VALUTAZIONE IMDb
7,0/10
8787
LA TUA VALUTAZIONE
Un uomo e la sua seconda moglie sono perseguitati dal fantasma della sua prima moglie.Un uomo e la sua seconda moglie sono perseguitati dal fantasma della sua prima moglie.Un uomo e la sua seconda moglie sono perseguitati dal fantasma della sua prima moglie.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 1 vittoria e 1 candidatura in totale
Jacqueline Clarke
- Edith
- (as Jaqueline Clarke)
Marie Ault
- Cook
- (non citato nei titoli originali)
Noël Coward
- Narrator
- (non citato nei titoli originali)
Johnnie Schofield
- R.A.C. Man Directing Traffic
- (non citato nei titoli originali)
Recensioni in evidenza
A pristine restoration of David Lean's fantasy comedy based on Noël Coward's successful play, BLITHE SPIRIT is Lean's third feature film and pairs Rex Harrison and Constance Cummings as a middle-class couple Charles and Ruth, both have been married before, out of his whim, Charles invites a kooky medium Madame Arcati (Rutherford) to their rural house to arrange a séance, which he naively thinks is good for inspiration since he is a novelist and Ruth, takes the whole arrangement ever so light-heartedly, only participates out of sheer curiosity, but after the supernormal session, it turns out Madame Arcati is not a fraud at all, Elvira (Hammond), Charles' deceased first wife, has been invoked from the other side and materialises, but only to Charles, who is pleasantly surprised and they start to banter with each other, which vastly irritates Ruth.
Seeking help from Madame Arcati of no avail, Ruth realises she must fight Elvira for Charles, and a subsequent outlandish accident, secretly plotted by Elvira, puts her in the same circumstance as Elvira, while Madame Arcati's final attempt to exorcise the dead from the living world fails, her crystal ball indicates a cue that there is another human being under the same roof is actually capable of accomplish that task.
The story does sound idiotic and Coward's original play has no ambition to be a wacky science fiction other than a farcical fairytale (the film begins convivially with the "once upon a time" introduction), a frivolous (but also cartoon-ishly lethal) tug-of-war between two women divided by two worlds, with poles apart temperaments (Elvira is mischievously petulant while Ruth is uncompromisingly virtuous), thus, the acting is fairly engrossing, the four main characters all cop an attitude with their respectively distinct personalities, the repartees among Harrison, Cummings and Hammond are as rapid as any theatrical live performance, whereas Dame Margaret Rutherford's eccentric actualisation of Madame Arcati is an uplifting phenomenon, such a force of nature and she defies any ridicule of her calling.
However, more essentially, it is Lean's cutting-edge job in fabricating a human-ghost co-existent magic presence becomes a major reason why this little piece of gem sustains its life-force, under the stunning Technicolor palette, this restored version is truly a boon for a first-time viewer, if you are into some carefree diversion of spectres, death and necromancy.
Seeking help from Madame Arcati of no avail, Ruth realises she must fight Elvira for Charles, and a subsequent outlandish accident, secretly plotted by Elvira, puts her in the same circumstance as Elvira, while Madame Arcati's final attempt to exorcise the dead from the living world fails, her crystal ball indicates a cue that there is another human being under the same roof is actually capable of accomplish that task.
The story does sound idiotic and Coward's original play has no ambition to be a wacky science fiction other than a farcical fairytale (the film begins convivially with the "once upon a time" introduction), a frivolous (but also cartoon-ishly lethal) tug-of-war between two women divided by two worlds, with poles apart temperaments (Elvira is mischievously petulant while Ruth is uncompromisingly virtuous), thus, the acting is fairly engrossing, the four main characters all cop an attitude with their respectively distinct personalities, the repartees among Harrison, Cummings and Hammond are as rapid as any theatrical live performance, whereas Dame Margaret Rutherford's eccentric actualisation of Madame Arcati is an uplifting phenomenon, such a force of nature and she defies any ridicule of her calling.
However, more essentially, it is Lean's cutting-edge job in fabricating a human-ghost co-existent magic presence becomes a major reason why this little piece of gem sustains its life-force, under the stunning Technicolor palette, this restored version is truly a boon for a first-time viewer, if you are into some carefree diversion of spectres, death and necromancy.
Can't decide who plays their character best, Dame Margaret or Sir Rex, but every bit of dialog sparkles. I never tire of watching this. The remake pales in comparison.
Blithe Spirit is directed by David Lean and adapted from by Noel Coward's play by Lean, Coward, Ronald Neame and Anthony Havelock-Allan. The title Blithe Spirit was devised out of the poem by "To a Skylark" written by Percy Bysshe Shelley. The film stars Rex Harrison, Constance Cummings, Kay Hammond and Margaret Rutherford. Music is by Richard Addinsell and Neame is the photographer. Plot finds Charles (Harrison) and his second wife Ruth (Cummings) haunted by the ghost of Charles' first wife, Elvira (Hammond). Medium Madame Arcati (Rutherford) is enlisted to try and help. Things get colourful to say the least...
Written by a maestro and directed by someone so gifted, Blithe Spirit is a fantastical comedy that gladdens and lifts the spirits (no pun intended) to the point that this viewer always wears a grin 12 hours after watching it. Noel Coward's witty approach is given perfect treatment from David Lean and a cast clearly having fun with the material to hand. Rex Harrison is all fresh faced and youthful, whilst some of his mannerisms of incredulity and cheek are a joy to behold, while Constance Cummings & Kay Hammond bounce off each other with electrical mirth. However, it is Margaret Rutherford's show all the way, her portrayal of the batty, almost maniacal, medium Madame Arcati is a lesson in visual and well delivered oral comedy, it is something that on its own is worth watching the film for.
