filmed "The Spider Woman Strikes Back" in between (none were released until after his death in February 1946). Hatton's own back story inspired much of the plot of this low grade thriller (his last film), actually a prequel to the far superior "House of Horrors," taking place before the events of the earlier film. The Creeper stalks his victims slowly, snapping their spines in two, before befriending a blind girl (Jane Adams), who naively finds sympathetic qualities in the fiendish killer. Hatton's performance consists of wandering the dark streets from one incident to the next, while the police investigation adds up to a game of 'pass the buck.' Jane Adams had just finished playing the hunchbacked nurse in "House of Dracula," and would end her brief career with 1949's Bowery Boys horror-comedy, "Master Minds." Jan Wiley, from "The Strange Case of Doctor Rx" and "She-Wolf of London," was about to end her own brief career. Another actress of note, billed last in the credits, is Ja Nelle Johnson, a radio performer who apparently made just one other screen appearance, wife of actor George Dolenz (television's COUNT OF MONTE CRISTO), mother of singer-actor Micky Dolenz (THE MONKEES), and grandmother of actress Ami Dolenz. She gets one opening scene, and another in a later flashback, filmed when Micky was about 8 months old (November 1945). In the ultimate tribute to his mother, who kept the family stable through George's untimely death in 1963, Micky ended up recording a bedtime lullaby she used to sing, titled "Pillow Time," from the October 1969 Monkees lp, THE MONKEES PRESENT. Her credited co-author was fellow actor Matt Willis, best remembered as Bela Lugosi's werewolf servant in Columbia's "The Return of the Vampire" in 1943 (both had definitely worked at Universal).

Rondo Hatton is my hero. Who cares if he wasn't a classically trained actor?! As The Creeper he tugs the heart-strings like a pro! He's got heart! He's got soul! He's got courage! He's also damned likable! Rondo is also one hell of a hero. Rondo took the crummy hand that fate dealt him and played it magnificently. He became one of the most endearing and cool anti-heroes of all B-moviedom! To experience Rondo Hatton as The Creeper is to experience pure magic! I watched horror movies as kid and always loved "the monster". A good "monster" gets my vote every damn time. The Creeper fits that bill perfectly and better than most. The Creeper is one of my all time favorite fright flick anti-heroes. GOD BLESS YOU RONDO HATTON!

This film is not all that bad - it's certainly better than it's rating. Why this film is rated so badly I'll never know. I'll admit there are better dramatic thrillers of the 1940s but this one deserves a better rating than it's getting.

Rondo Hatton plays Hal Moffat AKA 'The Creeper' - he's well suited for this role. The only thing I wish is that they had maybe scared or disfigured his real face more - because that is what is suppose to have happened to Hal (had his face disfigured).

Jane Adams is Helen Paige - and she's good. I really enjoyed her in this film as well as House of Dracula (1945).

This one is a good watch. It's not a "must see" film but it is a film that is enjoyable for certain audiences.

6.5/10

Rondo Hatton was a former reporter who began acting in films in 1930 when he was covering a film being made in Florida. During the 30s and 40s he was mainly seen in small roles, often as hulks, due to his large body size and the fact the he had contracted acromegaly after being gassed during the first world war. In 1944 he was cast as The Hoxton Creeper in a Sherlock Holmes film, The Pearl of Death, and achieved brief stardom-or at least cult stardom-until his early death from a heart attack at age 52 in 1946 (he had suffered a milder heart attack the previous year as a direct result of his condition).

In this, one of his last films, not only does Hatton get the starring role, he has a great deal of dialogue and proves that he could be a good actor when given the chance. It is unusual for audiences to feel as much sympathy for a killer-especially one who has killed several times-but we do for Hatton. His scenes with Jane Adams, playing Helen, the blind piano teacher, are especially moving. Helen sees the inner man without being able to see the physical one, and although as I said he's a killer he gives the impression of a very human, tragic figure. Helen wants to touch his face, but he won't let her; this gives one a strong impression of a mirroring of the life of the actor himself. Just like the character he plays, Rondo Hatton was an athlete when younger, and excelled at football.

All of the cast play their parts well. Donald MacBride, frequently cast as the dumb cop, plays a very canny and intelligent one here, and he's ably supported by Peter Whitney-looking handsome and slim!-as Police Lieutenant Gates. The photography is well-done-especially considering the budget (or lack thereof) and there are some nice angles and lighting, especially when Hatton is prowling around the city.

Note: This film was actually made at Universal, who sold the rights to it to PRC shortly after it was completed (and Rondo Hatton died).

For such a low budget movie and from PRC as well, The Brute Man is quite good.

As a result of an experiment going wrong at university, Hal Moffat becomes disfigured and some years later, starts killing people. His victims include a grocer's delivery boy and a jeweller. He makes friends with a blind woman but nearly kills her after shopping him to the police and is arrested in her home after she set him up.

The Brute Man is shot well in black and white and is certainly one of the better efforts from PRC.

I've never heard of any of the cast in this, with Rondo Hatton in the title role.

This is worth checking out. A good way to spend an hour one afternoon or evening.

Rating: 3 stars out of 5.