Ghostly goings on with a cracking turn of events at the hour mark, mark this out as a truly delightful movie, thankfully we get an ending that is perfect and in tune as regards the fun that has gone before it. Essential viewing for the classic comedy fan. 9/10
Written by a maestro and directed by someone so gifted, Blithe Spirit is a fantastical comedy that gladdens and lifts the spirits (no pun intended) to the point that this viewer always wears a grin 12 hours after watching it. Noel Coward's witty approach is given perfect treatment from David Lean and a cast clearly having fun with the material to hand. Rex Harrison is all fresh faced and youthful, whilst some of his mannerisms of incredulity and cheek are a joy to behold, while Constance Cummings & Kay Hammond bounce off each other with electrical mirth. However, it is Margaret Rutherford's show all the way, her portrayal of the batty, almost maniacal, medium Madame Arcati is a lesson in visual and well delivered oral comedy, it is something that on its own is worth watching the film for.
Ghostly goings on with a cracking turn of events at the hour mark, mark this out as a truly delightful movie, thankfully we get an ending that is perfect and in tune as regards the fun that has gone before it. Essential viewing for the classic comedy fan. 9/10
Has David Lean made a bad film? Not to my knowledge, no! This one is quite fun, I revisited the picture recently and even though I don't like it as much as the masterpiece Oliver Twist, Blithe Spirit is excellent fun for the whole family.
The acting is tremendous, it's mindblowing. Although the dialogue is rather upper class, I quite enjoy it. Margaret Rutherford as Madame Arcati is the star of the film, perfect, perfect and perfect.
The direction is sublime as usual by Lean.
There's plenty to enjoy here, a nice film for everyone.
The acting is tremendous, it's mindblowing. Although the dialogue is rather upper class, I quite enjoy it. Margaret Rutherford as Madame Arcati is the star of the film, perfect, perfect and perfect.
The direction is sublime as usual by Lean.
There's plenty to enjoy here, a nice film for everyone.
I thoroughly enjoyed this adaptation of Noel Coward's play. For one thing, it is sumptuously filmed with fine cinematography and lavish costumes and sets. The direction from David Lean is also first rate, as is the upper class and sophisticated screenplay.
Though I must say the performances also deserve mention. Rex Harrison gives one of his best comic performances bringing a sense of sardonic wit and charm to the role of the man haunted by his first wife. Constance Cummings is very appealing as Ruth, and acquitting herself even better is the glamorous Kay Hammond as Elvira who looks quite like Gertrude Lawrence. But it is Margaret Rutherford who gives a criminally overlooked and divinely eccentric performance as Madame Arcati who steals the show.
And I must mention the music, it is brilliant. The Irving Berlin song Always has quickly become a favourite of mine. The story is quite an original concept. If there were any problems with the movie there are one or two things like Madame Arcati realising the true identity of the person who was summoning the spirits that could've done with more explanation, and the ending does suffer from some tampering from the ending in the play and felt rather abrupt. Overall though, I do recommend Blithe Spirit. 8/10 Bethany Cox
Though I must say the performances also deserve mention. Rex Harrison gives one of his best comic performances bringing a sense of sardonic wit and charm to the role of the man haunted by his first wife. Constance Cummings is very appealing as Ruth, and acquitting herself even better is the glamorous Kay Hammond as Elvira who looks quite like Gertrude Lawrence. But it is Margaret Rutherford who gives a criminally overlooked and divinely eccentric performance as Madame Arcati who steals the show.
And I must mention the music, it is brilliant. The Irving Berlin song Always has quickly become a favourite of mine. The story is quite an original concept. If there were any problems with the movie there are one or two things like Madame Arcati realising the true identity of the person who was summoning the spirits that could've done with more explanation, and the ending does suffer from some tampering from the ending in the play and felt rather abrupt. Overall though, I do recommend Blithe Spirit. 8/10 Bethany Cox
Lo sapevi?
- QuizWriter and director Sir David Lean and cinematographer Ronald Neame decided not to use double exposure to create Elvira's ghostly appearances. Instead, Lean created an enormous set that allowed Kay Hammond to move freely in each shot. Hammond wore fluorescent green clothes, make-up, and a wig, with bright red lipstick and fingernail polish. Each time she moved, a special light would be directed on her, allowing her figure to glow even in dimly-lit scenes and giving her an otherworldly appearance.
- BlooperAfter the séance, when Elvira first appears, she flops onto the settee by the fire. As her dress billows, it can be seen that the green ghostly makeup ends half-way up her leg, showing normal skin above the makeup line.
- Citazioni
Charles Condomine: It's discouraging to think how many people are shocked by honesty and how few by deceit.
- Curiosità sui creditiThe voice at the end of the credits page that utters, "We are quite, quite WRONG!" is Noël Coward's.
- ConnessioniFeatured in Die wahre Miss Marple - Der kuriose Fall Margaret Rutherford (2012)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Un espectro travieso
- Luoghi delle riprese
- Denham Mount, Blacksmith's Lane, Denham, Uxbridge, Buckinghamshire, Inghilterra, Regno Unito(Condomine House, exteriors)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 169 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Proporzioni
- 1.37 : 1
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